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Sculpture --- installations [visual works] --- site-specific works --- monumental sculpture --- Kapoor, Anish
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sculpting --- Sculpture --- art [fine art] --- installations [visual works] --- Art --- Berenhaut, Marianne --- Belgium --- Texte Jan Braet --- kunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- Berenhaut Marianne --- installaties --- 7.071 BERENHAUT --- Criticism and interpretation --- Exhibitions --- Musée des Arts contemporains au Grand Hornu --- art [discipline]
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7 <493> --- kunst --- musea --- Wallonië --- MAC --- Grand Hornu --- museumcollecties --- België --- kunstgeschiedenis --- 7.03(493) --- 700.4 --- Kunst --- Museum --- Musea --- Grand-Hornu --- 7 <493> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- kunstgeschiedenis - België --- Kunst algemeen ; Musea - tentoonstellingen --- beeldende kunst, musea - tentoonstellingen --- Museology --- Art --- museology --- museums [buildings] --- museumkunde --- MAC's [Hornu] --- anno 1900-1999 --- anno 2000-2099 --- Belgium --- Museum voor Hedendaagse Kunsten van de Federatie Wallonië-Brussel [Hornu] --- museologie --- tentoonstellingen --- verzamelingen --- collecties --- Bergen --- Mons --- Mac's Grand-Hornu --- 7.078
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Art --- installations [visual works] --- wars --- migration [function] --- video art --- Conceptual --- social criticism --- Guns, Patrick
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Art --- installations [visual works] --- Boltanski, Christian
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"Since the 1960s, Downsbrough has been working on a varied oeuvre that embraces photography, sculpture, installations, artist books and postcards. His work is linked to Minimal Art and Conceptual Art by its innovative approach to space and language. The new book published by the two museums is a supplement to the artist books that Downsbrough created between 1968 and 2010. It inventorises about 400 postcards that the artist has modified since the 1980s, some of which he sent to friends, fellow artists and curators. The use of the postcard as a medium is related to Downsbrough's fascination with urban space. As rather old-fashioned-looking products of our touristic view of the world, these cards show places with iconic monuments or architecture, or more banal, interchangeable 'non-places' such as beaches, harbours and rivers. The artist modifies these recycled pictures using transfer letters, tape and offset printing. He applies lines, letters and words that influence our reading of the places depicted. Lines divide up the images or follow their existing lines of perspective. Photos always show a limited cut-out view of reality, but Downsbrough's additions are evocative, break open the images and stimulate our imagination."--S.M.A.K.'s website, http://smak.be/en/exhibition/10740 - last viewed 20180913.
Art --- postal cards --- collages [visual works] --- letters [signs] --- rules [layout features] --- Downsbrough, Peter --- Artists --- Conceptual art --- Minimal art --- Postcards in art --- Travel in art --- Travel
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Art --- Musée d'art contemporain [Marseille] --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019
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