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Love stories, Greek --- Digression (Rhetoric) --- Visual perception in literature. --- Loss (Psychology) in literature. --- Vision in literature. --- Narration (Rhetoric) --- Rhetoric, Ancient. --- Histoires d'amour grecques --- Digression (Rhétorique) --- Perception visuelle dans la littérature --- Perte (Psychologie) dans la littérature --- Vision dans la littérature --- Narration --- Rhétorique ancienne --- History and criticism. --- Histoire et critique --- Achilles Tatius. --- Digression (Rhetoric) in literature --- Visual perception in literature --- Loss (Psychology) in literature --- Vision in literature --- Rhetoric, Ancient --- History and criticism --- Digression (Rhetoric) in literature. --- Eye in literature. --- History --- Romance fiction, Greek --- Digression (Rhétorique) --- Perception visuelle dans la littérature --- Perte (Psychologie) dans la littérature --- Vision dans la littérature --- Rhétorique ancienne --- Eye in literature --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Greek romance fiction --- Greek fiction --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Love stories, Greek - History and criticism
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From Zeus to Europa, to Pan and Prometheus, the myths of ancient Greece and Rome continue to pervade the numerous facets of our existence. The author explores the rich history and varying interpretations of classical myth in both high art and popular culture as well as its ongoing influence in modern society.
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"The picture of classical antiquity most of us learned in school is framed in certain ways -- glossing over misogyny while omitting the seeds of feminist resistance. Many of today's harmful practices, like school dress codes, exploitation of the environment, and rape culture, have their roots in the ancient world. But in Antigone Rising, classicist Helen Morales reminds us that the myths have subversive power because they are told -- and read -- in different ways. Through these stories, whether it's Antigone's courageous stand against tyranny or the indestructible Caeneus, who inspires trans and gender queer people today, Morales uncovers hidden truths about solidarity, empowerment, and catharsis. Antigone Rising offers a fresh understanding of the stories we take for granted, showing how we can reclaim them to challenge the status quo, spark resistance, and rail against unjust regimes."--Amazon.com.
Feminist theory. --- Mythology, Greek. --- Mythology, Roman.
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Sociology of culture --- Mythology --- Images of women --- Book --- Empowerment --- Antiquity
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The picture of classical antiquity most of us learned in school is framed in certain ways, glossing over misogyny while omitting the seeds of feminist resistance. Many of today's harmful practices, like school dress codes, exploitation of the environment, and rape culture, have their roots in the ancient world. But in Antigone Rising, classicist Helen Morales reminds us that the myths have subversive power because they are told and read in different ways. Through these stories, whether it's Antigone's courageous stand against tyranny or the indestructible Caeneus, who inspires trans and gender queer people today, Morales uncovers hidden truths about solidarity, empowerment, and catharsis. Antigone Rising offers a fresh understanding of the stories we take for granted, showing how we can reclaim them to challenge the status quo, spark resistance, and rail against unjust regimes.
Mythology, Classical --- Women --- Mythology
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Greek literature --- Latin literature --- Intertextuality. --- Littérature grecque --- Littérature latine --- Intertextualité --- History and criticism. --- Histoire et critique --- -Latin literature --- -Literature, Comparative --- -Transmission of texts --- -Classical literature --- -Greek literature --- -Intertextuality --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Balkan literature --- Byzantine literature --- Classical literature --- Classical philology --- Greek philology --- Literature, Classical --- Literature --- Literature, Ancient --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Comparative literature --- Literature, Comparative --- Philology --- Roman literature --- Latin philology --- Greek influences --- Greek and Latin --- Latin and Greek --- Appreciation --- -Criticism, Textual --- History and criticism --- Transmission of texts --- Criticism, Textual. --- Greek and Latin. --- Latin and Greek. --- Greek influences. --- Littérature grecque --- Littérature latine --- Intertextualité --- Intertextuality
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The embrace of reception theory has been one of the hallmarks of classical studies over the last 30 years. This volume builds on the critical insights thereby gained to consider reception within Greek antiquity itself. Reception, like 'intertextuality', places the emphasis on the creative agency of the later 'receiver' rather than the unilateral influence of the 'transmitter'. It additionally shines the spotlight on transitions into new cultural contexts, on materiality, on intermediality and on the body. Essays range chronologically from the archaic to the Byzantine periods and address literature (prose and verse; Greek, Roman and Greco-Jewish), philosophy, papyri, inscriptions and dance. Whereas the conventional image of ancient Greek classicism is one of quiet reverence, this book, by contrast, demonstrates how rumbustious, heterogeneous and combative it could be.
Classical literature --- Reader-response criticism. --- Greek literature --- Greek influence. --- History and criticism. --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Literature, Classical --- Literature --- Literature, Ancient --- Latin literature
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The embrace of reception theory has been one of the hallmarks of classical studies over the last 30 years. This volume builds on the critical insights thereby gained to consider reception within Greek antiquity itself. Reception, like 'intertextuality', places the emphasis on the creative agency of the later 'receiver' rather than the unilateral influence of the 'transmitter'. It additionally shines the spotlight on transitions into new cultural contexts, on materiality, on intermediality and on the body. Essays range chronologically from the archaic to the Byzantine periods and address literature (prose and verse; Greek, Roman and Greco-Jewish), philosophy, papyri, inscriptions and dance. Whereas the conventional image of ancient Greek classicism is one of quiet reverence, this book, by contrast, demonstrates how rumbustious, heterogeneous and combative it could be.
Classical literature --- Greek literature --- Reader-response criticism. --- Greek influences. --- History and criticism. --- Appreciation. --- Greek literature. --- Greek influence. --- Reader-response criticism --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Literature, Classical --- Literature --- Literature, Ancient --- Latin literature --- Greek influence --- History and criticism
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