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hedendaagse kunst --- art theory --- kunstbeschouwing --- Art --- art criticism --- fonds [collections] --- kunstenaarsgeschriften --- Aesthetics of art --- art [fine art] --- Contemporary [style of art] --- Boltanski, Christian --- Warhol, Andy --- Sekula, Allan --- Hiller, Susan --- Kabakov, Ilija Iosefovich --- Broodthaers, Marcel --- Raad, Walid --- Hirschhorn, Thomas --- Raqs Media Collective [New Delhi] --- anno 2000-2009 --- anno 1900-1999 --- Archives. --- Art archives. --- Archival resources. --- Museums --- Collection management. --- kunst --- archivering --- archieven --- Agamben Giorgio --- The Atlas Group --- Ra'ad Walid --- Benjamin Walter --- Boltanski Christian --- Broodthaers Marcel --- Buchloh Benjamin H.D. --- Cummings Neil --- Lewandowska Marysia --- Derrida Jacques --- Dittborn Eugenio --- Foster Hal --- Foucault Michel --- Freud Sigmund --- Green Renée --- Hiller Susan --- Hirschhorn Thomas --- Kabakov Ilya --- Kujundzic Dragan --- Levin Patricia --- Perreault Jeanne --- Merewether Charles --- Moeglin-Delcroix Anne --- Raqs media collective --- Ricoeur Paul --- Salloum Jayce --- Sekula Allan --- Spivak Gayatri Chakravorty --- subREAL --- Dan Cãlin --- Kiraly Josif --- Tupitsyn Margarita --- Warhol Andy --- Zaatari Akram --- kunsttheorie --- twintigste eeuw --- 7.01 --- 7.038 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; over archieven ; kunstarchieven --- Museologie ; collectiebeheer ; archivering --- Buchloh Benjamin H.D --- Archival resources --- Archives --- Art archives --- Collection management in museums --- Collections management in museums --- Museum collection management --- Museum collections management --- Museum techniques --- Museum storage facilities --- Documents --- Manuscript depositories --- Manuscript repositories --- Manuscripts --- Documentation --- History --- Information services --- Records --- Cartularies --- Charters --- Diplomatics --- Public records --- Information resources --- Collection management --- Collections management --- Depositories --- Repositories --- Kunstesthetica --- Kunst --- kunstkritiek --- archieven [collecties] --- artists' statements --- Museums - Collection management --- art [discipline]
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Art, Soviet. --- Art, Russian --- Art, Ukrainian --- Art, Georgian (South Caucasian) --- Art, Central Asian --- Communism and art. --- Communist aesthetics. --- Aesthetics, Communist --- Aesthetics, Marxist --- Marxist aesthetics --- Communism and art --- Art and communism --- Art --- Central Asian art --- Art, Georgian (Georgian S.S.R.) --- Art, Georgian (Transcaucasia) --- Art, Georgian (Transcaucasian) --- Georgian art (South Caucasian) --- Ukrainian art --- Russian art --- Krug khudozhnikov (Group of artists) --- NOMA (Group of artists) --- Trinadt︠s︡atʹ (Group of artists) --- Art of the Soviet Union --- Soviet art --- Soviet influences. --- Soviet influences
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This monograph spans the life and work of the Beijing-based conceptual artist, publisher and architect, Ai Weiwei. While the book's focus is on key works produced in Beijing 1993-2003, the texts and interviews provide a broader context, following the artist's and his art's development from Xinjiang where he spent the his formative years with his exiled-father, to New York where in self-exile he was exposed to New York's experimental art for 13 years, and then back to Beijing where he produced the important body of new works that are the focus of this book...
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Art --- Architecture --- Sculpture --- Photography --- art [discipline] --- architecture [discipline] --- photography [process] --- sculpting --- Ai Weiwei --- China
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This book is distinctive in exploring Eastern European art since World War Two. It focuses on the period after Stalin, covering the response by and legacy of Soviet domination of the region, especially looking at the Soviet Union, Ukraine, Georgia, Central Asia and influence of Russia/Soviet Union in Asia. It explores the theoretical models developed for understanding contemporary art across Eastern Europe and pays attention to the new generation of Georgian artists who emerged in the immediate years before and after the country's independence from the Soviet Union; the Ukrainian artists after the events of Maidan in 2014 and legacy and debates around monuments across Eastern Europe. Dr. Charles Merewether is an art historian, the author and the curator who has worked in Asia, Australia, Europe and the Americas. Merewether has worked and lived in Tbilisi, Georgia, over the past 4 years. He is the author of books and many articles about contemporary art, including his books State of Play (2017), After Memory: The Art of Milenko Prvacki and Under Construction: Ai Weiwei (2008). He was the co-editor of After the Event (2010) and the editor of both Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan 1950-1970, (2007) and The Archive (2006). .
History of civilization --- History of Eastern Europe --- cultuurgeschiedenis --- geschiedenis --- Russia --- Soviet Union --- Europe, Eastern --- Civilization --- Art --- Russian, Soviet, and East European History. --- Cultural History. --- Art History. --- History.
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This book explores the interplay of Western European exploration and trade, with collecting, cabinets of curiosities and museums, and with the role of booty and plunder in the building of empires from ca.1600 until the end of the 19th century. The book focuses principally on the Dutch, English, Spanish, French and Italian at different times of their colonial power over the course of these 300 years. The achievements of exploration and trade provide the basis for these countries and both the state and individuals to build collections and museums. This involved governments to legitimize the pursuit of booty and subsequently looting whether by themselves, members of the ruling class or privateers. Throughout much of this period, there those who stood up and challenged such practices, passing laws to criminalize, curtail or contain these activities. By the late 18th century, these parallel but disparate activities converged. It was era of Napoleon and his imperial ambitions that drew these disparate activities together, with his support of intellectual inquiry alongside military plunder and collecting. This served as a symbol of imperial power of the French empire that, alongside England and Italy, exploited the wealth and riches of Egypt, India, and China. Charles Merewether, born in Edinburgh, received his BA (literature) and PhD in art history at the University of Sydney. He taught European modernism at the Universities of Sydney (1981-84), Universidad Iberoeramericana, Mexico City (1986-88), and Universidad Autonoma in Barcelona. He received a research fellowship from Yale University (1991), was Inaugural Curator for the Museo de Arte Contemporaneo de Monterrey, Mexico, (1991-1994), Curator at the Research Institute, Getty Center, Los Angeles (1994-2003) and taught at the University of Southern California. He was Artistic Director of the Sydney Biennale (2004-2006), Deputy Director of the Cultural District, Saadiyat Island, Abu Dhabi (2007), Director of the Institute of Contemporary Arts, Singapore, (2010-2013), Visiting Professor at Nanyang Technological University, Singapore (2014) and Baptist University, Hong Kong (2015). He was Curator of Contemporary Art, National Art Museum in Tbilisi, Georgia (2016-2019). His books include: In the Sphere of the Soviets (2021), State of Play: Art in Georgia 1985-2000 (2017), After Memory: The Art of Milenko Prvacki (2013) and Under Construction: Ai Weiwei (2008), He was co-editor of After the Event (2010), editor of both Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan 1950-1970, (2007) and The Archive (2006).
Europe --- Imperialism. --- European History. --- Imperialism and Colonialism. --- History.
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7.07 --- Beeldende kunst ; installaties ; 1980-2009 ; Weiwei Ai --- Ai, Weiwei °1957 (°Peking, China) --- Ai, Wei Wei --- Architectuur ; Ai Weiwei --- Kunst en maatschappijkritiek ; China --- DVD's --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions
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Iconography --- Art --- Architecture --- Sculpture --- installations [visual works] --- art [discipline] --- architecture [discipline] --- sculpting --- kunst en politiek --- Ai Weiwei --- China
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