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This study, published in 2000, examines the dialogue between Romantic poetry and the human sciences of the period. Maureen McLane reveals how Romantic writers participated in a new-found consciousness of human beings as a species, by analysing their work in relation to discourses on moral philosophy, political economy and anthropology. Writers such as Wordsworth, Coleridge, Mary Shelley and Percy Shelley explored the possibilities and limits of human being, language and hope. They engaged with the work of theorisers of the human sciences - Malthus, Godwin and Burke among them. The book offers original readings of canonical works, including Lyrical Ballads, Frankenstein and Prometheus Unbound, to show how the Romantics internalised and transformed ideas about the imagination, perfectibility, immortality and population which so energised contemporary moral and political debates. McLane provides a defence of poetry in both Romantic and contemporary theoretical terms, reformulating the predicament of Romanticism in general and poetry in particular.
English literature. --- English literature - 19th century - History and cr. --- Literature and anthropology. --- Literature and society. --- Population in literature. --- Romanticism. --- Social problems in literature. --- Social sciences. --- English literature --- Literature and society --- Literature and anthropology --- Social sciences --- Social problems in literature --- Romanticism --- Population in literature --- English Literature --- English --- Languages & Literatures --- History and criticism --- History --- History and criticism. --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Anthropology and literature --- Civilization --- Anthropology --- Arts and Humanities --- Literature
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More than any other period of British literature, Romanticism is strongly identified with a single genre. Romantic poetry has been one of the most enduring, best loved, most widely read and most frequently studied genres for two centuries and remains no less so today. This Companion offers a comprehensive overview and interpretation of the poetry of the period in its literary and historical contexts. The essays consider its metrical, formal, and linguistic features; its relation to history; its influence on other genres; its reflections of empire and nationalism, both within and outside the British Isles; and the various implications of oral transmission and the rapid expansion of print culture and mass readership. Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and Clare.
Poetry --- English literature --- anno 1700-1799 --- anno 1800-1899 --- English poetry --- History and criticism --- Romanticism --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- 820-1 --- 82.015.55 --- 82.015.55 Literaire stromingen: romantiek --- Literaire stromingen: romantiek --- 820-1 Engelse literatuur: poëzie --- Engelse literatuur: poëzie --- English poetry - 19th century - History and criticism - Handbooks, manuals, etc --- English poetry - 18th century - History and criticism - Handbooks, manuals, etc
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Ways of Hearing is a book for our times that celebrates the infinite ways music enhances our lives.Contributors include: Laurie Anderson, Jamie Barton, Daphne Brooks, Edgar Choueiri, Jeff Dolven, Gustavo Dudamel, Edward Dusinberre, Corinna da Fonseca-Wollheim, Frank Gehry, Ruth Bader Ginsburg, Jane Hirshfield, Pico Iyer, Alexander Kluge, Nathaniel Mackey, Maureen McLane, Alicia Hall Moran, Jason Moran, Paul Muldoon, Elaine Pagels, Robert Pinsky, Richard Powers, Brian Seibert, Arnold Steinhardt, Susan Stewart, Abigail Washburn, Carrie Mae Weems, Susan Wheeler, C. K. Williams, and Wu Fei. They sound the depths of a remarkable range of musical genres, including opera, jazz, bluegrass, and concert music both classical and contemporary.This expansive volume spans styles and subjects, including Pico Iyer's meditations on Handel, Arnold Steinhardt's thoughts on Beethoven's Grosse Fuge, and Laurie Anderson and Edgar Choueiri's manifesto for spatial music. Richard Powers discusses the one thing about music he's never told anyone, Daphne Brooks draws sonic connections between Toni Morrison and Cécile McLorin Salvant, and Ruth Bader Ginsburg reveals what she thinks is the sexiest duet in opera. Poems interspersed throughout further expand how we can imagine and respond to music. . An outstanding anthology in which notable musicians, artists, scientists, thinkers, poets, and more-from Gustavo Dudamel and Carrie Mae Weems to Ruth Bader Ginsburg and Paul Muldoon-explore the influence of music on their lives and workWhat happens when extraordinary creative spirits-musicians, poets, critics, and scholars, as well as an architect, a visual artist, a filmmaker, a scientist, and a legendary Supreme Court justice-are asked to reflect on their favorite music? The result is Ways of Hearing, a diverse collection that explores the ways music shapes us and our shared culture. These acts of musical witness bear fruit through personal essays, conversations and interviews, improvisatory meditations, poetry, and visual art. .
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