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Katja Mater's series 'Time is an Arrow, Error' entails layers of duration. The process begins with a drawing of half an analogue clockface. The drawing is then photographed in natural light, producing two separate negatives that each capture the image over different extended exposures. Subtle shifts in light lead to variations in colours and, in some cases, the uneven transcription of shadows on the photographic plate. Finally, one of the two semicircles is flipped or rotated, resulting in a whole clock formed by two irregular halves. The steady passage of mechanised time is thus expressed in imprecision and irresolution. Designed by Elisabeth Klement and with a text by Amelia Groom.

Mater, Katja --- Photography of art --- Clocks and watches --- Time in art --- 741.07 --- 741.04 --- 77.026 --- Tekenkunst ; 1ste helft 21ste eeuw ; Katja Mater --- Fotografie en tekenkunst --- Thema's in de kunst ; tijd ; uurwerken --- Vrouwelijke kunstenaars ; 21ste eeuw --- Mater, Katja °1979 (°Hoorn, Nederland) --- Timepieces --- Watches --- Chronology --- Horology --- House furnishings --- Clock and watch making --- Time measurements --- Art photography --- Art --- Tekenkunst ; tekenkunstenaars A - Z --- Tekenkunst ; iconografie --- Fotografie ; reproduktie, kopiëren --- Drawing --- clocks --- drawing [image-making] --- time

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First issue of an annual magazine of photographic stories, edited and designed by Julie Peeters. Twelve contributors present new or previously unpublished work. 'BILL' prioritizes visual reading without distraction, the images that appear in the magazine are printed without any accompanying text. Contributors to the first issue are: Jochen Lempert, Ketuta Alexi-Meskhishvili, Katja Mater, Elena Narbutaite, Rosalind Nashashibi & Vivian Suter, Arthur Ou, Scott Ponik, Adam Putnam, Johannes Schwartz, Linda Van Deursen and Stand Up Comedy.

Photography --- fotografie --- grafisch ontwerp --- grafisch design --- tijdschriften --- eenentwintigste eeuw --- België --- Peeters Julie --- 77.039 --- artistieke fotografie

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Scherpstellen is a collection of eight essays written by leading curators, critics, photographers and artists from the world of photography and visual arts. Commissioned by the Mondriaan Fund, the authors argue which developments are desirable for photography as an art form. Hans den Hartog Jager, Kim Knoppers, Amanda Maddox, Marwan Magroun, Katja Mater, Anne Ruygt, Vincent van Velsen and Joke de Wolf each answer the question in their own way: where does photography stand within the visual arts today and what's next? The perspectives vary: from a call for more debate and a plea for fluid forms of photography to pointing out the responsibility of images towards people and the world. Focusing is the 15th publication in the essay series of the Mondriaan Fund. The fund regularly publishes essays by writers , thinkers and mediators on current topics within the visual arts and heritage. Unlike the physical edition, the E-book version of this publication does not contain images in the interior "Scherpstellen is een bundel van acht essays geschreven door toonaangevende conservatoren, critici, fotografen en kunstenaars uit de wereld van de fotografie en beeldende kunst. In opdracht van het Mondriaan Fonds betogen de auteurs welke ontwikkelingen wenselijk zijn voor fotografie als kunstvorm. Hans den Hartog Jager, Kim Knoppers, Amanda Maddox, Marwan Magroun, Katja Mater, Anne Ruygt, Vincent van Velsen en Joke de Wolf geven elk op eigen wijze antwoord op de vraag: waar staat fotografie vandaag binnen de beeldende kunst en hoe verder? De invalshoeken lopen uiteen: van een oproep tot meer debat en een pleidooi voor fluïde vormen van fotografie tot het wijzen op de verantwoordelijkheid van beeld ten opzichte van mens en wereld. Scherpstellen is de 15e publicatie in de essayreeks van het Mondriaan Fonds. Het fonds brengt regelmatig essays uit van schrijvers, denkers en bemiddelaars over actuele onderwerpen binnen de beeldende kunst en erfgoed. De E-bookversie van deze publicatie bevat in tegenstelling tot de fysieke uitgave geen beelden in het binnenwerk."--

Photography, Artistic --- Philosophy