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In this book on intertextuality in Pliny the Younger, Professor Marchesi invites an alternative reading of Pliny's collection of private epistles: the letters are examined as the product of an authorial strategy controlling both the rhetorical fabric of individual units and their arrangement in the collection. By inserting recognisable fragments of canonical authors into his epistles, Pliny imports into the still fluid practice of letter-writing the principles of composition and organisation that for his contemporaries characterised other writings as literature. Allusions become the occasion for a metapoetic dialogue, especially with the collection's privileged addressee, Tacitus. An active participant in the cultural politics of his time, Pliny entrusts to the letters his views on poetry, oratory and historiography. In defining a model of epistolography alternative to Cicero's and complementing those of Horace, Ovid and Seneca, he also successfully carves a niche for his work in the Roman literary canon.

Allusions in literature. --- Allusions dans la littérature --- Pliny, --- Criticism and interpretation. --- Correspondence --- Criticism, Textual. --- Allusions dans la littérature --- Allusions in literature --- Caius Plinius, --- Gaĭ T︠S︡et︠s︡iliĭ Pliniĭ Sekund, --- Gaj Plinije, --- Kaĭ Pliniĭ T︠S︡et︠s︡iliĭ Vtoroĭ --- Pline, --- Pliniĭ, --- Plinio, --- Plinius Caecilius Secundus, C. --- Plinius Caecilius Secundus, Caius --- Plinius, Caius, --- Gaius Plinius Secundus Minor --- C. Plini Caecili Secundi --- Pline le Jeune --- Plinius de jongere --- Plinius der Jüngere --- Plinius Caecilius Secundus, Gaius --- Arts and Humanities --- History --- Pline le Jeune (0061?-0114?) --- Lettres --- Allusion (rhétorique) --- Intertextualité --- Critique et interprétation

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Women in Martial is the first monograph to treat the portrayals of women in Martial's Epigrams in a systematic way. In this volume, Marchesi proposes a new method of exploring the cultural construction of femininity in the Flavian age, presenting an interplay between close readings of Martial's poems and their contextualization through legal, historiographic, rhetorical, and grammatical discussions.This book discusses the social roles assigned to women in Roman society, where they were at once called to represent their fathers and reproduce their husbands, together with the question of to what extent they are depicted as semiotic signifiers in Martial's corpus. Noting socially aberrant behavior by pointedly using the discourse of grammar and its categories to detect and address the social issues of his time, Martial--a poet who distinctively adopts the role of a surrogate censor for Domitian--constructs the women he depicts in both negative and positive ways as signs of their time.Using a wide range of examples from ancient Roman culture, Women in Martial models a way of using literary sources to address the intersection of social and cultural issues in the study of women in the ancient world, ultimately demonstrating the extent to which the social roles and identities of women were constructed and policed through semiotic categories.

Martialis, Marcus Valerius

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This book is addressed to “lovers of paradoxes” and we have done our utmost to assemble a stellar cast of Neapolitan and American scholars, intellectuals, and artists/writers who are strong and open-minded enough to wrestle with and illuminate the paradoxes through which Naples presents itself. Naples is a mysterious metropolis. Difficult to understand, it is an enigma to outsiders, and also to the Neapolitans themselves. Its very impenetrableness is what makes it so deliriously and irresistibly attractive. The essays attempt to give some hints to the answer of the enigma, without parsing it into neat scholastic formulas. In doing this, the book will be an important means of opening Naples to students, scholars and members of the community at large who are engaged in “identity-work.” A primary goal has been to establish a dialogue with leading Neapolitan intellectuals and artists, and, ultimately, ensure that the “deliriously Neapolitan” dance continues.

Italy. --- Naples.