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French literature --- Drama --- anno 1600-1699 --- French drama (Tragedy) --- History and criticism --- French drama --- 17th century --- Classical influences --- Classicism --- France --- French drama - Classical influences.
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Examples, crucial links between discourse and society's view of reality, have until now been largely neglected in literary criticism. In the first book-length study of the rhetoric of example, John Lyons situates this figure by comparing it with more frequently studied tropes such as metaphor and synecdoche, discusses meanings of the terms example and exemplum, and proposes a set of descriptive concepts for the study of example in early modern literature. Tracing its paradoxical nature back to Aristotle's Rhetoric, Lyons shows how exemplary rhetoric is caught between often competing aims of persuasive general statement and accurate representation. In French and Italian texts of the sixteenth and seventeenth centuries this dual task was rendered still more challenging by a transition to new sources of examples as the age of discovery brought increased emphasis on observation. The writers of this period were aware of a crisis in exemplary rhetoric, a situation in which serious questions were raised about how authors and audience would find a common ground in interpreting representative instances. Lyons's focus on the strategy of example leads to new readings of six major writers--Machiavelli, Marguerite de Navarre, Montaigne, Pascal, Descartes, and Marie de Lafayette.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Exempla --- French literature --- French language --- Rhetoric --- Romance Literatures --- Languages & Literatures --- French Literature --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- Anecdotes --- Didactic literature --- Homiletical illustrations --- Example --- History and criticism --- History --- Machiavelli, Niccolò --- Technique. --- Exempla. --- History and criticism. --- Rhetoric. --- History. --- 16th century --- 17th century --- Early modern, 1500-1700 --- Machiavelli, Niccolo --- Technique --- 1500-1800 --- French language -- Middle French, 1300-1600 -- Rhetoric. --- French literature -- 16th century -- History and criticism. --- French literature -- 17th century -- History and criticism. --- Machiavelli, Niccolò, -- 1469-1527 -- Technique. --- Rhetoric -- History. --- Literary rhetorics --- Italian literature --- anno 1500-1599 --- anno 1600-1699 --- マキアヴェルリ --- French literature - 16th century - History and criticism. --- French literature - 17th century - History and criticism. --- French language - Early modern, 1500-1700 - Rhetoric. --- Rhetoric - History. --- Machiavelli, Niccolo,
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Before imagination became the transcendent and creative faculty promoted by the Romantics, it was for something quite different. Not reserved to a privileged few, imagination was instead considered a universal ability that each person could direct in practical ways. To imagine something meant to form in the mind a replica of a thing—its taste, its sound, and other physical attributes. At the end of the Renaissance, there was a movement to encourage individuals to develop their ability to imagine vividly. Within their private mental space, a space of embodied, sensual thought, they could meditate, pray, or philosophize. Gradually, confidence in the self-directed imagination fell out of favor and was replaced by the belief that the few—an elite of writers and teachers—should control the imagination of the many. This book seeks to understand what imagination meant in early modern Europe, particularly in early modern France, before the Romantic era gave the term its modern meaning. The author explores the themes surrounding early modern notions of imagination (including hostility to imagination) through the writings of such figures as Descartes, Montaigne, François de Sales, Pascal, the Marquise de Sévigné, Madame de Lafayette, and Fénelon.
French literature --- Imagination in literature --- Philosophy, French --- Imagination (Philosophy) --- History and criticism --- Philosophy --- Imagination in literature. --- History and criticism.
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Baroque, the cultural period extending from the mid-sixteenth to the mid-eighteenth century, created some of the world's most striking monuments, music, artworks, and literature. This Handbook goes beyond all existing studies by presenting Baroque not only as a style, but also as a global cultural phenomenon arising in response to enormous religious, political, and technological changes
History of civilization --- anno 1600-1699 --- Baroque --- Baroque. --- Civilization, Baroque --- Civilization, Baroque. --- Barock. --- Baroque civilization --- cultuurgeschiedenis
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In this authoritative and accessible account of French literature, sixteen essays by leading specialists offer provocative insights into French literary culture, its genres, movements, themes, and historic turning points, including the cultural and linguistic challenges of today's multi-ethnic France. The French have, over the centuries, invented and reinvented writing, from the Arthurian romances of Chrétien de Troyes to Montaigne's Essays, which gave the world a new literary form and a new standard for writing about personal thought and experience; from the highly polished tragedies of French classicism to the satirical novels of the Enlightenment; from Proust's explorations of social and sexual mores to the 'New Novel' of the late twentieth century; and from Baudelaire's urban poetry to today's poetic experiments with sound and typography. The broad scope of this Companion, which goes beyond individual authors or periods, enables a deeper appreciation for the distinctive literature of France.
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Provides a new account of the crucial shift from the classical and medieval conception of Fortune to the modern notion of chance or randomness.
French literature --- Fortune in literature. --- Chance in literature. --- History and criticism.
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French drama --- French drama (Tragedy) --- Tragic, The, in literature
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Corneille, Pierre, --- Tragedies. --- Knowledge --- History.
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French drama --- Disguise in literature. --- Baroque literature. --- Théâtre français --- Déguisement dans la littérature --- Littérature baroque --- History and criticism. --- Histoire et critique
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