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"Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."--Provided by publisher.

Blacks in literature. --- Blacks in motion pictures. --- Blacks in popular culture --- Blacks in popular culture. --- Blacks --- German literature --- German literature. --- Masculinity in literature. --- Masculinity in motion pictures. --- Motion pictures --- Motion pictures. --- Whites --- History --- Race identity --- Race identity. --- Black authors --- History and criticism. --- History and criticism --- 1900-1999. --- Germany.

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Marylin, a novel by the Austrian writer Arthur Rundt about a mixed-race woman passing as white, moves from Chicago to New York City and concludes tragically on a Caribbean island. First published in 1928 and now translated into English, it offers a European view of racial attitudes in the US during the era of the Harlem Renaissance and Jim Crow. Rundt's short but powerful novel touches several vital issues in society today, engaging each in a way that prompts further examination and cross-fertilization. First, it sheds historical light on what has become painfully obvious in the Black Lives Matter era (if it wasn't before): the continued injustice experienced by Blacks in America as an effect of structural racism. Second, it confronts issues of migration and hybrid identities. Third, it has relevance for Women's Studies through the title character's interaction with the patriarchy. Through these connections, it responds to a growing current in German Studies concerned with diversity and inclusion and integrating the discipline into the broader humanities. An introduction and an afterword, both of them extensive and scholarly, contextualize the novel in its time and as it relates to ours.

African American women. --- #MeToo. --- Black Lives Matter. --- Caribbean island. --- Chicago. --- German Studies. --- Harlem Renaissance. --- Jim Crow. --- New York City. --- Women's Studies. --- diversity and inclusion. --- hybrid identities. --- migration. --- mixed-race woman. --- passing as white. --- patriarchy. --- racial attitudes. --- structural racism.

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Posits a new, aesthetically and politically radical, transnational German cinema - "transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization.

PERFORMING ARTS / Film & Video / History & Criticism. --- Berlin School. --- abjection. --- affect studies. --- anti-fascist. --- audiovisual. --- cinematography. --- feminism. --- grassroots activism. --- immigrants. --- intimacy. --- marginalization. --- materiality. --- migrants. --- mockumentaries. --- pessimism. --- phenomenology. --- queer cinema. --- refugees. --- translation. --- voice.