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Art --- art [discipline] --- art criticism --- philosophy of art --- anno 1900-1999 --- anno 2000-2099
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Iconography --- Art --- Film --- installations [visual works] --- video art --- organs [biological components] --- textile materials --- wood [plant material] --- video-stills --- Armand, Caroline --- Brus, Roland --- Burbidge, Matthew --- Dieker, Birgit --- Dupaquier, Cécile --- Eckhardt, Frauke --- Geelhaar, Jens --- Giegold, Rolf --- Hoppe, Stefanie --- Menck, Anke Mila --- Thoma, Matthäus --- Wendland, Tilman
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Iconography --- Art --- Architecture --- Sculpture --- Graphic arts --- art [discipline] --- architecture [discipline] --- dwellings --- sculpting --- graphic arts --- Matta-Clark, Gordon --- United States of America
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collage --- fotografie --- fotomontages --- film --- nazisme --- propaganda --- Wereldoorlog II --- media --- Wereldoorlog I --- Heartfield, John --- Münzenberg, Willi --- Warburg, Abraham Moritz --- Brecht, Bertolt
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Iconography --- anno 1900-1999 --- Arts, Modern --- Visual communication in art --- Arts modernes --- Communication visuelle dans l'art --- Exhibitions. --- Expositions
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Iconography --- Sculpture --- sculpture [visual works] --- National Socialism --- nudes [representations] --- monuments --- human figures [visual works] --- Breker, Arno --- Albiker, Karl --- Blumenthal, Hermann --- Klimsch, Fritz --- Kasper, Ludwig --- Lehmbruck, Wilhelm --- Kolbe, Georg --- Fiori, de, Ernesto --- Marcks, Gerhard --- Scheibe, Richard --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- Germany --- kunst en politiek
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The political collages of John Heartfield (1891-1968) have earned him a reputation as one of the most innovative graphic artists of the Weimar Republic. His photomontages and book covers based on collages which had their origins in Berlin's Dada scene were directed against Fascism and made him internationally famous. Their explosive power has lost none of its impact. Heartfield was a sharp and uncompromising observer who subverted the documentary character of the press photograph. He employed his art as political propaganda, and fought against war and Fascism with gripping pictures and trenchant humour. This catalogue will include not only the working materials which reveal Heartfield's method but also his trick films, work for the theatre and book design. The original art-works and documents all derive from his personal estate in Berlin. Statements by contemporary artists formulate positions and pose questions, which Heartfield's work raises in the age of fake news. Exhibition: Akademie der Künste, Berlin, Germany (21.03. - 21.06.2020) / Museum de Fundatie, Zwolle, The Netherlands (27.09.2020 - 03.01.2021) / Royal Academy of Arts, London, UK (27.06. - 26.09.2021).
photographers --- Heartfield, John --- Photomontage --- Heartfield, John, --- Herzfeld, Helmut, --- Khartfilʹd, Dzhon, --- Harṭfild, G'on, --- הארטפילד, ג׳ון --- הארטפילד, ג׳ון, --- Exhibitions --- Herzfeld, Helmut --- Khartfilʹd, Dzhon --- Harṭfild, G'on
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