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Music --- muziekkritiek --- muziekleven --- muziekgeschiedenis --- anno 1800-1899 --- Vienna
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Music --- anno 1500-1599 --- 78.60.1
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componisten --- Pärt, Arvo --- anno 1900-1999
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"In Sounds Beyond, Kevin C. Karnes illuminates the unofficial and interconnected music and art scenes in the USSR during the second half of the 1970s through the work of Arvo Pärt, one of the most successful and widely known contemporary classical composers with a large international following. Karnes shows how Pärt's work of the 1970s took shape in dialogue with a community of alternative musicians and as part of a vital yet forgotten culture of collective experimentation Karnes calls the 1970s Soviet Underground. Using a combination of archival research and oral history, Karnes carefully situates modes of experimentation in the late socialist contexts out of which they emerged, and he also shows the degree to which experimental scenes in the East and West were in dialogue and shared several common goals. Karnes also unveils the deeply communal nature of experimental projects in music and the visual arts, from John Cage to Morton Feldman, and in dislodging the mythology of the solitary genius cultivated in the official biographies of Pärt and many others; as he writes, his work was impossible without community"--
Underground music --- Music --- History and criticism --- Religious aspects --- Pärt, Arvo --- Criticism and interpretation.
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Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.
Brahms, Johannes, 1833-1897 -- Criticism and interpretation. --- Brahms, Johannes, 1833-1897. --- Brahms, Johannes, 1833-1897. Works. --- Composers --- Brahms, Johannes, --- Brahms, J. --- Brahms, Joh. --- Brams, I. --- Brams, Iogannes, --- Brams, Ĭokhanes, --- Burāmusu, J., --- Marks, G. W. --- Appreciation. --- Criticism and interpretation. --- Brahms, Johannes --- Musical analysis. --- MUSIC / History & Criticism. --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music --- Music analysis --- Music theory --- Music appreciation --- Analysis, appreciation --- Analytical guides --- Instruction and study --- Musical analysis --- Compositeurs --- Analyse musicale --- Musique --- Social networks --- History and criticism --- Réseaux sociaux --- Histoire et critique
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