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What was the function of representing deities and also humans in the ancient Near-East? Which were the different ways of making gods visible, and the specific functions of these representations? Might these material and visual representations help us to better understand official cults, as well as private cults? What was the role of images in the royal cult? Was the king the only "image" of the gods, or could all humans fulfill this role? Why were cult images forbidden? Does the biblical prohibition have any precedent or parallel in the ancient Near-East, or elsewhere? And how do the ways of representing gods and humans change in the absence of cultic images? The conference Representing Gods and Humans in the Ancient Near-East and in the Bible, held at the College de France, Paris, on May 5-6 2015, sought to shed light on these questions surrounding the image, a critical issue for our understanding of ancient as well as modern religions. Quelle est la fonction des representations du divin et aussi des hommes dans le Proche-Orient ancien? Quelles sont les differentes manieres de rendre visible des dieux et quelles en sont les fonctions particulieres? Ces representations materielles et visuelles permettent-elles de mieux comprendre les cultes officiels et les cultes prives? Quel est le role des images dans le culte royal? Est-ce le roi ou tous les humains qui sont l'image des dieux? Pour quelles raisons decide-t-on d'interdire des images cultuelles? Y a-t-il des precurseurs a l'interdiction biblique dans le Proche-Orient ou ailleurs? Comment les representations des dieux et des hommes changent-elles en l'absence d'image cultuelle? Le colloque Representer dieux et hommes dans le Proche-Orient ancien et dans la Bible, qui s'est tenu les 5 et 6 mai 2015 au College de France, avait pour but d'eclairer ces questions autour de l'image, un sujet central pour l'intelligence des religions anciennes et modernes.
Civilisation --- Religions --- Illustrations, images, etc. --- Dans l'art. --- Dans la Bible. --- Interprétation. --- Idols and images --- Gods in art --- Emperor worship --- Human beings in art --- Iconoclasm --- History --- Bible. --- History of contemporary events --- Middle East --- 221 <063> --- 221.08*01 --- 221.08*2 --- 221.08*8 --- Emperors --- Worship, Emperor --- Apotheosis --- Cults --- Kings and rulers --- Iconography --- Images and idols --- Religious images --- Statuettes --- Animism --- Art, Primitive --- Art and religion --- Fetishism --- Magic --- Religion --- Sculpture, Primitive --- Symbolism --- Humans in art --- 221.08*8 Theologie van het Oude Testament: relatie met de klassieke oudheid --- Theologie van het Oude Testament: relatie met de klassieke oudheid --- 221.08*2 Theologie van het Oude Testament: moraal; ethica; juridica Israelis; vroomheid --- Theologie van het Oude Testament: moraal; ethica; juridica Israelis; vroomheid --- 221.08*01 Theologie van het Oude Testament: God--(Godsleer) --- Theologie van het Oude Testament: God--(Godsleer) --- 221 <063> Bible: Ancien Testament--Congressen --- 221 <063> Bijbel: Oud Testament--Congressen --- Bible: Ancien Testament--Congressen --- Bijbel: Oud Testament--Congressen --- Cult --- Religious aspects --- Worship --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento --- Asia, South West --- Asia, Southwest --- Asia, West --- Asia, Western --- East (Middle East) --- Eastern Mediterranean --- Fertile Crescent --- Levant --- Mediterranean Region, Eastern --- Mideast --- Near East --- Northern Tier (Middle East) --- South West Asia --- Southwest Asia --- West Asia --- Western Asia --- Orient --- Conferences - Meetings --- Illustrations --- Iconography, Religious --- Religious iconography --- Religious statuettes --- Statuettes, Religious --- Religious art --- Idols and images - Middle East - History - Congresses. --- Gods in art - History - Congresses. --- Emperor worship - Middle East - History - Congresses. --- Human beings in art - History - Congresses. --- Iconoclasm - Egypt - Congresses. --- Middle East - History - To 622 - Congresses.
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The question of the place of orality in the production and transmission of the great literary traditions of the ancient Near East has been widely discussed since at least the 19th century. While the idea of a dichotomy between orality and writing, with the hypothesis of a first oral phase preceding the writing of texts, has long dominated historical reconstructions, recent work has placed more emphasis on the contemporaneity of orality and writing in textual composition, editing and transmission. The very idea of contemporaneity raises new questions regarding the articulation between oral and written, a complex interweaving that may take various forms, depending on the socio-historical and cultural contexts, the literary genres and the function of the texts. With the aim of deepening our understanding of such articulations, the colloquium "Orality and Writing in Eastern Antiquity: The Processes of Composition and Redaction" was held at the College de France on May 26-27, 2016. Taking a comparative perspective, the volume addresses different geographical areas, periods, and bodies of texts, thus offering a nuanced overview of the variety of possible interactions between orality and writing in the ancient Near East.
Tradition (Judaism) --- Bible. --- Criticism, interpretation, etc.
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