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Painting --- Qing --- court art --- easel paintings [paintings by form] --- influence --- anno 1700-1799 --- anno 1800-1899 --- China --- Italy --- S17/0624 --- S17/1900 --- China: Art and archaeology--Painting: Qing --- China: Art and archaeology--Foreign art in China (e.g. Castiglione) --- Qing [dynastic styles and periods]
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Metadata. --- Database management. --- World Wide Web. --- Information organization. --- Information storage and retrieval --- Organization of information --- Information science --- Information storage and retrieval systems --- W3 (World Wide Web) --- Web (World Wide Web) --- World Wide Web (Information retrieval system) --- WWW (World Wide Web) --- Hypertext systems --- Multimedia systems --- Internet --- Data base management --- Data services (Database management) --- Database management services --- DBMS (Computer science) --- Generalized data management systems --- Services, Database management --- Systems, Database management --- Systems, Generalized database management --- Electronic data processing --- Data about data --- Meta-data --- Information organization
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Ressource de référence pour la littérature académique sur l'art occidental, la base IBA est l'une des sources les plus fiables et les plus consultées dans ce domaine. Elle couvre l'art européen depuis l'antiquité, l'art américain depuis l'époque coloniale jusqu'à aujourd'hui, et l'art mondial depuis 1945. Les arts visuels sont sa priorité : peinture, sculpture, dessin, vidéo, installations, arts appliqués et décoratifs, études muséales, conservation, archéologie, art populaire et culture matérielle... Plus de 500 périodiques sont dépouillés, ainsi qu'un certain nombre de livres, collections, catalogues d'exposition, etc.
Bibliographies --- Art --- History --- Historiography --- Histoire --- Historiographie
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Graphic arts --- Loir, Alexis I --- Edelinck, Gérard --- Brun, le, Charles --- Audran, Gérard --- prints [visual works] --- grand manner
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exhibiting --- palazzi --- Private houses --- Museology --- Art --- anno 1500-1799 --- Rome --- Interior decoration --- Décoration intérieure --- Exhibitions --- Exhibition techniques --- History. --- History --- Expositions --- Techniques d'exposition --- Histoire --- Rome (Italy) --- Rome (Italie) --- Philosophy. --- Décoration intérieure --- Exhibition techniques.
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Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured art - ists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute's special collections - including letters, popular journals, posters, sketches, propaganda, books, and photographs - situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015
Art --- anno 1910-1919 --- World War, 1914-1918 --- War artists --- War in art --- Guerre mondiale (1914-1918) --- Guerre --- Influence --- Art et guerre --- Dans l'art --- War artists. --- War in art. --- Influence.
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Aesthetics of art --- Creation (Literary, artistic, etc.) --- Subjectivity in art. --- Authorship. --- Art criticism. --- Création (Arts) --- Subjectivité dans l'art --- Art d'écrire --- Critique d'art --- Creation (Literary, artistic, etc.). --- Création (Arts) --- Subjectivité dans l'art --- Art d'écrire
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The striking illustrated books, maps, and prints featured in China on Paper are some of the most notable among the printed works produced at the dawn of the era of global trade to present China to Europe and bring Western science, religion, and art to China. From a Chinese translation of the rosary to French editions of Confucian classics, from a monumental map of the world to magnificent engravings of the European pavilions built by Jesuits at the behest of the Qianlong emperorthese works on paper reveal a compelling and largely hidden history of mutual curiosity and fruitful collaboration at a time when few people traveled far from home.
Graphic arts --- anno 1500-1799 --- anno 1800-1899 --- China --- S02/0300 --- S17/2125 --- S02/0310 --- S13B/0410 --- China: General works--Chinese culture and the West and vice-versa --- China: Art and archaeology--Musea and exhibitions: USA --- China: General works--Intercultural dialogue --- China: Christianity--Jesuits (incl. Rites Controversy) --- East and West --- Civilization, Western --- Civilization, Oriental --- Occident and Orient --- Orient and Occident --- West and East --- Eastern question --- Asian influences --- Oriental influences --- Western influences --- Europe --- Civilization --- Western influences. --- Relations --- Occidental influences
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History --- copies [derivative objects] --- Painting --- Titian --- Varotari, Alessandro --- anno 1600-1699 --- Italy --- Imitation in art --- Painting, Italian --- Repetition (Aesthetics) --- Aesthetics --- Italian painting --- Art --- Pictures --- Appropriation (Art) --- Mimesis in art --- Reproduction --- Copying --- Padovanino, --- Titian, --- Ticijan, --- Titiano Vecellio, --- Titianus, --- Titien, --- Tit︠s︡ian, --- Tizian, --- Tiziano, --- Tiziano Vecelli, --- Tycjan, --- Vecelli, Tiziano, --- Vecellio, Tiziano, --- Vechellio, Tit︠s︡iano, --- Varotari, Alessandro, --- Criticism and interpretation. --- Influence. --- Titiaan --- Titien --- Tizian --- di Gregorio Vecellio, Tiziano --- Venetiaanse school
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A previously unpublished work by Nikolaus Pevsner, much of which was published as journal articles in the Architectural Review in the 1940s and 1950s during Pevsner's term as editor.
City planning --- Picturesque, The, in architecture. --- Philosophy. --- Environmental planning
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