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Portrait painting --- Portraiture --- Painting --- Figure painting --- Psychological aspects --- Ingres, Jean-Auguste-Dominique, --- Ingres, Jean Auguste Dominique --- Ėngr, Zhan Ogi︠u︡st Dominik, --- Ingres, J.-A.-D. --- Engr, Z'an-Ogusṭ-Dominiḳ, --- אנגר, ז׳ן־אוגוסט־דומימניק --- אנגר, ז׳ן־אוגוסט־דומיניק --- Criticism and interpretation. --- Ingres, Jean-Auguste-Dominique --- Ėngr, Zhan Ogi︠u︡st Dominik

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Art styles --- Art --- Painting --- relief [sculpture techniques] --- painting [image-making] --- reliëfschilderkunst --- Nicholas, Colin --- Posdiena, Dorothea --- Sutton, Trevor --- Gritsch, Stefan --- Mantz, Gerhard --- anno 1900-1999

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«When Aby Warburg left for the United States in September 1895, it was not foreseeable that his search for the symbolic foundations of art would become one of the most fascinating events in the history of his field. Warburg’s American journey lasted only months, and his stay in the Pueblo communities only a few weeks, but in 1923 he presented his findings in the groundbreaking lecture on the ‘"Snake Ritual". Using selected photographs, ethnologic drawings, and numerous documents, this story and picture book details a journey of discovery. It traverses a vast continent of research, showing Warburg’s diverse interlocutors—from chiefs to missionaries—and especially his records of dances, ritual objects, and artworks full of symbolic representations. The documents are evidence of the emerging shift in Warburg’s scholarly thinking, which would eventually lead to the cross-border cultural comparative methodology for which he is now held in worldwide esteem.»--

Art, American --- Indigenous art --- Pueblo Indians --- Social life and customs --- Warburg, Aby, --- Travel --- United States --- Warburg, Aby

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Art

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avant-garde. --- kunstkritiek. --- etnische kunst. --- kubisme. --- primitivisme. --- Wereldoorlog I. --- Spaanse burgeroorlog (1936-1939). --- Einstein, Carl. --- 20ste eeuw.