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Wai-chee Dimock approaches Herman Melville not as a timeless genius, but as a historical figure caught in the politics of an imperial nation and an "imperial self." She challenges our customary view by demonstrating a link between the individualism that enabled Melville to write as a sovereign author and the nationalism that allowed America to grow into what Jefferson hoped would be an "empire for liberty."
Individualism in literature --- Individualism in literature. --- American literature --- Thematology --- Melville, Herman --- Melville, Herman, --- Criticism and interpretation. --- Criticism and interpretation --- personnification. --- individualisme --- personnification --- Melville, Herman. --- English fiction. --- English literature --- Melvill, German --- Melville, Hermann --- Meville, Herman --- Melvil, Cherman --- Mai-erh-wei-erh, Ho-erh-man --- Melṿil, Herman --- Tarnmoor, Salvator R. --- מלוויל, הרמן, --- מלויל, הרמן, --- ميلڤيل، هرمن، --- 麥爾維爾, --- Virginian spending July in Vermont, --- Melvill, Herman,
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What we call American literature is quite often a shorthand, a simplified name for an extended tangle of relations." This is the argument of Through Other Continents, Wai Chee Dimock's sustained effort to read American literature as a subset of world literature. Inspired by an unorthodox archive--ranging from epic traditions in Akkadian and Sanskrit to folk art, paintings by Veronese and Tiepolo, and the music of the Grateful Dead--Dimock constructs a long history of the world, a history she calls "deep time." The civilizations of Mesopotamia, India, Egypt, China, and West Africa, as well as Europe, leave their mark on American literature, which looks dramatically different when it is removed from a strictly national or English-language context. Key authors such as Thoreau, Margaret Fuller, Ezra Pound, Robert Lowell, Gary Snyder, Leslie Silko, Gloria Naylor, and Gerald Vizenor are transformed in this light. Emerson emerges as a translator of Islamic culture; Henry James's novels become long-distance kin to Gilgamesh; and Black English loses its ungrammaticalness when reclassified as a creole tongue, meshing the input from Africa, Europe, and the Americas. Throughout, Dimock contends that American literature is answerable not to the nation-state, but to the human species as a whole, and that it looks dramatically different when removed from a strictly national or English-language context.
Influence (Literary, artistic, etc.) --- Globalization in literature. --- American literature --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- English literature --- Agrarians (Group of writers) --- Foreign influences. --- History and criticism. --- Globalization in literature --- Foreign influences --- History and criticism --- Influence (Literary, artistic, etc.). --- Literature, Comparative --- American and Ancient. --- Ancient and American. --- Literature [Comparative ] --- American and Ancient --- Thoreau, Henry David --- Fuller, Margaret --- James, Henry --- Pound, Ezra Loomis --- Lowell, Robert Traill Spence, Jr.
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What can literature teach us about resilience in the face of climate change and planetary-scale vulnerability? In "Weak Planet," Wai Chee Dimock proposes a way forward by showing how writers have met past hazards with experiments in non-paralysis, and how their works still inspire readers to "find their strength." Dimock looks for hope not in heroic resistance but in the unspectacular and inconclusive. Focusing on tenuous networks among authors and unstable phenomena such as genre, she shows that literature's durability is at once weak but vital. Dimock's literary history pays special attention to low-grade, low-threshold phenomena that, in not being developed to their fullest or most forceful extent, have often been overlooked. Along the way, she considers Louise Erdrich's and Sherman Alexie's reclamation of Mary Rowlandson; elaborations of Moby-Dick in works by C. L. R. James, Frank Stella, and Amitav Ghosh; weak forms of Irishness in Colm Toíbín, Oscar Wilde, and W. B. Yeats, and the appearance of an atmospheric Islam in works by Henri Matisse, James Joyce, Ezra Pound, and Langston Hughes. Joining conversations in environmental humanities, disability studies, and several other fields, "Weak Planet" offers a new literary history along with new ways to think about our collective future.
American literature --- American literature. --- English literature --- English literature. --- Literature, Modern --- Literature, Modern. --- History and criticism. --- History and criticism --- 1900-2099.
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American literature --- Geography and literature --- Literature and globalization --- Foreign influences
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