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Tonality --- Harmony --- Music theory --- Music Theory --- History --- Academic collection --- Key (Music theory) --- Keys (Music theory) --- Musical key --- Musical intervals and scales --- Music --- Theory --- 78.16 Gent 2004 --- 78.24 --- 78.25 --- 78.61 --- 78.62 --- 78.63 --- 522 --- Muziekgeschiedenis (Barok) --- Music theory - History - 17th century --- Music Theory - History - 18th century --- Barok --- Muziektheorie --- 18e eeuw --- 17e eeuw
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Zonder onderwerpscode: muziek --- koormuziek --- religieuze muziek --- anno 1990-1999 --- anno 2000-2009 --- Flanders
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This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on ""Historical Theory, Performance, and Meaning in Baroque Music"".The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era.
Music theory --- Harmony. --- Tonality. --- Music --- Key (Music theory) --- Keys (Music theory) --- Musical key --- Musical intervals and scales --- History --- Theory --- Harmony --- Tonality
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Elektronische muziek --- Musique électronique --- Art and music --- Electronic music --- -Music --- -Academic collection --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Electronic tape music --- Electronics (Music) --- Electrophonic music --- Music, Electronic --- Tape music --- Tape recorder music --- Computer music --- Music and art --- Music --- History and criticism --- Philosophy and aesthetics --- Academic collection --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy --- Essays --- Muziekfilosofie --- Esthetica --- Akoestiek --- Beeldende Kunsten --- 20e eeuw --- België
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