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Gentile da Fabriano --- Fabriano, Gentile da --- Fabriano, Gentile da,
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Duccio --- Duccio, --- Criticism and interpretation. --- Duccio.
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Baroque --- Metropolitan Museum of Art [New York, N.Y.] --- anno 1600-1699
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Few artists have managed to imprint their personality so indelibly on posterity as Andrea Mantegna (1430/31-1506). Before he reached the age of twenty, Mantegna was already being praised for his alto ingegno (exalted genius), and he became the court artist for the Gonzaga family in Mantua before he was thirty. Yet, this book argues, Mantegna was not simply agreat painter. Together with Donatello, he was the defining genius of the fifteenth century: the measure of what an artist could be. His highly original and deeply personal vision, the descriptive richness of his pictures, and his biting, hypercritical but always exalted mind gave Mantegna's art an extraordinary edge and earned him a preeminent place in
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drawings [visual works] --- prints [visual works] --- influence --- easel paintings [paintings by form] --- exhibition review --- Mantegna, Andrea --- Bellini, Giovanni
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