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Artists --- anno 1900-1999 --- Netherlands --- Art --- art [fine art] --- Struycken, Peter --- Staakman, Ray --- Willink, Carel --- Elk, van, Ger --- Golden, van, Daan --- Broeck, van den, Frank --- Dibbets, Jan --- Visser, Carel --- Koningsbruggen, van, Rob --- Westerik, Co --- Armando --- Koch, Pyke --- Dekkers, Ad --- Verhoef, Toon --- Art, Dutch --- Carel Blotkamp --- kunst --- Nederland --- twintigste eeuw --- installaties --- schilderkunst --- beeldhouwkunst --- Willink Carel --- Koch Pyke --- Westerik Co --- Visser Carel --- van Golden Daan --- Dekkers Ad --- Struycken Peter --- Staakman Ray --- Dibbets Jan --- van Elk Ger --- Verhoef Toon --- van Koningsbruggen Rob --- van den Broeck Frank --- 7.038 --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunstbeschouwing --- Art, Modern --- art [discipline]

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Painting --- anno 1800-1999 --- Centraal Museum (Utrecht) --- 20ste eeuw --- Modern [style or period] --- Centraal Museum [Utrecht] --- 20ste eeuw. --- museumcollectie --- Smedt, Jan de.

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Mondriaan, Piet --- Painting --- Painters --- Neoplasticism --- Peintres --- Néo-plasticisme --- Mondrian, Piet, --- -Pieter Cornelis Mondriaan 1872-1944 (°Amersfoort). --- Abstracte schilderkunst ; 20ste eeuw ; Piet Mondriaan --- Neoplasticisme ; Nieuwe Beelding ; De Stijl --- Theosofie --- Landschapsschilderkunst --- 75.07 --- Art, Abstract --- Art, Modern --- Arts, Modern --- Painting, Abstract --- Schilderkunst ; schilders --- Criticism and interpretation. --- Philosophy. --- Mondrian, Piet --- Néo-plasticisme --- Pieter Cornelis Mondriaan 1872-1944 (°Amersfoort) --- Mondriaan, Piet, --- Mondriaan, Pieter Cornelis,

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Aperçu de l'art d'avant-garde aux Pays-Bas et du rôle joué par le musée, en particulier le musée Van Abbe à Eindhoven.

Museology --- Art, Modern --- Art museums --- Musée --- 069.01 --- -Art museums --- -Art --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Modern art --- Museologie --- Addresses, essays, lectures --- Galleries and museums --- Art museums . --- -Museologie --- 069.01 Museologie --- -069.01 Museologie --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Architecture --- museology --- art appreciation --- museums [buildings] --- Municipal Van Abbemuseum [Eindhoven] --- Eventstructure Research Group --- anno 1900-1999 --- Stedelijk Van Abbemuseum --- Art, Modern - 20th century

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When is a work of art finished? Can it be complete in a mental sense? And who decides? In this highly original and wide-ranging study, Carel Blotkamp explores the concept and manifestations of 'the end' in art. From the idea of a mortal end to the notion of completeness, Blotkamp describes a fascinating array of historical facts and myths as well as novels on art and artists. He examines the value of the last works of artists, considering how a particular end came about and how that might affect our perception of the work ; the difference in the styles of artists in old age; unfinished last works and those completed by another's hand; and the mythology inherent in the reception of last works, taking the last works of Raphael and Mondrian as prime examples. For students, artists and art enthusiasts looking for a new perspective on modern art, 'The End' is the perfect place to start.

Aesthetics of art --- art history --- works of art --- Western, International (Western Style) --- Several Media, Criticism/Theory --- Artists --- Death --- Psychology --- Psychological aspects --- Art --- Art criticism --- Arts --- Criticism --- History --- Analysis, interpretation, appreciation --- Death in art --- Raphael, --- Mondrian, Piet, --- Last years. --- art criticism --- Art history --- History of art --- dood