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Book
Allen Ruppersberg : Where'AI?
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Year: 1996 Publisher: Grenoble: Magasin,

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Book
Porte Bonheur : Good Luck Charm, Christian Philipp Müller
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Year: 1989 Publisher: Saint-Etienne Maison de la Culture et de la Communication Saint-Etienne

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Book
Milan Kunc: Sculpture
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Year: 2009 Publisher: Zurich JRP/Ringier

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Book
"Vertrekken vanuit een normale situatie..." : Antwerpen 1958-1969.
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Year: 1993 Publisher: Antwerpen Museum Van Hedendaagse Kunst

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Félix Vallotton : La vie recomposée (exposition Lausanne, Musée cantonal des Beaux-Arts, 4 octobre 2002 - 5 janvier 2003).
Authors: ---
ISBN: 2940027404 Year: 2002 Publisher: Lausanne : Musée Cantonal des Beaux-Arts de Lausanne,

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Book
Jef Cornelis de bezoeker

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Art --- kunstkritiek --- Cornelis, Jef


Book
Une Vie Culturelle: John Knight
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Year: 1988 Publisher: Rome Maison de la Culture et de la Communication Saint-Etienne

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Private View 1980-2000 : Collection Pierre Huber (exhibition Lausanne, Musée cantonal des Beaux-Arts de Lausanne, 14.06.05 - 11.09.05)
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ISBN: 294027178X Year: 2005 Publisher: Zürich : JRP/Ringier,

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Summer of 1966 : two films by Jef Cornelis, 1966 : 33rd Venice Biennale, 1966
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ISBN: 9783037643235 3037643234 Year: 2013 Publisher: Zurich JRP/Ringier

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"The 1966 Venice Biennale was one of the first exhibitions that Cornelis filmed. It was in this film that he laid the foundations of his methodology: to depict the exhibition as the closed space of a community preoccupied with the issues and conflicts that concerned its members, rather than to make films about art itself. He filmed some of the major players of the time, whether they belonged to the American or the European scene, within which French artists and critics manifested a powerful presence. On his way back to Belgium, Cornelis stopped at the second 'Salon international des galeries-pilotes' (Lausanne), an experimental manifestation that influenced the Basel Art Fair, which was created in 1970. To fully illustrate what was at stake in the 1966 Venice Biennale, the DVD also includes a short film by François Morellet about the Groupe de Recherche d'Art Visuel (GRAV), whose member Julio Le Parc won the Golden Lion that year, raising the questions about collective and singular authorship"--Container.

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