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Book
Zwart op wit : twee eeuwen blackface in Nederland
Authors: --- ---
ISBN: 9789044546101 9044546104 Publisher: [Place of publication unknown] De Geus

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Raising Cain : blackface performance from Jim Crow to Hip Hop
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ISBN: 0674001931 0674747119 Year: 1998 Publisher: Cambridge, Mass. London Harvard University Press

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Book
Exporting Jim Crow
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ISBN: 1613767668 162534516X 9781613767665 9781625345165 9781625345172 1625345178 Year: 2020 Publisher: Amherst

Ragged but right
Authors: ---
ISBN: 1621036537 1282485318 9786612485312 1604731486 9781604731484 9781621036531 1578069017 9781578069019 9781617036453 1617036455 Year: 2007 Publisher: Jackson

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The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. ""Coon songs,"" with their ugly name, defined ragtime for the masses. Though the name itself is offensive to modern ears, it is impossible to investigate black popular entertainment of the ragtime era without directly confronting the ""coon songs"" which cleared the way for the ""original blues."". In Ragged but Right Lynn Abbot


Book
Minstrel traditions : mediated Blackface in the Jazz age
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ISBN: 1032237694 9781032237695 Year: 2020 Publisher: Abingdon: Routledge,

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Minstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio broadcasts, and film. Minstrel Traditions examines the methods through which minstrelsy's elements connected with the public and how these conventions reified the racism of the time.This book explores blackface and minstrelsy through a series of overlapping case studies which illustrate the extent to which blackface thrived in the early twentieth century. It contextualizes and analyzes the last musical of black entertainer Bert Williams, the surprising live career of pancake icon Aunt Jemima, a flourishing amateur minstrel industry, blackface acts of African American vaudeville, and the black Broadway shows which brought new musical styles and dances to the American consciousness. All reflect, and sometimes incorporate, the mass-culture technologies of the time, either in their subject matter or method of distribution. Retrograde blackface seamlessly transitioned from live to mediated iterations of these cultural products, further pushing black stereotypes into the national consciousness.The book project oscillates between two different types of performances: the live and the mediated. By focusing on how minstrelsy in the Jazz Age moved from live performance into mediatized technologies, the book adds to the intellectual and historical conversation regarding this pernicious, racist entertainment form. Jazz Age blackface helped normalize new media technologies and that technology extended minstrelsy's influence within US culture. Minstrel Traditions tracks minstrelsy's social impact over the course of two decades to examine how ideas of national identity employ racial nostalgias and fantasias. This book will be of great interest to scholars and researchers in theatre studies, communication studies, race and media, and musical scholarship.

Demons of disorder : early blackface minstrels and their world
Author:
ISBN: 0521560748 9780521560740 0521568285 9780521568289 Year: 1997 Publisher: Cambridge New York Melbourne Cambridge University Press


Book
Love and theft
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ISBN: 0199361630 0199717680 9780199717682 9781299737174 129973717X 9780195320558 0195320557 9780199361632 Year: 2013 Publisher: New York

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For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a ""blackening of America."" Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of t

Racechanges : white skin, black face in American culture
Author:
ISBN: 0195110021 Year: 1997 Publisher: New York (N.Y.) : Oxford university press,

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Book
The captive stage : performance and the proslavery imagination of the antebellum North
Authors: ---
ISBN: 9780472072262 9780472052264 0472052268 9780472120437 0472120433 9781322069197 1322069190 0472072269 Year: 2014 Publisher: Ann Arbor : University of Michigan Press,

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A revealing exploration of Northern proslavery sentiment during the period before the Civil War.


Book
The captive stage : performance and the proslavery imagination of the antebellum North
Authors: ---
ISBN: 0472052268 0472120433 Year: 2014 Publisher: Ann Arbor : University of Michigan Press,

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A revealing exploration of Northern proslavery sentiment during the period before the Civil War.

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