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Sociology of minorities --- History of the Netherlands --- blackface --- anno 1800-1999
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Sociology of minorities --- Music --- United States --- Blackface entertainers --- Minstrel music. --- Minstrel shows --- History. --- Minstrel music --- History --- Biography --- Race relations --- United States of America --- MINSTREL SHOWS --- MINSTREL MUSIC --- BLACKFACE ENTERTAINERS --- RACE RELATIONS --- U.S.
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Blackface entertainers --- Minstrel shows --- Blacks --- Whites --- Race identity --- South Africa --- Social life and customs. --- Race relations. --- White people --- White persons --- Ethnology --- Caucasian race --- African American minstrel shows --- Blackfaced minstrel shows --- Negro minstrel shows --- African Americans in the performing arts --- Revues --- Vaudeville --- Black-face entertainers --- Entertainers, Blackface --- Minstrels (Blackface entertainers) --- Entertainers --- Race question --- Black persons --- Negroes --- Black people --- American minstrelsy --- Minstrelsy --- Minstrelsy, American --- Blackfaced entertainers --- Blackface minstrel shows
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The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. ""Coon songs,"" with their ugly name, defined ragtime for the masses. Though the name itself is offensive to modern ears, it is impossible to investigate black popular entertainment of the ragtime era without directly confronting the ""coon songs"" which cleared the way for the ""original blues."". In Ragged but Right Lynn Abbot
African Americans --- Minstrel shows --- Tent shows --- Sideshows --- Blackface --- Racism against Black people --- Music --- History and criticism. --- History.
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Minstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio broadcasts, and film. Minstrel Traditions examines the methods through which minstrelsy's elements connected with the public and how these conventions reified the racism of the time.This book explores blackface and minstrelsy through a series of overlapping case studies which illustrate the extent to which blackface thrived in the early twentieth century. It contextualizes and analyzes the last musical of black entertainer Bert Williams, the surprising live career of pancake icon Aunt Jemima, a flourishing amateur minstrel industry, blackface acts of African American vaudeville, and the black Broadway shows which brought new musical styles and dances to the American consciousness. All reflect, and sometimes incorporate, the mass-culture technologies of the time, either in their subject matter or method of distribution. Retrograde blackface seamlessly transitioned from live to mediated iterations of these cultural products, further pushing black stereotypes into the national consciousness.The book project oscillates between two different types of performances: the live and the mediated. By focusing on how minstrelsy in the Jazz Age moved from live performance into mediatized technologies, the book adds to the intellectual and historical conversation regarding this pernicious, racist entertainment form. Jazz Age blackface helped normalize new media technologies and that technology extended minstrelsy's influence within US culture. Minstrel Traditions tracks minstrelsy's social impact over the course of two decades to examine how ideas of national identity employ racial nostalgias and fantasias. This book will be of great interest to scholars and researchers in theatre studies, communication studies, race and media, and musical scholarship.
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Blackface entertainers --- Minstrel music --- Minstrel shows --- African American minstrel shows --- Blackfaced minstrel shows --- Negro minstrel shows --- African Americans in the performing arts --- Revues --- Vaudeville --- American minstrelsy --- Blackface minstrelsy --- Ethiopian operas (Minstrel music) --- Ethiopian songs (Minstrel music) --- Minstrel songs --- Minstrelsy, American --- Minstrelsy, Blackface --- Operas, Ethiopian (Minstrel music) --- Songs, Ethiopian (Minstrel music) --- Popular music --- Black-face entertainers --- Entertainers, Blackface --- Entertainers --- History and criticism --- History --- Dixon, George Washington, --- Dixon, G. W. --- United States --- Race relations. --- Social conditions --- Race question --- Race relations --- Dixon, George Washington --- 19th century --- Minstrels (Blackface entertainers) --- Minstrelsy --- American minstrel music --- Minstrel show songs --- Blackfaced entertainers --- Blackface minstrel shows --- MINSTREL SHOWS --- MINSTREL MUSIC --- BLACKFACE ENTERTAINERS --- DIXON (GEORGE WASHINGTON), 1808-1861 --- U.S. --- RACE RELATIONS --- HISTORY --- SOCIAL CONDITIONS --- 19th CENTURY
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For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a ""blackening of America."" Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of t
Minstrel shows --- Working class --- African American minstrel shows --- Blackfaced minstrel shows --- Negro minstrel shows --- African Americans in the performing arts --- Revues --- Vaudeville --- Blackface entertainers --- History. --- United States --- Southern States --- Confederate States of America --- Race relations. --- History --- Race question --- Lost Cause mythology --- Racism against Black people --- Blackface --- Impersonation --- Anti-Black racism --- Antiblack racism --- Racism against Blacks --- Black people --- American minstrelsy --- Minstrelsy --- Minstrelsy, American --- Racism against Black people. --- Blackface.
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Sociology of minorities --- Art --- Sociology of culture --- United States --- African Americans in popular culture. --- Arts, American --- Blackface entertainers --- History --- United States of America
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A revealing exploration of Northern proslavery sentiment during the period before the Civil War.
African Americans in the performing arts --- Northeastern states --- Race discrimination --- Whites --- Blackface entertainers --- Racism in popular culture --- Slavery --- History --- Race relations --- White people
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A revealing exploration of Northern proslavery sentiment during the period before the Civil War.
African Americans in the performing arts --- Northeastern states --- Race discrimination --- White people --- Blackface entertainers --- Racism in popular culture --- Slavery --- History --- Race relations --- Whites