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L'Université Nova Scotia College of Art and Design (NSCAD) est un établissement d’enseignement supérieur en arts et médias canadien situé à Halifax en Nouvelle-Écosse. Fondée en 1887 sous le nom de Victoria School of Art and Design, elle compte 1 025 étudiants en 2010. Elle délivre des maîtrises en beaux-arts et en design. From gallery openings to dance performances to visiting lectures to exhibitions to classroom projects, the book gives a rich historical and visual account of the school's activities, supplemented by details of specific events, reminiscences by faculty and students, accounts of artists' talks, and notes on memorable controversies. A partial list of visiting artists and faculty members at NSCAD would include Joseph Beuys, Sol LeWitt, Gerhard Richter, Dan Graham, Mel Bochner, Lucy Lippard, John Baldessari, Hans Haacke, Yvonne Rainer, Robert Frank, Jenny Holzer, Robert Morris, Eric Fischl, and Dara Birnbaum. Kasper Koenig and Benjamin Buchloh ran the NSCAD Press, publishing books by Hollis Frampton, Lawrence Weiner, Donald Judd, Daniel Buren, Michael Asher, Martha Rosler, and Michael Snow, among others. The Lithography Workshop produced early works by many of today's masters, including John Baldessari, Vito Acconci, and Claes Oldenburg. With The Last Art College, Garry Kennedy, the college's visionary president at the time, gives us the long-awaited documentary history of NSCAD during a formative era. "How did a small art college in Nova Scotia become the epicenter of art education -and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax.

art education --- Art --- kunstonderwijs --- Higher education --- Canada --- 373.67(71) --- 7.038 --- Kunstonderwijs ; Canada ; Halifax ; Nova Scotia College of Art and Design ; NSCAD --- Beeldende kunst ; 20ste eeuw ; 1968-1978 --- Conceptuele kunst --- Minimal Art --- kunst --- Nova Scotia college of art and design --- minimalisme --- minimal art --- concept art --- conceptuele kunst --- Byars James Lee --- Askevold David --- Weiner Lawrence --- Graham Dan --- Kosuth Joseph --- Lippard Lucy --- Andre Carl --- LeWitt Sol --- Cameron Eric --- Dallegret François --- Acconci Vito --- Lozano Lee --- Baldessari John --- Ferguson Gerald --- Kelly Patrick --- Glass Philip --- Levine Les --- Winsor Jackie --- Snow Michael --- Antin Eleanor --- Vazan William --- Morris Michael --- Lewis Glenn --- Aycock Alice --- Sondheim Alan --- Kawara On --- Ramsden Mel --- Buren Daniel --- Williams Emmett --- Harden Richards --- Huebler Douglas --- Murray Ian --- Filliou Robert --- Penck A.R. --- Rainer Yvonne --- Forti Simone --- Oldenburg Claes --- Asher Michael --- Cypis Dorit --- Condé Carole --- Haacke Hans --- Judd Donald --- Schapiro Miriam --- Fischl Eric --- Knight John --- MacWilliam David --- Ewen Paterson --- Wodiczko Krzysztof --- Beuys Joseph --- Frank Robert --- Trepanier Peter --- Buchloh Benjamin --- Borduas Paui-Emile --- Richter Gerhard --- 363.67 --- Onderwijs ; kunst- architectuuronderwijs ; Canada --- Kunstgeschiedenis ; 1950 - 2000 --- Penck A.R --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Study and teaching (Higher) --- Nova Scotia College of Art and Design --- Nova Scotia College of Art & Design --- NSCAD --- N.S.C.A.D. --- NSCAD University --- History. --- Ecole d'art --- Pédagogie --- Enseignement artistique --- Performance --- Années 1970 --- Design --- Black mountain college --- 373.67.03(71) --- Onderwijs ; kunst- en architectuuronderwijs ; geschiedenis ; jaarboeken ; projecten ; Canada --- Art, Primitive

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Taking that ambiguous thing we call "the exhibition" as a critical medium, artists have often radically rethought conventional forms of exhibition making. The Artist as Curator: An Anthology, born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world's foremost curators and illustrated with rare documents and illustrations. Immer wieder haben Künstler den weit gefassten Begriff der "Ausstellung" im Sinne eines kritischen Mediums gedeutet und konventionelle Formen des Ausstellungsmachens neu gedacht. Die Anthologie stellt wegweisende Beispiele solcher Ausstellungsprojekte einschließlich seltener Zeugnisse und Illustrationen vor. Neben einer Einführung und den 20 erstmals in Mousse abgedruckten Texten umfasst sie auch ein Nachwort von Hans Ulrich Obrist sowie zwei zusätzliche, hier erstmals publizierte Essays.

artists [visual artists] --- exhibitions [events] --- museology --- curating --- Museology --- Art --- Artists as art museum curators --- Artists and museums --- Curatorship --- History. --- Exhibition techniques. --- Techniques d'exposition --- kunst --- Avant-Garde Argentinian Visual Artists Group --- 7.038/039 --- Warhol Andy --- Thomas Philippe --- Ter-Oganyan Avdev --- Rosler Martha --- Zaatari Akram --- Raad Walid --- Oiticica Hélio --- Olowska Paulina --- McKenzie Lucy --- Macuga Goshka --- Leckey Mark --- Kippenberger Martin --- Hammons David --- Pasmore Victor --- Hamilton Richard --- Group Material --- Parreno Philippe --- Gillick Liam --- Hinderer Max Jorge --- Siekmann Andreas --- Creischer Alice --- Colab --- Collaborative Projects Inc. --- CalArts Feminist Art Program --- Schapiro Miriam --- Chicago Judy --- Cage John --- Ding Yi --- Shi Yong --- Zhou Tiehai --- Bull Hank --- Broodthaers Marcel --- Bochner Mel --- 069 --- museologie --- tentoonstellingen --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Curating --- Curatorial practice --- Museums and artists --- Display techniques --- Artists and museums. --- Artists as art museum curators. --- Curatorship. --- Kunstausstellung. --- Kunstmuseum. --- Kurator --- Künstler. --- Geschichte 1957-2015. --- Collaborative Projects Inc --- History --- Exhibition techniques --- Artistes conservateurs de musée d'art --- Artistes et musées --- Conservation --- Histoire --- Exhibitions --- Art museums --- Art museum curators --- exhibition curators --- Exposition --- Musée --- Sociologie de la culture --- MAD-faculty 17 --- musea --- hedendaagse kunstenaars --- kunsttentoonstellingen

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S’inspirant des mouvements d’avant-garde de l’expressionnisme et du surréalisme, les femmes de l’expressionnisme abstrait ont redéfini la pratique artistique comme une arène immersive pour l’action, le processus et la conscience. Leurs peintures étaient considérées non pas comme des images mais comme des événements. Bien que le mouvement ait officiellement vu le jour au milieu du siècle dernier aux États-Unis, il s’est rapidement répandu dans le monde entier – par de multiples moyens – et est devenu un catalyseur pour redéfinir les idées sur l’esthétique, la poésie, la philosophie et la politique. Cette nouvelle publication, qui accompagne une grande exposition européenne itinérante, comprendra des œuvres de 40 artistes du monde entier, des praticiennes connues telles que Carmen Herrera, Etel Adnan, Sandra Blow et Helen Frankenthaler, à des noms moins connus de pays tels que l’Australie, la Chine, l’Islande, le Japon, le Mexique, le Mozambique, la Roumanie et le Venezuela : des femmes qui ont repris les idées et les méthodologies du mouvement mais les ont dotées de dimensions culturelles et subjectives spécifiques. Le catalogue comprendra des essais de Christian Levett, Joan Marter, Agustin Perez Rubio et Elizabeth Smith, ainsi que des illustrations en couleur de toutes les œuvres.

Painting, Abstract --- Women artists --- Art, Abstract --- kunst --- twintigste eeuw --- abstract expressionisme --- abstractie --- abstracte schilderkunst --- action painting --- 75.036 --- 7.038 --- Abbott Mary --- Adnan Etel --- Afnan Maliheh --- Armer Ruth --- Ayres Gillian --- Barbarigo Ida --- Di Benedetto Noemí --- Bergman Anna-Eva --- Biala Janice --- Bing Bernice --- Blow Sandra --- Bongé Dusti --- Chinyee --- Choi Wook-kyung --- DeFeo Jay --- Edelheit Martha --- Ehrenhalt Amaranth --- Fayoumi Asma --- Fenichel Lilly --- Fine Perle --- Fischer-Hansen --- Flack Audrey --- Fonnesbech-Sandberg Elna --- Francés Juana --- Frankenthaler Helen --- Gechtoff Sonia --- Godwin Judith --- Gómez-Sánchez Gloria --- Gramcko Elsa --- Grilo Sarah --- Hartigan Grace --- Holt Lilian --- Johnson Buffie --- Katsura Yuki --- Khal Helen --- De Kooning Elaine --- Krasner Lee --- Lassnig Maria --- Lazzari Bice --- Lifang --- Lopes Bertina --- Mellis Margaret --- Minujín Marta --- Mitchell Joan --- Miyawaki Aiko --- Mohalyi Yolanda --- Mohamedi Nasreen --- Nakano Emiko --- Nikel Lea --- Ohtake Tomie --- Ostrower Fayga --- Pardo Mercedes --- Park Charlotte --- Parsons Betty --- Passlof Pat --- Rahon Alice --- Rama Carol --- Raymond Marie --- Reigl Judit --- Remington Deborah --- Ringvall Britta --- Rosenstein Erna --- Sadr Behjat --- Saikali Nadia --- Sánchez Zilia --- Sanín Fanny --- Schapiro Miriam --- Schumann Sarah --- Schwabacher Ethel --- Sekula Sonja --- Shinoda Toko --- Snowden Sylvia --- Sobel Janet --- Springford Vivian --- Themerson Franciszka --- Thomas Alma --- Thomas Yvonne --- Thun Hedwig --- Tryggvadóttir Nína --- Vaudrey Elsa --- Vieira da Silva Maria Helena --- West Michael --- Abstraction lyrique

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Premier ouvrage de grande ampleur consacré à l'art de Los Angeles, ce livre retrace l'histoire d'une scène culturelle et artistique exceptionnelle qui reste largement à découvrir. Un florilège d'images d'archives et de reproductions d'oeuvres, de textes critiques et d'interviews d'artistes, nous introduit à un art nourri de la complexité de cette "ville-monde". Une ville qui a vu se développer une scène artistique originale, où s'entremêlaient les mouvements underground, la culture populaire californienne, les expressions communautaires, et l'univers de ces fabriques de rêves que sont Hollywood et Disneyland. Des essais synthétiques remettent en perspective cette période riche et protéiforme, révélant une scène alternative qui fascine aujourd'hui les créateurs du monde entier et bouleverse notre appréhension de l'art contemporain américain. (Quatrième de couverture)

moderne kunst --- Modern [styles and periods] --- History of civilization --- cultuurgeschiedenis --- Los Angeles --- Art contemporain --- Histoire de l'art --- Mouvement artistique --- Cinéma --- Histoire de l'architecture --- Histoire de l'urbanisme --- Photographie --- Années 1940 --- Années 1950 --- Années 1960 --- Années 1970 --- Années 1980 --- Californie --- Los angeles --- sous la direction de Catherine Grenier --- kunst --- Verenigde Staten --- twintigste eeuw --- Ader Bas Jan --- Alexander Peter --- Altoon John --- Anger Kenneth --- Antin Eleanor --- Arnold Steven --- Arnoldi Charles --- ASCO --- Gamboa Harry Jr. --- Herron Willy --- Beeldende kunst en cultuur ; Los Angeles ; 1955-1985 --- Tentoonstellingscatalogi ; Parijs ; Centre G. Pompidou --- Valdez Patssi --- Gronk --- Kunst in steden ; Los Angeles --- Asher Michael --- Steden ; kunst ; cultuur ; literatuur ; Los Angeles --- 7.038 --- Baldessari John --- Bell Larry --- (069) --- Bengston Billy Al --- Berman Wallace --- Borofsky Jonathan --- Buchanan Nancy --- Burden Chris --- Buren Daniel --- Celmins Vija --- Chicago Judy --- de Cointet Guy --- Divola John --- Duncan John --- Fisher Morgan --- Fiskin Judy --- Foulkes Llyn --- Francis Sam --- Goldstein Jack --- Goode Joe --- Hammons David --- Heinecken Robert --- Herms George --- Hockney David --- Huebler Douglas --- Irwin Robert --- Kaprow Allan --- Kauffman Craig --- Kelley Mike --- Kienholz Edward --- Knight John --- Lamelas David --- McCarthy Paul --- McCollum Allan --- McLaughlin John --- McMillen Michael C. --- Mogul Susan --- Moses Edward --- Mullican Matt --- Nauman Bruce --- Nordman Maria --- O'Neill Pat --- Outterbridge John --- Pettibon Raymond --- Pittmann Lari --- Price Kenneth --- Prina Stephen --- Ray Charles --- Rosenthal Rachel --- Rubins Nancy --- Ruppersberg Allen --- Ruscha Edward --- Saar Betye --- Schapiro Miriam --- Sekula Allan --- Shaw Jim --- Shelton Peter --- Smith Alexis --- Smith Barbara T. --- Teske Edmund --- Therrien Robert --- Turrell James --- Vallance Jeffrey --- Viola Bill --- Williams Robert --- Yonemoto Bruce --- Yonemoto Norman --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Modern [style or period] --- Los Angeles [California] --- Art --- Varda, Agnès --- Shaw, Jim --- Altman, Robert --- Voulkos, Peter --- Bengston, Billy Al --- Buren, Daniel --- Hockney, David --- Lacy, Suzanne --- Bass, Saul --- Kienholz, Edward --- Welling, James --- Oldenburg, Claes --- Antin, Eleanor --- Irwin, Robert --- Gamboa, Harry --- L.A.Fine Arts Squad --- Los Four --- Alexander, Peter --- Altoon, John --- Alward, Daniel --- Andersen, Thom --- Arnold, Steven --- Arnoldi, Charles --- Baca, Judith F. --- Bereal, Ed --- Berlant, Tony --- Berman, Wallace --- Beydler, Gary --- Bob & Bob --- Bojórquez, Chaz --- Boorman, John --- Bell, Larry --- Brittin, Charles --- Buchanan, Nancy --- Corman, Roger --- Cointet, de, Guy --- DeLap, Tony --- Divola, John --- Duane, Hildegard --- Duncan, John --- Feitelson, Lorser --- Fisher, Morgan --- Fiskin, Judy --- Foulkes, Llyn --- Gerima, Haile --- Hammersley, Frederick --- Harrington, Curtis --- Heinecken, Robert --- Henderson, Victor --- Herms, George --- Hernandez, Anthony --- Isermann, Jim --- Jackson, Richard --- Jarvinen, Arthur --- Johnson, Larry --- Jones, Kim --- Jost, Jon --- Kauffman, Craig --- Kerr, Mary --- Knight, John --- Kubo, Duane --- Leavitt, William --- Maddow, Ben --- Mason, John --- Mays, Peter --- McMillan, Jerry --- McMillen, Michael --- Mogul, Susan --- Moses, Edward --- Nakamura, Robert --- Noriega, Ramses --- O'Neill, Pat --- Outterbridge, John --- Owen, Tim --- Perkoff, Stuart --- Francis, Sam --- Losey, Joseph --- Rubins, Nancy --- Saar, Betye --- Sakoguchi, Ben --- Schapiro, Miriam --- Schoonhoven, Terry --- Shelton, Peter --- Smith, Alexis --- Smith, Barbara T. --- Strand, Chick --- Talbert, Ben --- Teske, Edmund --- Torres, Salvador Roberto --- Valentine, DeWain --- Vallance, Jeffrey --- Wagner, Gordon --- Went, Johann --- Wheeler, Douglas --- Whitney, James --- Wilding, Faith --- Williams, Robert --- Yonemoto, Bruce --- Yonemoto, Norman --- McLaughlin, John --- Kent, Corita --- Chicago, Judy --- Deren, Maya --- Pettibon, Raymond --- McCarthy, Paul --- Ray, Charles --- Viola, Bill --- Kelley, Mike --- Ruscha, Ed --- Turrell, James --- Celmins, Vija --- Diebenkorn, Richard --- Kruger, Barbara --- McCollum, Allan --- Mullican, Matt --- Nauman, Bruce --- Rosler, Martha --- Montano, Linda --- Askevold, David --- Baldessari, John --- Borofsky, Jonathan --- Burden, Chris --- Davis, Ron --- Hammons, David --- Huebler, Douglas --- Lamelas, David --- Miller, John --- Nordman, Maria --- Orr, Eric --- Pittman, Lari --- Prina, Stephen --- Wegman, William --- Goldstein, Jack --- Anger, Kenneth --- Therrien, Robert --- McCracken, John Harvey --- Goode, Joe --- Price, Kenneth --- Hopper, Dennis --- Ader, Bas Jan --- Lynch, David --- Rosenthal, Rachel --- Ruppersberg, Allen --- Sekula, Allan --- Kaprow, Allan --- Williams, Christopher --- Asher, Michael --- Gamboa Harry Jr --- McMillen Michael C --- Smith Barbara T

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Art's recent “educational turn” is viewed within a wider-ranging narrative of alternative ideas of education through art. This book will be an original and indispensable resource for all who believe in the importance of art in the wider educational realm. Framing the recent “educational turn” in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and arguments traced here is second-wave feminism, which questioned dominant notions of personal and institutional freedom as enacted through art teaching and practice. Similarly, education-based responses by the art community to the catastrophes of World War II and postcolonial conflict critically inform contemporary art confronting the interrelationships of education, power, market capitalism, and—as Michael Hardt and Antonio Negri describe it—the global condition of war. These writings by artists, philosophers, educators, poets, and activists center on three recurring and interrelated themes: the notion of “indiscipline” in theories and practices that challenge boundaries of all kinds; the present and future role of the art school; and the turn to pedagogy as medium in a diverse range of recent projects. Other writings address such issues as instrumentalism and control, liberation and equality, the production and the politics of culture, and the roots of research-based practice and experimental participatory works.

art theory --- kunstonderwijs --- art education --- art appreciation --- Art --- art [fine art] --- Higher education --- onderzoek in de kunsten --- research [function] --- Pujol, Ernesto --- Levine, Les --- Helguera, Pablo --- Oldenborgh, van, Wendelien --- Rooney, Paul --- Althamer, Paweł --- Clark, Lygia --- Frei, Luca --- Young, Carey --- Albers, Josef --- Kelley, Mike --- Durham, Jimmie --- Hullfish Bailey, Dave --- Schmitz, Edgar --- Gillick, Liam --- Heron, Patrick --- Thubron, Harry --- Pask, Maria --- Camnitzer, Luis --- Sekula, Allan --- Siekmann, Andreas --- Fletcher, Harrell --- Basbaum, Ricardo --- Beuys, Joseph --- Stark, Frances --- Brook, Julie --- Ascott, Roy --- Bruguera, Tania --- Shapiro, Miriam --- Scott, Judith --- Lacy, Suzanne --- Żmijewski, Artur --- Riley, Bridget --- Kaprow, Allan --- Kelly, Mary --- Krikorian, Tamara --- Rosler, Martha --- Fraser, Andrea --- Hirschhorn, Thomas --- Albers, Anni --- Perjovschi, Lia --- Lange, Darcy --- Group Material [New York, N.Y.] --- Art and society --- Study and teaching --- History --- 82:7 --- kunst --- kunsttheorie --- onderwijs --- pedagogie --- kunstpedagogie --- twintigste eeuw --- eenentwintigste eeuw --- Albers Anni --- Albers Josef --- Althamer Pawel --- Basbaum Ricardo --- Beuys Joseph --- Bruguera Tania --- Clark Lygia --- Frei Luca --- Gillick Liam --- Group Material --- Hirschhorn Thomas --- Hullfish Bailey Dave --- Kelley Mike --- Lange Darcy --- Pask Maria --- Perjovschi Lia --- Riley Bridget --- Rooney Paul --- Rosler Martha --- Schmitz Edgar --- Scott Judith --- Siekmann Andreas --- van Oldenburgh Wendelien --- Zmijewski Artur --- Young Carey --- 373.67 --- 373.67.01 --- Literatuur en kunst --- Onderwijs ; kunst- architectuuronderwijs ; beschouwingen --- 82:7 Literatuur en kunst --- 7.01 --- Kunstonderwijs ; relatie kunst en onderwijs --- Kunst ; theorie, filosofie, esthetica --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Bailey, David Hullfish --- Art, Primitive --- art [discipline] --- Iconographie --- Art contemporain --- Processus de création --- Psychologie --- Création artistique --- Sociologie de l'art --- Education --- Pédagogie --- Sciences humaines --- Féminisme --- École d'art --- Économie politique --- Schapiro, Miriam