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Harry Callahan (1912-1999) compte parmi les pionniers de la photographie américaine du 20e siècle. Il était un des premiers à surmonter l'esthétique réaliste ambiante, avec une innovation et une créativité d'une grande senibilité. Cette exposition rétrospective déroule son oeuvre, entamée en 1938 et prolongée durant presque une soixantaine d'années, et rend compte de ses richesses formelle et thématique.
fotografie --- Verenigde Staten --- twintigste eeuw --- landschapsfotografie --- documentaire fotografie --- straatfotografie --- portretfotografie --- Callahan Harry --- 77.071 CALLAHAN --- Exhibitions --- Photographe --- Callahan, Harry --- USA --- États-Unis
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Adams, Ansel --- Adams, Robert --- Arbus, Diane --- Avedon, Richard --- Callahan, Harry --- Capa, Cornell --- Capa, Robert --- Caponigro, Paul
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Adams, Ansel --- Adams, Robert --- Arbus, Diane --- Avedon, Richard --- Callahan, Harry --- Capa, Cornell --- Capa, Robert --- Caponigro, Paul
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"Callahan's work embodies thirty-five years of investigation into the expressive and structural potential of photography--an investigation that has been both uncompromisingly rigorous and intensely personal. HIs photographs reproduced here in the most complete selection ever published, reveal new dimensions of the medium's creative possibilities. Whether photographing his family, pedestrians on Chicago streets, or the beaches of Cape Cod, his vision has always been precise, defining the subject, and culminating with images of eloquent strength and balance."--book jacket.
Photographers --- Photography, Artistic --- Biography --- Callahan, Harry M. --- American photography, 1900-1950 --- Collections from individual artists
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Art --- Photography --- art [discipline] --- photography [process] --- Duchamp, Marcel --- Callahan, Harry --- Friedlander, Lee --- Doisneau, Robert --- anno 1900-1999
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De Meyer, Adolphe --- Stieglitz, Alfred --- Weston, Edward --- Callahan, Harry --- Gowin, Emmet --- Friedlander, Lee --- Fukase, Masahisa --- Furuya, Seiichi --- Nixon, Nicholas --- Photography --- photography [process] --- Meyer, de, Adolphe --- vrouwenportretten
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Clint Eastwood's Dirty Harry became the prototype for a new kind of movie cop-an antihero in pursuit of his own vision of justice. The Dirty Harry series helped cement Eastwood and his character, Harry Callahan, as central figures in 1970s and 1980s Hollywood cinema. In this book, Joe Street argues that the series sheds critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time. Street maintains that through referencing real events and political struggles, the films themselves became active participants in the culture wars, paying particular attention to the films' representation of crime, family and community, sexuality, and race.
Motion pictures --- Conservatism --- Dirty Harry (Fictitious character) --- Callahan, Harry (Fictitious character) --- Dirty Harry Callahan (Fictitious character) --- Harry, Dirty (Fictitious character) --- Harry Callahan (Fictitious character) --- Political aspects --- Eastwood, Clint, --- Dirty Harry films --- History and criticism --- United States --- Eastwood, Clint --- Callahan, Harry (fictional character) --- Eastwood, Clinton,
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Edited by Jain Kelly --- fotografie --- twintigste eeuw --- naakt --- naaktfotografie --- Callahan Harry --- Clergue Lucien --- Gibson Ralph --- Josephson Kenneth --- Kertész André --- Michals Duane --- Newton Helmut --- Alvarez Bravo Manuel --- 77.041 --- Photography of the nude --- Nude photography --- Nude in art
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Sally Eauclaire --- Babis Larry --- Bartos Adam --- Bishop Michael --- Callahan harry --- Callis Jo Ann --- Christenberry William --- Clay Langdon --- Cohen mark --- Culver Joyce --- Dantzic Jerry --- Divola John --- Eggleston William --- Epstein Mitch --- Faucon bernhard --- Gowin Emmet --- Groover Jan --- Haxton david --- Hess Allen --- Hill Douglas --- Hockney DAvid --- Jenshel len --- Karant barbara --- Levitt helen --- Maloney Joe --- mcGowan Kenneth --- Mertin Roger --- meyerowitz Joel --- Mulberg Joanne --- parker Olivia --- Pfahl John --- Ravanesi Bill --- Rodan Don --- Rubinfien Leo --- Schwartz mark --- Shore Stephen --- Skoglund Sandy --- Slavin Neal --- Smith W. Eugene --- Sonneman Eve --- Sorce Wayne --- Steiger-Meister Carla --- Sternfeld Joel --- Taussig Arthur --- Thies Rocky --- Torbert Stephanie --- Webb Boyd --- fotografie --- kleurenfotografie --- Samaras Lucas --- 77.038
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Arts --- 373.67 --- Albers Anni --- Albers Josef --- Bentley Eric --- Black Mountain College --- Cage John --- Callahan Harry --- Chamberlain John --- Creeley Robert --- Cunningham Merce --- Dahlberg Edward --- de Kooning Elaine --- de Kooning Willem --- de Mille Agnes --- Duncan Robert --- du Plessix Gray Francine --- Feininger Lyonel --- Fuller Richard Buckminster --- Goodman Paul --- Greenberg Clement --- Gropius Walter --- Guermonprez Trude --- Haas Robert --- Hamada Shoji --- Kazin Alfred --- Kinnell Galway --- Kline Franz --- kunst --- kunstonderwijs --- kunstpedagogie --- lerarenopleiding --- Lippold Richard --- Motherwell robert --- Newhall Beaumont --- Noland kenneth --- Olson Charles --- Oppenheimer Joel --- Penn Arthur --- Rauschenberg Robert --- Rockburne Dorothea --- Siskind Aaron --- Surette Thomas Whitney --- Taylor paul --- twintigste eeuw --- Twombly Cy --- Tworkov Jack --- vakdidactiek --- Vanderbeek Stan --- Verenigde staten --- Voulkos Peter --- Williams Jonathan --- 7.036 --- 7.036 Moderne kunststijlen --- Moderne kunststijlen --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Study and teaching (Higher) --- Black Mountain College (Black Mountain, N.C.) --- Didactics of the arts --- North Carolina --- Arts, Primitive --- North Carolina [state]