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Scripts of Blackness shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism.In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques—black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)—in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst.Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects.
Race in the theater --- Impersonation --- Blackface --- Theater --- Black people in literature. --- Drama --- SOCIAL SCIENCE / Black Studies (Global). --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Comedy --- Imitation --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Literature --- Dialogue --- Blacks in literature --- Negroes in literature --- History --- History and criticism. --- Philosophy --- Afro diaspora. --- Critical Race Theory and literature. --- Early modern pre-modern race studies. --- English French Spanish literature. --- How old is blackface?. --- Performing race. --- Race Before Race. --- Transhistorical Black studies. --- Transnational comparative approach to race. --- colonization. --- costume. --- dance. --- impersonation. --- theater stagecraft. --- Sociology of minorities --- Theatrical science --- drama [discipline] --- Black [general, race and ethnicity] --- anno 1500-1799 --- Black people in literature --- History and criticism
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Dating back to the blackface minstrel performances of Bert Williams and the trickster figure of Uncle Julius in Charles Chesnutt’s Conjure Tales, black humorists have negotiated American racial ideologies as they reclaimed the ability to represent themselves in the changing landscape of the early 20th century. Marginalized communities routinely use humor, specifically satire, to subvert the political, social, and cultural realities of race and racism in America. Through contemporary examples in popular culture and politics, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, in Played Out: The Race Man in 21st Century Satire author Brandon J. Manning examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. In focusing on vulnerability these satirists attend to America’s most basic assumptions about Black men. Contemporary Black satire is a highly visible and celebrated site of black masculine self-expression. Black satirists leverage this visibility to trouble discourses on race and gender in the Post-Civil Rights era. More specifically, contemporary Black satire uses laughter to decenter Black men from the socio-political tradition of the Race Man.
African Americans in the performing arts. --- African Americans --- American fiction --- Satire, American --- Intellectual life. --- Race identity. --- African American authors --- History and criticism. --- race, 21st century, Satire, black humorists, blackface, Bert Williams, Uncle Julius, Conjure Tales, 20th Century, black, black men, America, United States, black satire, black masculine interiority, black masculine, Post-Civil Rights Era, community building, catharsis, vulnerability, blackness, masculinity, African American literary, African American, Black satirists, Barack Obama, Obama, Kendrick Lamar, Key and Peele.
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