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This book explores the use of digital technologies to understand, interpret, and annotate the poetics of Indian literary and cultural texts which circulate in digital forms - in manuscript, and as oral or musical performance.
Literature and technology. --- Digital humanities. --- Indic literature
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"Electronic Literature as Digital Humanities: Contexts, Forms & Practices is a volume of essays that provides a detailed account of born-digital literature by artists and scholars who have contributed to its birth and evolution. Rather than offering a prescriptive definition of electronic literature, this book takes an ontological approach through descriptive exploration, treating electronic literature from the perspective of the digital humanities (DH)--that is, as an area of scholarship and practice that exists at the juncture between the literary and the algorithmic. The domain of DH is typically segmented into the two seemingly disparate strands of criticism and building, with scholars either studying the synthesis between cultural expression and screens or the use of technology to make artifacts in themselves. This book regards electronic literature as fundamentally DH in that it synthesizes these two constituents. Electronic Literature as Digital Humanities provides a context for the development of the field, informed by the forms and practices that have emerged throughout the DH moment, and finally, offers resources for others interested in learning more about electronic literature." --
Electronic books --- Literature and the Internet --- Literature and technology --- Digital humanities --- Social aspects
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Révolution des robots, multivers, navettes spatiales, mutants, cyborgs… la science-fiction est largement entrée dans notre quotidien : l’avenir imaginé dans le passé est devenu notre présent. De Ready Player One à Transformers, en passant par les X-Men, Blade Runner, Star Trek ou Interstellar, ce livre propose une histoire décapante de la science-fiction et illustre les façons dont elle modèle notre vision du monde et comment, au bout du compte – au bout des contes –, elle influence la science elle-même ! Avec verve et humour, Mark Brake répond ainsi à quelques questions fondamentales : L’espace est-il peuplé d’extraterrestres ? ; Existe-t-il des mondes parallèles ? ; Sera-t-il jamais possible de voyager dans le temps ? ; Notre société fonce-t-elle vers le chaos ? ; Quand pourrons-nous enfin parader dans des voitures volantes ? Si vous trouvez que notre monde commence à ressembler de plus en plus à un épisode de Black Mirror, ce livre est fait pour vous !
Science fiction --- Science fiction films --- Science fiction --- Literature and technology --- Science and civilization --- Science --- Popular Culture --- Extraterrestrial Environment --- Time --- Genetics
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Medieval books that survive today have been through a lot: singed by fire, mottled by mold, eaten by insects, annotated by readers, cut into fragments, or damaged through well-intentioned preservation efforts. In this book, Michelle Warren tells the story of one such manuscript—an Arthurian romance with textual origins in twelfth-century England now diffused across the twenty-first century internet. This trajectory has been propelled by a succession of technologies—from paper manufacture to printing to computers. Together, they have made literary history itself a cultural technology indebted to colonial capitalism. Bringing to bear media theory, medieval literary studies, and book history, Warren shows how digital infrastructures change texts and books, even very old ones. In the process, she uncovers a practice of "tech medievalism" that weaves through the history of computing since the mid-twentieth century; metaphors indebted to King Arthur and the Holy Grail are integral to some of the technologies that now sustain medieval books on the internet. This infrastructural approach to book history illuminates how the meaning of literature is made by many people besides canonical authors: translators, scribes, patrons, readers, collectors, librarians, cataloguers, editors, photographers, software programmers, and many more. Situated at the intersections of the digital humanities, library sciences, literary history, and book history, Holy Digital Grail offers new ways to conceptualize authorship, canon formation, and the definition of a "book." --Stanford University Press
Arthurian romances --- Codicology --- Digital humanities. --- Literature and technology. --- Manuscripts, Medieval --- Manuscripts --- Digitization. --- Technological innovations. --- Arthurian romance. --- book history. --- digital humanities. --- libraries. --- media studies. --- medieval literature. --- medievalism. --- technology.
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How can we use digital media to understand reading, editing, and writing as literary processes? How can we design the digital medium in a way that goes beyond the printed codex? This book is an attempt to answer those fundamental questions by bringing together a new theory of literary studies with a highly dynamic digital environment.Using the digital archive of the modernist masterpiece Book of Disquiet, by the Portuguese writer Fernando Pessoa (1888-1935), as case study and site for simulation and practical experiment, Literary Simulation and the Digital Humanities demonstrates how computational approaches to texts can fully engage with the complexities of contemporary literary theory. Manuel Portela marshals a unique combination of theoretical speculation, literary analysis, and human imagination in what amounts to a significant critical intervention and a key advance in the use of digital methods to rethink the processes of reading and writing literature.The foregrounding of the foundational practices of reading, editing, and writing will be relevant for several fields, including literary studies, scholarly editing, software studies, and digital humanities.
Société numérique. --- Humanités numériques. --- Littérature et informatique. --- Littérature et Internet. --- Criticism, Textual --- Literature and technology --- Literature --- Digital humanities --- Reading --- Authorship --- Data processing --- Research --- Technological innovations
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This book examines the prominent place a commitment to social justice and equity has occupied in the global history of literary journalism. With international case studies, it explores and theorizes the way literary journalists have addressed inequality and its consequences in their practice. In the process, this volume focuses on the critical attitude the writers of this genre bring to their stories, the immersive reporting they use to gain detailed and intimate knowledge of their subjects, and the array of innovative rhetorical strategies through which they represent those encounters. The contributors explain how these strategies encourage readers to respond to injustices of class, race, indigeneity, gender, mobility, and access to knowledge. Together, they make the case that, throughout its history, literary journalism has proven uniquely well adapted to fusing facts with feeling in a way which makes it a compelling force for social change. Robert Alexander is Associate Professor of English at Brock University, Canada. He is the co-editor of Fear and Loathing Worldwide: Gonzo Journalism Beyond Hunter S. Thompson (2018). Willa McDonald is Senior Lecturer in Media at Macquarie University, Australia, where she teaches and researches narrative journalism. Her books include Warrior for Peace: Dorothy Auchterlonie Green (2009) and the co-edited The Writer’s Reader (2007).
Creative nonfiction. --- Social justice in literature. --- Fourth genre (Creative nonfiction) --- Literary nonfiction --- Narrative nonfiction --- Nonfiction, Creative --- Nonfiction, Literary --- Nonfiction, Narrative --- Prose literature --- Journalism. --- Literature and technology. --- Mass media and literature. --- Literature and Technology. --- Literature and mass media --- Literature --- Industry and literature --- Technology and literature --- Technology --- Writing (Authorship) --- Publicity --- Fake news
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Palgrave Handbook of Critical Posthumanism is a major reference work on the paradigm emerging from the challenges to humanism, humanity, and the human posed by the erosion of the traditional demarcations between the human and nonhuman. This handbook surveys and speculates on the ways in which the posthumanist paradigm emerged, transformed, and might further develop across the humanities. With its focus on the posthuman as a figure, on posthumanism as a social discourse, and on posthumanisation as an on-going historical and ontological process, the volume highlights the relationship between the humanities and sciences. The essays engage with posthumanism in connection with subfields like the environmental humanities, health humanities, animal studies, and disability studies. The book also traces the historical representations and understanding of posthumanism across time. Additionally, the contributions address genre and forms such as autobiography, games, art, film, museums, and topics such as climate change, speciesism, anthropocentrism, and biopolitics to name a few. This handbook considers posthumanism’s impact across disciplines and areas of study. .
Posthumanism in literature. --- Literature and technology. --- Mass media and literature. --- Literature, Modern --- Digital humanities. --- Philosophy. --- Ethnology. --- Education --- Literature and Technology. --- Contemporary Literature. --- Digital Humanities. --- Sociocultural Anthropology. --- Educational Philosophy. --- 20th century. --- 21st century. --- Literature --- Literature and mass media --- Industry and literature --- Technology and literature --- Technology --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Mental philosophy --- Humanities
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The adultery novel, which became a pan-European literary paradigm in the second half of the 19th century, has a fascinating back story. In the wake of the French Revolution, there emerged a slew of secular marriage legislation which produced a metaphorical surplus that is still effective today. Through legal history and canonical literary texts from Rousseau to Goethe and Manzoni to Hugo and Flaubert, “Marriage as a National Fiction” traces how marriage became a figure of reflection for the modern nation-state around 1800. At the same time, law and literature are made fruitful for historical semantics of society and community. This book is a translation of an original German 1st edition “Ehe als Nationalfiktion” by Dagmar Stöferle, published by J.B. Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the serviceDeepL.com). The author (with the support of Chris Owain Carter) has subsequently revised the text further in an endeavour to refine the work stylistically. .
Human sciences --- Private law --- Mass communications --- Information systems --- Fiction --- Comparative literature --- Literature --- sociale media --- communicatie --- literatuur --- burgerlijk recht --- gerechtelijk recht --- fantasie (verbeelding) --- anno 1800-1899 --- anno 1900-1999 --- Fiction. --- Comparative literature. --- Literature and technology. --- Mass media and literature. --- Digital humanities. --- Civil procedure. --- Literature, Modern --- Fiction Literature. --- Comparative Literature. --- Literature and Technology. --- Digital Humanities. --- Civil Procedure Law. --- Nineteenth-Century Literature. --- 19th century.
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Rethinking Place Through Literary Form regards the relationship between place and linguistic form as challenging real and perceived configurations of place and renegotiating geopolitically determined categories of the ‘centre’ and ‘periphery’. The volume argues that the rise of scattered communities, displaced physically and psychologically by urban and alienated geographies, necessitates linguistic negotiations of one’s locatedness in place as the chief means of uncovering and re-building identity. By looking at narrative re-imaginings of forgotten and interrupted intimacies between habitation and place from diverse parts of the world, the twelve chapters address the growing need to expand and alter approaches to literary representations of modernity and modes of self-location. Rupsa Banerjee is Assistant Professor of English at St. Xavier's University, Kolkata, India. Nathaniel Cadle is Associate Professor of English at Florida International University, USA. His first book, The Mediating Nation: Late American Realism, Globalization, and the Progressive State (2014), won the 2015 SAMLA Studies Book Award. .
Languages in contact. --- Areal linguistics --- Literature and technology. --- Mass media and literature. --- Comparative literature. --- Language and languages --- Rhetoric. --- Aerospace engineering. --- Astronautics. --- Literature and Technology. --- Comparative Literature. --- Rhetorics. --- Stylistics. --- Aerospace Technology and Astronautics. --- Style. --- Space sciences --- Aeronautics --- Astrodynamics --- Space flight --- Space vehicles --- Aeronautical engineering --- Astronautics --- Engineering --- Speaking --- Authorship --- Expression --- Literary style --- Linguostylistics --- Stylistics --- Comparative literature --- Literature, Comparative --- Philology --- Literature and mass media --- Literature --- Industry and literature --- Technology and literature --- Technology --- Rhetoric --- History and criticism
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This book explores the vast array of animals that populate detective fiction. If the genre begins, as is widely supposed, with Edgar Allan Poe’s “Murders in the Rue Morgue” (1841), then detective fiction’s very first culprit is an animal. Animals, moreover, consistently appear as victims, clues, and companions, while the abstract conception of animality is closely tied to the idea of criminality. Although it is often described as an essentially conservative form, detective fiction can unsettle the binary of human and animal to intersect with developing concerns in animal studies: animal agency, the ethical complexities of human/animal interaction, the politics and literary aesthetics of violence, and animal metaphor. Gathering its 14 essays into sections on ontologies, ethics, politics, and forms, Animals in Detective Fiction provides a compelling and nuanced analysis of the central role creatures play in this enduringly popular and continually morphing literary form. Ruth Hawthorn is Senior Lecturer in American Literature at the University of Lincoln. She is currently completing a monograph on American detective fiction for the BAAS Paperbacks series with Edinburgh University Press. Her research interests include crime fiction, the literature of LA, and ecocriticism. John Miller is Senior Lecturer in Nineteenth-Century Literature at the University of Sheffield, President of ASLE-UKI (Association for the Study of Literature and the Environment, UK and Ireland), and co-editor of Palgrave Studies in Animals in Literature. His books include Empire and the Animal Body (Anthem, 2014) and The Heart of the Forest (British Library Publishing, 2022). .
Animals in literature. --- Literature and technology. --- Mass media and literature. --- Fiction. --- Ecocriticism. --- Communication in the environmental sciences. --- Animal welfare --- Animal culture. --- Literature and Technology. --- Fiction Literature. --- Environmental Communication. --- Animal Ethics. --- Animal Science. --- Moral and ethical aspects. --- Animal husbandry --- Husbandry, Animal --- Zoology, Economic --- Ecological literary criticism --- Environmental literary criticism --- Criticism --- Communication in environmental sciences --- Environmental sciences --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Literature and mass media --- Industry and literature --- Technology and literature --- Technology --- Philosophy
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