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Cinematography --- Philosophy. --- Photography --- Chronophotography --- Animated pictures --- Motion pictures
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"Packed with gems of wisdom from the current 'masters of light', this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost's interviews provide unprecedented insight into the role as cinematographers discuss selecting projects, the conceptual and creative thinking that goes into devising a visual strategy, working with the script, collaborating with leading directors such as Martin Scorcese, Spike Lee, and Ava DuVernay, the impact of changing technology, and offer advice for aspiring cinematographers. Interviews include Maryse Alberti, John Bailey, Robert Elswit, Kirsten Johnson, Kira Kelly, Ellen Kuras, Edward Lachman, Matthew Libatique, John Lindley, Seamus McGarvey, Reed Morano, Polly Morgan, Rachel Morrison, Rodrigo Prieto, Cynthia Pusheck, Harris Savides, Nancy Schrieber, John Seale, Sandi Sissel, Dante Spinotti, Salvatore Totino, Amy Vincent, and Mandy Walker. Filled with valuable information and advice for aspiring cinematographers, directors and filmmakers, this is essential reading for anyone interested in the art and craft of cinematography"--
Cinematographers --- Cinematography. --- Cinematographers. --- Motion pictures --- Production and direction --- Cameramen, Lighting --- Directors of photography (Cinematographers) --- Lighting cameramen --- Photographers --- Photography --- Chronophotography --- Animated pictures
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Everyday Movies documents the twentieth-century rise of portable film projectors. It demonstrates that since World War II, the vast majority of movie-watching did not happen in the glow of the large screen. Rather, it unreeled alongside the glitches, distortions, and clickety-clack of small machines that transformed home, classroom, museum, community, government, industrial, and military venues into sites of moving-image display. Reorienting the history of cinema away from the movie theater's magic, Haidee Wasson illustrates the remarkable persistence and proliferation of devices that fundamentally rejected the sleek, highly professionalized film show. She foregrounds instead another kind of apparatus, one that was accessible, affordable, adaptable, easy-to-use, and crucially, programmable. With rich archival discoveries, this book charts a compelling and original history of film, one that brings to light new technologies and diverse forms of media engagement that continue to shape contemporary life.
Motion picture projectors --- Motion pictures --- Cinematography --- History --- Technological innovations --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Moving-picture projectors --- Projectors --- History and criticism --- Photography --- Chronophotography --- Animated pictures --- #SBIB:309H1313 --- #SBIB:309H1315 --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Filmwezen: technologie (met inbegrip van de sociale implicaties)
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