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An authoritative commentary on the surviving fragments of Greek lyric poetry up to the death of Aristotle. No comparable work exists, partly because these fragments are usually small, textually corrupt and difficult to interpret. But they cast light on several aspects of Greek culture: for example, religion and prayer formulae (many of them take the form of hymns), the symposium (they include a collection of scolia), and the development of the so-called 'New School' of poetry and music. They also include fragments of poems by Telesilla and Praxilla, two of the rare band of female poets of antiquity other than Sappho, and Philoxenus' Deipnon, which puts into dactylo-epitrite metre the contents of an imaginary banquet, including long list of different types of0food. Our knowledge of Euripides and Aristotle is expanded by the preservation of a quotation from a victory ode the former wrote for Alcibiades, and of an entire lyric eulogy for a dead friend composed by the latter. Also extended is our knowledge of that tantalising and in many ways baffling period of Greek literature between the death of Sophocles and the death of Aristotle. Nor should one forget the scurrilous verse of Timocreon, which extends our awareness of the capabilities of fifth century literary invective, and its capacity for parody and inversion of the topoi of praise poetry.
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This book deals with Greek lyric composed more than twenty-five centuries ago. These poems sing of everyday events and emotions in human life, from the most festive to the most serious, presenting a living portrait of the ancient Greeks. This multidisciplinary volume begins with a panorama of Greek lyric poetic genres, their main authors and their representative topics. The first part contains philological studies and literary analyses, first of some Greek poets-Anacreon, Sappho and Lycophron, among others-then of their influence on Horace's Latin poetry, and on contemporary poetry. The second part, illustrated with colour images, studies Greek lyric from socio-political and iconographic perspectives, analysing its coincidences and reflections in images from Greek pottery, sculptures and reliefs. In addition, this section includes two works on musical theory and composition related to ancient Greek lyric. The volume closes with two studies of the image of Sappho in cinema.
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Greek poetry --- Greek drama (Tragedy) --- Astydamas, --- Astydamas
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What is distinctive about Greek lyric poetry? How should we conceptualize it in relation to broader categories such as literature / song / music / rhetoric / history? What critical tools might we use to analyze it? How do we, should we, can we relate to its intensities of expression, its modes of address, its uses of myth and imagery, its attitudes to materiality, its sense of its own time, and its contextualizations? These are the questions that this discussion seeks to investigate, exploring and analysing a range of influential methodologies that have shaped the recent history of the field.
Greek poetry --- Greek poetry. --- Lyric poetry --- Lyric poetry. --- History and criticism. --- Greek literature --- Poetry
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"In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, a team of international scholars consider the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) up to the 12th century CE, from a variety of intersecting perspectives: reperformance, textualization, the direct and indirect tradition, anthologies, poets' Lives, and the disquisitions of philosophers and scholars. Particular attention is given to the poets Tyrtaeus, Solon, Theognis, Sappho, Alcaeus, Stesichorus, Pindar, and Timotheus. Consideration is given to their reception in authors such as Aristophanes, Herodotus, Plato, Plutarch, Athenaeus, Aelius Aristides, Catullus, Horace, Virgil, Ovid, and Statius, as well as their discussion by Peripatetic scholars, the Hellenistic scholia to Pindar, Horace's commentator Porphyrio, and Eustathius on Pindar"--
Greek poetry --- Classical literature --- History and criticism --- Influence --- Classical literature. --- Greek poetry. --- Littérature antique --- Poésie grecque --- Histoire et critique. --- Influence. --- Greek poetry - History and criticism - Congresses --- Greek poetry - Influence - Congresses --- Classical literature - History and criticism - Congresses --- Greek literature
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Aesthetics, Ancient. --- Esthétique ancienne. --- Greek poetry --- Greek poetry. --- Poetics --- Poetics. --- Poésie grecque --- Poétique --- History and criticism. --- Histoire et critique.
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Durant de nombreuses années, la poésie astrologique grecque et latine n'est restée connue que d'un cercle restreint de spécialistes versés dans le domaine. L’objectif de cet ouvrage est de proposer une vision d'ensemble de ces poèmes, en présentant tous les poèmes et fragments de poèmes astrologiques grecs et latins qui ont été conservés depuis la période hellénistique jusqu'à l'Antiquité tardive. Étant donné la forme métrique et le contenu technique de ces compositions, l'enjeu est de considérer l'interaction de ce corpus avec le genre de la poésie didactique, afin de mieux définir la place de ces poèmes astrologiques dans l'histoire littéraire gréco-latine.
E-books --- Greek poetry - History and criticism --- Latin poetry - History and criticism --- Astrology in literature --- Classical texts --- poésie didactique --- astrologie --- Greek poetry --- Latin poetry
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The Batrachomyomachia (Battle of the Frogs and Mice) is a Hellenistic pastiche of Homer's Iliad which was often attributed to Homer himself by later commentators. As a parody of epic battle narrative it is quite unlike anything else that survives in full from antiquity ; however, despite its popular and influential reception throughout much of history from the Roman period onwards, the advent of the twentieth century saw it largely dismissed and overlooked as a curio.This volume presents a new critical edition of the poem, comprising an introduction, Greek text and English verse translation, and line-by-line commentary, which aims to rehabilitate its image and return it to the centre of scholarly attention by mapping out the wide range of metaliterary jokes, references, and parodies concealed within the apparently simple and childish story. The Greek text is entirely new, based on a fresh collation of the nine most important early manuscripts as well as on the work of previous editors. All verses which appear in these manuscripts are included - those which do not belong in the main text are presented separately at the foot of each page - and are accompanied by a full apparatus criticus and a new facing verse translation, which aims to strike a balance between precision and readability. A comprehensive introduction thoroughly orients readers in the poem's historical and literary context, covering its (highly uncertain) date and disputed authorship, its relationship with the wider genre of 'parody', its language and metre, and its reception and influence up to the present day, among other topics. The commentary forms the largest part of the volume, offering detailed discussion of linguistic, stylistic, and thematic questions, as well as guiding readers through the complex network of references to Homer and Hellenistic poetry and breaking down the textual problems for which the poem is so notorious
Greek poetry, Hellenistic --- Criticism, Textual. --- Battle of the frogs and mice
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This book proposes to rethink kinship in early Greek epic poetry. The author interprets, according to the criterion of gender, the discursive form and the narrative function of the genealogical relations as they are expressed in archaic Greek epic poetry. The focus on the analytic female catalogues attested in this corpus enables the advancement of the hypothesis of the existence of a female-centered poetic tradition that sang the klea gynaikôn in terms of kinship and procreation.
Epic poetry, Greek --- Greek poetry --- Genealogy in literature. --- Women in literature. --- Kinship in literature. --- Themes, motives. --- History and criticism. --- Homer. --- Hesiod. --- Homeric hymns. --- Epic poetry, Greek. --- Greek poetry. --- Catalogus feminarum (Hesiod). --- Iliad (Homer). --- Odyssey (Homer). --- Theogony (Hesiod). --- E-books
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