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How does a peoples' music reflect their history, their occupations, cultural beliefs and values? These are the core questions that this book addresses in relation to the Aawambo people of Namibia. The author, herself born and bred in Namibia, brings to the fore the nuanced views of different people, describing their personal musical experiences -- past as well as present. This is the first time that the music and stories of contemporary Namibian musicians is shared alongside those of the elderly. Similarly, it is the first time that some of the traditional Aawambo dances are analysed and described, abundantly illustrated with colourful photographs and several songs. Based on years of personal research, this book will appeal to research scholars, students and other interested readers alike, since its style is accessible but detailed, personal yet objective. Recommended for all those interested in culture, anthropology, the arts, and Namibian studies.
Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- Social aspects --- Musique --- Namibia. --- Namibia --- Namibia ye Likuluhile --- Namibi --- Namibii͡ --- Republic of Namibia --- S.W.A./Namibia --- South-West Africa --- SWA/Namibia --- SWA/Namibi
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The first genocide of the twentieth century, though not well known, was committed by Germans between 1904-1907 in the country we know today as Namibia, where they exterminated hundreds of Herero and Nama people and subjected the surviving indigenous men, women, and children to forced labor. The perception of Africans as subhuman "lacking any kind of civilization, history, or meaningful religion" and the resulting justification for the violence against them is what author Elizabeth R. Baer refers to as the "genocidal gaze" an attitude that was later perpetuated by the Nazis. In The Genocidal Gaze: From German Southwest Africa to the Third Reich, Baer uses the metaphor of the gaze to trace linkages between the genocide of the Herero and Nama and that of the victims of the Holocaust. Significantly, Baer also considers the African gaze of resistance returned by the indigenous people and their leaders upon the German imperialists.
Genocide in literature --- Genocide --- Holocaust, Jewish (1939-1945), in literature --- Postcolonialism in literature --- History and criticism. --- Germany --- Colonies --- Cleansing, Ethnic --- Ethnic cleansing --- Ethnic purification --- Ethnocide --- Purification, Ethnic --- Crime --- Herero (African people) --- Nama (African people) --- Witbooi, Hendrik, --- Namibia --- History --- German Studies --- Jewish Studies --- Herero people --- Nama people --- Morenga (film) --- Namakwa (African people) --- Naman (African people) --- Namaqua (African people) --- Rooi Nasie (African people) --- Ethnology --- Khoikhoi (African people) --- Hereros --- Herrero (African people) --- Ochiherero (African people) --- Ovaherero (African people) --- Bantu-speaking peoples --- Damara (African people) --- Namibia ye Likuluhile --- Namibi --- Namibii͡ --- Republic of Namibia --- S.W.A./Namibia --- South-West Africa --- SWA/Namibia --- SWA/Namibi --- Namibia.
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