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À travers un parcours chronologique de ses petits formats, Jeff Wall nous révèle les préoccupations qui l’ont guidé tout au long de sa carrière. Toujours rigoureusement composées, ses photographies invoquent de nombreux thèmes de l’histoire des arts et de la littérature.L’essai de Jean-François Chevrier et l’entretien qu’il a mené avec Jeff Wall en 2007 accompagnent ce parcours visuel et nous éclairent sur les multiples facettes de ce travail.
Photographie --- Interview --- Wall, Jeff --- Photography, Artistic --- Wall, Jeff,
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Volume one focuses on the nineteenth century and some of its contemporary progeny. It begins with the camera obscura, which morphed into chemical photography and lives on in digital form, and ends with Walter Benjamin. Key figures discussed along the way include Nicéphore Niépce, Louis Daguerre, William Fox-Talbot, Jeff Wall, and Joan Fontcuberta.
Photography --- History --- fotografie --- fotografiegeschiedenis --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- fotografietheorie --- kunsttheorie --- film --- filmtheorie --- Akerman Chantal --- Fox Talbot William Henry --- Niepce Nicephore --- Daguerre Louis Jacques Mandé --- Morell Abelardo --- Benjamin Walter --- portretfotografie --- Wall Jeff --- Proust Marcel --- 77.035 --- History. --- Photography - History
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A Handful of Dust is David Campany's speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let's suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it 'Dust Breeding'. It's abstract, it's realist. It's an artwork, it's a document. It's revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes T.S. Eliot's poem 'The Waste Land'. "I will show you fear in a handful of dust." And what if dust is really the key to the intervening years? Why do we dislike it? Is it cosmic? We are stardust, after all. Is it domestic? Inevitable and unruly, dust is the enemy of the modern order, its repressed other, its nemesis. But it has a story to tell from the other side. Campany's connections range far and wide, from aerial reconnaisance and the American dustbowl to Mussolini's final car journey and the wars in Iraq. 'A Handful of Dust' will accompany Campany's exhibition of the same name, curated for Le Bal, Paris (opening September 2015), with works by Man Ray, John Divola, Sophie Ristelhueber, Mona Kuhn, Gerhard Richter, Xavier Ribas, Nick Waplington, Jeff Wall and many others, alongside anonymous press photos, postcards, magazine spreads and movies. Exhibition: Le Bal, Paris, France (opening September 2015).
Art --- Photography --- Conceptual --- dust --- Duchamp, Marcel --- Man Ray --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019 --- fotografie --- fotografiegeschiedenis --- twintigste eeuw --- Duchamp Marcel --- Ray Man --- Divola John --- Ristelhueber Sophie --- Kuhn Mona --- Richter Gerhard --- Ribas Xavier --- Waplington Nick --- Wall Jeff --- 77.036 --- Exhibitions --- artistieke fotografie
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Depuis les avant-gardes des années 1920 et 1930, les artistes questionnent le médium photographique lui-même pour tenter de comprendre sa qualité ou sa spécificité. «L'essence de l'esprit moderne, écrivait le critique américain Clement greenberg, se définit par l'utilisation de certaines méthodes propres à une discipline pour critiquer cette discipline elle-même, non dans un but subversif, mais afin de déterminer exactement son domaine de compétence». Les artistes du pop art, de l'art conceptuel et du postmodernisme ont poussé plus loin cette interrogation de la photographie sur elle-même. Il s'agissait moins de définir le domaine de compétence du médium afin de lui assurer une légitimité dans le concert des arts que de questionner l'idée que l'on s'en faisait désormais. Dans la période contemporaine, l'avènement des technologies numériques a suscité de nouvelles formes d'expérimentations destinées à tester et à mettre en évidence les fonctionnalités du nouvel outil.
Photography --- Photographie --- Philosophy --- Philosophie --- Photographes --- Musée national d'art moderne-Centre de création industrielle $c Paris --- fotografie --- twintigste eeuw --- eenentwintigste eeuw --- fotografietheorie --- fotografische techniek --- Beuys Joseph --- Brassaï --- Campeau Michel --- Citroen Paul --- Garnell Jean-Louis --- Gerz Jochen --- Gordon Douglas --- Hermanowicz Mariusz --- Hilliard John --- Karquel Gaston --- Kertész André --- Lerner Nathan --- Man Ray --- Morell Abelardo --- Morris Robert --- Mulas Ugo --- Oppenheim Denis --- Paolini Giulio --- Paradeis Florence --- Rautert Imm --- Robakowski Jozef --- Roche Denis --- Saudek Jan --- Tosani Patrick --- Wall Jeff --- Welling James --- 77.01 --- Exhibitions --- Musée national d'art moderne-Centre de création industrielle --- Analyse de l'art --- Pop art --- Postmodernisme --- Art conceptuel --- Art contemporain --- Avant-garde
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Anno nu krijgt een mens op één dag meer beelden te verwerken dan iemand in de middeleeuwen gedurende zijn hele leven. Als reactie op deze "hyperventilerende" samenleving klinkt de oproep tot rust, bezinning en stilte. Steeds meer mensen vinden die verstilling door naar kunst te kijken. Joost Zwagerman gaat in 'De stilte van het licht' op bevlogen wijze op zoek naar de facetten van deze "intensiteit van de stilte". Van de religieus geïnspireerde stilte bij Jan van Eyck en Zurbarán, via de abstracte stilte van Mark Rothko en Malevich, tot de stilte als suspense bij Edward Hopper. Bij alle kunstenaars is licht een belangrijk middel om de sfeer van de stilte uit te drukken.
Esthetica. --- Kunstbeschouwing. --- Art --- Silence (philosophie) --- Esthétique --- Appréciation --- art criticism --- stilte --- beauty --- Aesthetics of art --- schoonheid --- aesthetics --- kunst --- kunsttheorie --- 7.03 --- Nooteboom Cees --- Kellendonk Frans --- Weijers Niña --- literatuur --- Hammershoi Vilhelm --- Delacroix Eugène --- Malevich Kazimir --- Van Veluw Levi --- Borremans Michael --- Dumas Marlene --- Ensor James --- Lucebert --- Miro Joan --- Spilliaert Léon --- Wall Jeff --- Koons Jeff --- Jackson Richard --- Polke Sigmar --- Hamilton Richard --- Wyeth Andrew --- Hopper Edward --- Bacon Francis --- Munch Edvard --- Goya y Lucientes Francisco --- Zandvliet Robert --- Benner Gerrit --- Van Goyen Jan --- Van Golden Daan --- McQueen Steve --- Klein Yves --- Schendel Mira --- Warhol Andy --- Matisse Henri --- Rembrandt --- Turner Joseph Mallord William --- Tartt Donna --- Fabritius Carel --- Nypels Rob --- Mondrian Piet --- Mondriaan Piet --- Rothko Mark --- Van Althuis Willem --- Mankes Jan --- Weissenbruch Jan Hendrik --- Abramovic Marina --- van Eyck Jan --- Morandi Giorgio --- de Zurbaran Francisco --- unheimliche --- MAD-faculty 15 --- kunst en filosofie --- Esthétique. --- Appréciation. --- Kunst --- Afrika --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Geschiedenis --- Voorlichting --- Literatuur --- 830 --- kunstkritiek --- essay --- essai --- stilte (kunst)
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Art --- art history --- art criticism --- Spoerri, Daniel --- Grosse, Gabrielle --- Broodthaers, Marcel --- Immendorff, Jörg --- Andre, Carl --- Baselitz, Georg --- Penck, A.R. --- Zipp, Thomas --- Paik, Nam June --- Kienholz, Edward --- Grützke, Johannes --- Warhol, Andy --- Hamilton, Richard --- Oldenburg, Claes --- Kramer, Harry --- Radermacher, Norbert --- Schult, HA --- Schwegler, Fritz --- Tuymans, Luc --- Beisinghoff, Barbara --- Haacke, Hans --- Sitte, Willi --- Blume, Claudia --- Bluth, Manfred --- Edoga, Mo --- Escher, Rolf --- Faivovich, Guillermo --- Pistoletto, Michelangelo --- Froelich, Dieter --- Gerresheim, Bert --- Goldberg, Nicolás --- Hoheisel, Horst --- Christo --- Jeanne-Claude --- Kawamata, Tadashi --- Polke, Sigmar --- Ulay --- Abramovic, Marina --- Moog, Pitt --- Beuys, Joseph --- Neusüss, Floris --- Sharits, Paul --- Richter, Gerhard --- Byars, James L. --- Kabakov, Ilija Iosefovich --- Hes-Yassour, Penny --- West, Franz --- Penone, Giuseppe --- Pompéry, Sophia --- Rosenbach, Ulrike --- Saint-Phalle, de, Niki --- Serra, Richard --- Dalí, Salvador --- Scholte, Rob --- Hatoum, Mona --- Wall, Jeff --- Lichtenstein, Roy --- Merz, Mario --- Rauschenberg, Robert --- Schütte, Thomas --- Bacon, Francis --- Uecker, Günther --- Kirkeby, Per --- Twombly, Cy --- Ruthenbeck, Reiner --- Holzer, Jenny --- Kentridge, William --- Artschwager, Richard --- Bach, Elvira --- Balkenhol, Stephan --- Bayrle, Thomas --- Boetti, Alighiero --- Calle, Sophie --- Eichhorn, Maria --- Hesse, Eva --- Nauman, Bruce --- Neshat, Shirin --- Vedova, Emilio --- Becher, Bernd und Hilla --- Janssen, Horst --- Karamustafa, Gülsün --- Katase, Kazuo --- Laib, Wolfgang --- Lüthi, Urs --- Melhus, Bjorn --- Nierhoff, Ansgar --- Oursler, Tony --- Staeck, Klaus --- Tadeusz, Norbert --- Vostell, Wolf --- Altenbourg, Gerhard --- Klapheck, Konrad --- Tübke, Werner --- Ai Weiwei --- Kosuth, Joseph --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019
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