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Authors, English --- Critics --- Richards, I. A. --- Richards, Ivor Armstrong, --- Rītshārdz, A.,
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This paper discusses Chad’s Second Review Under the Extended Credit Facility (ECF) Arrangement, and Requests for Waivers of Nonobservance of Performance Criteria (PCs) and for Modification of PCs. Despite the weaker economy, performance under the ECF-supported program was broadly satisfactory in the first half of 2015, with four of the six PC met, and progress on the structural reform agenda in line with the program objectives. The IMF staff supports the completion of the second review under the ECF arrangement, the waivers of nonobservance for the PCs on contracting of nonconcessional external debt, and nonaccumulation of domestic payment arrears and the modification of PCs.
Chad --- Tshād --- Tchad --- Tsad --- Ciad --- Republic of the Chad --- Tschad --- Tashād --- République du Tchad --- Darna --- Tishād --- Gouvernement d'union nationale de transition du Tchad --- تشاد --- جمهورية تشاد --- Jumhūrīyat Tshād --- Jumhūriyyat Tshād --- Economic conditions. --- Budgeting --- Investments: Energy --- Exports and Imports --- Public Finance --- Taxation --- International Lending and Debt Problems --- Business Taxes and Subsidies --- Energy: General --- National Government Expenditures and Related Policies: General --- National Budget --- Budget Systems --- Public finance & taxation --- International economics --- Investment & securities --- Budgeting & financial management --- Macroeconomics --- Oil, gas and mining taxes --- Oil --- Expenditure --- Debt service --- Budget planning and preparation --- Taxes --- Commodities --- External debt --- Public financial management (PFM) --- Debts, External --- Petroleum industry and trade --- Expenditures, Public
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The German composer, performer and critic Ferdinand Praeger (1815-91) moved to London in 1834, and served as the London correspondent of the Neue Zeitschrift für Musik from 1842. A lifelong devotee of Wagner, he helped engage the composer to conduct eight concerts at the Philharmonic Society in 1855. His enthusiasm for Wagner led to the publication of this work in English in 1892, although it was soon claimed that he had greatly overplayed his role in the composer's career. There were accusations of invented stories, distorted facts and altered letters, subsequently supported by evidence obtained by biographers such as William Ashton Ellis, and also by Houston Stewart Chamberlain's comparison of original letters with those featured in this biography. Such negative publicity caused the publishers of the German edition to withdraw the book. Nonetheless, it contains personal impressions which remain of interest, and is now considered less exaggerated than previously thought.
Composers --- Wagner, Richard, --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד,
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Daughter of the poet Théophile Gautier, Judith Gautier (1845-1917) grew up among Europe's literary avant-garde, quickly establishing her own career as a writer. An unapologetic admirer of Richard Wagner from an early age, she described her moment of revelation on playing through the overture to The Flying Dutchman as 'vertigo of the spirit'. Her enthusiasm led to several works on the composer, including a translation of his poem for Parsifal, during the composition of which an intense intimacy developed between them (gently, but firmly, defused by Cosima). Reissued here is the 1910 English translation by Effie Dunreith Massie of Gautier's highly charged account of her first two visits to Wagner and Cosima in Switzerland in 1869 and 1870. Gautier describes the idyllic atmosphere and offers the reader an effusive pen-portrait of Wagner's complex personality. The work also features facsimile pages of Wagner's letters to Gautier, showing part of the score for Parsifal.
Composers --- Wagner, Richard, --- Friends and associates. --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד,
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William Ashton Ellis (1852-1919) abandoned his medical career in order to devote himself to his Wagner studies. Best known for his translations of Wagner's prose works and of Carl Friedrich Glasenapp's multi-volume biography of the composer, Ellis published in 1911 this English translation of Wagner's Familienbriefe, spanning the years 1832-74. An inveterate letter writer, Wagner was the youngest-but-one of ten children and Ellis describes the character of these letters to his sisters, his mother, his brother-in-law and his nieces as a reflection of the composer in the 'driest and most neutral of lights', claiming that within the family it is impossible to be pretentious. An appendix by Glasenapp, giving brief biographical details of family members, is also included. Despite the stylistic idiosyncrasies of the translations, these letters remain of importance, capturing something of the tone of Wagner's prose style and shedding light on his extraordinary life.
Composers --- Wagner, Richard, --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד,
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Richard M. Nixon remains an enigma even thirty years after his resignation. Of the many portraits of this complex man, none have been more intimate or revealing than this memoir from his personal physician, friend, and confidante of more than forty years, John C. Lungren, M.D. Dr. Lungren, with his son and co-author John C. Lungren Jr., portrays Nixon as a paradoxical man -- intense, compassionate, guarded, intelligent, resilient, deeply religious, enormously successful but ultimately tragic.Lungren describes his battle to restore the president's health after his resignation and reveals previo
Physicians --- Presidents --- Nixon, Richard M. --- Lungren, John C., --- Ni-kʻo-sung, --- Nikesong, --- Nikson, Ričard Milhaus, --- Ni-kʻo-hsün, --- Nikexun, --- Nikesen, --- Ni-kʻo-sen, --- Niksūn, Rītshārd, --- Nixon, Richard Milhous, --- Nixon, Richard, --- Friends and associates. --- Health.
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The US-European relationship remains the closest and most important alliance in the world. Since 1945, successive American presidents each put their own touches on transatlantic relations, but the literature has reached only into the presidency of Lyndon Johnson (1963-9). This first study of transatlantic relations during the era of Richard Nixon shows a complex, turbulent period during which the postwar period came to an end, and the modern era came to be on both sides of the Atlantic in terms of political, economic, and military relations.
Nixon, Richard M. --- Ni-kʻo-sung, --- Nikesong, --- Nikson, Ričard Milhaus, --- Ni-kʻo-hsün, --- Nikexun, --- Nikesen, --- Ni-kʻo-sen, --- Niksūn, Rītshārd, --- Nixon, Richard Milhous, --- Nixon, Richard, --- United States --- Europe --- Foreign relations
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The German poet Mathilde Wesendonck (1828-1902), author of the texts of the Wesendonck Lieder, was the wife of Wagner's patron, the wealthy silk merchant Otto Wesendonck. From 1852 until 1858, the Wagners lived next to the Wesendoncks in Zurich and an intense relationship developed between Wagner and Mathilde, subsequently reflected in the impossible love at the heart of his opera Tristan und Isolde. Prepared by the American musicologist Gustav Kobbé (1857‒1918), who provides a helpful connecting narrative, this 1905 translation of a selection of 'the most intimate and striking' of Wagner's impassioned letters to Mathilde charts the course of the opera's creation. Written between 1853 and 1863, the letters show Wagner thinking aloud not only about Tristan but also the planning of Parsifal. As Mathilde's letters to Wagner were destroyed, the exact nature of their relationship and of her inspiration musically will never be fully established.
Composers --- Wagner, Richard, --- Wesendonck, Mathilde, --- Relations with women. --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Wesendonk, Mathilde, --- Wesendonck, Mathilde Luckemeyer, --- Luckemeyer, Mathilde, --- Vezendonk, Matilʹda, --- Wesendonck, Agnes, --- Wesendonk, Agnes, --- Luckemeyer, Agnes,
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Modernity between Wagner and Nietzsche argues that the operas and writings of Wagner contradict the values that are fundamental to modernity. Analyzing Wagner's works in contrast to the philosophical thought of Nietzsche, Brayton Polka examines how Wagner breaks with Nietzsche and their common influencer, Schopenhauer.
Philosophy, Modern --- Christian philosophy. --- Philosophy and religion. --- Christianity and philosophy --- Religion and philosophy --- Religion --- Philosophy, Christian --- Philosophy --- Wagner, Richard, --- Nietzsche, Friedrich Wilhelm, --- Nietzsche, Friedrich --- Nietzsche, Friederich --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד,
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Art and religion. --- Christianity --- Art --- Arts in the church --- Religion and art --- Religion --- Religious aspects --- Wagner, Richard, --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Influence. --- Opera --- Criticism and interpretation. --- Religion.
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