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Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen.In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics,
War films --- History and criticism. --- War films History and criticism --- History and criticism
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Military history, Ancient. --- War films. --- History, Ancient, in motion pictures. --- Soldiers in motion pictures. --- Motion pictures --- Anti-war films --- Ancient military history
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This companion volume to Reel Men at War takes a look at how women have been portrayed in war films, from silents of the 1920s to films of the 21st century. The authors explore the full range of women on the home front, covering nurses and doctors on the war front and women in combat. Films examined include Wings, A Farewell to Arms, Since Yo
War films --- Women in motion pictures. --- Sex role in motion pictures. --- Motion pictures --- History and criticism. --- War films History and criticism --- History and criticism
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Americans have been almost constantly at war since 1917. In addition to two world wars, the United States has fought proxy wars, propaganda wars, and a ""war on terror,"" among others. But even with the constant presence of war in American life, much of what Americans remember about those conflicts comes from Hollywood depictions. In War on the Silver Screen Glen Jeansonne and David Luhrssen vividly demonstrate how war movies have burned the images and impressions of those wars onto the American psyche more concretely than has the reality of the wars themselves. That is, our feelings about
War films --- History in motion pictures. --- History and criticism. --- Motion pictures
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The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960's until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) 'national' memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its 'remembrance' in historical, socio-political, gender-oriented, and post-colonial contexts.
World War, 1914-1918 --- Literature, Modern --- Collective memory and literature. --- War films --- Collective memory and motion pictures. --- Literature and the war. --- History and criticism. --- Motion pictures and the war. --- Motion pictures and collective memory --- Literature and collective memory --- Motion pictures --- Literature --- War films History and criticism --- History and criticism --- World War, 1914-1918 - Literature and the war --- Literature, Modern - 20th century - History and criticism --- Collective memory and literature --- World War, 1914-1918 - Motion pictures and the war --- War films - History and criticism --- Collective memory and motion pictures --- World War I. --- cultural memory. --- war film. --- war literature.
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Hoe kritisch zijn oorlogsfilms voor het verleden? Geven oorlogsfilms een correct beeld van de feiten in het verleden? Bestaat de anti-oorlogsfilm? Waarom onze fascinatie voor het spektakel van het oorlogsgeweld? Waarom worden we esthetisch verleid door de kracht en grootsheid van oorlogsscènes? De Eerste Wereldoorlog is de eerste oorlog uit de geschiedenis die uitvoerig is gedocumenteerd door beeldmateriaal. Vermits film in grote mate onze beeldvorming bepaalt, herkennen wij de oorlogslandschappen met kraters en loopgraven van het westelijke front ongetwijfeld dankzij films als *All Quiet on the Western Front* (Lewis Milestone) of *Paths of Glory* (Stanley Kubrick). Film brengt het verleden in beeld. Film spreekt over het verleden in de tegenwoordige tijd. **De kracht van het beeld** brengt de eerste synthese over de Groote Oorlog in de Franse en Amerikaanse film. Luc Rasson analyseert in dit boek de opeenvolgende golven van oorlogsfilms over de Eerste Wereldoorlog. Tijdens en na de oorlog gaven films zin aan het conflict, doordrongen door een breed gedragen vijandsbeeld. Er waren ook films over jonge, aantrekkelijke piloten die dagelijks met de dood flirtten en die de oorlog vooral als avontuur zagen. Vandaag kennen we vooral de antioorlogsfilms, geïnspireerd door humanisme en pacifisme.
Film --- History as a science --- World War, 1914-1918 --- Motion pictures and war --- War films --- United States --- History and criticism --- France --- film --- Wereldoorlog I --- Geschiedenis --- Oorlogsfilms --- Beeldmateriaal --- Beeldvorming --- Eerste Wereldoorlog --- Oorlogsfilm --- Film (cinematografie) --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum
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