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The philosophy of war films
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ISBN: 0813145120 9781322334745 1322334749 9780813145129 9780813145112 0813145112 9780813141688 0813141680 Year: 2014 Publisher: Lexington, Kentucky

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Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen.In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics,


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Swords and cinema
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ISBN: 147387596X 1473875978 9781473875975 9781473875968 9781848844766 184884476X Year: 2014 Publisher: Barnsley, South Yorkshire

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Women in war films
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ISBN: 1442275634 1442234474 9781442234475 1306637872 9781306637879 9781442234468 1442234466 9781442275638 Year: 2014 Publisher: Lanham, Maryland

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This companion volume to Reel Men at War takes a look at how women have been portrayed in war films, from silents of the 1920s to films of the 21st century. The authors explore the full range of women on the home front, covering nurses and doctors on the war front and women in combat. Films examined include Wings, A Farewell to Arms, Since Yo


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War on the silver screen
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ISBN: 1612346421 9781612346427 9781612346410 1612346413 Year: 2014 Publisher: [Lincoln]

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Americans have been almost constantly at war since 1917. In addition to two world wars, the United States has fought proxy wars, propaganda wars, and a ""war on terror,"" among others. But even with the constant presence of war in American life, much of what Americans remember about those conflicts comes from Hollywood depictions. In War on the Silver Screen Glen Jeansonne and David Luhrssen vividly demonstrate how war movies have burned the images and impressions of those wars onto the American psyche more concretely than has the reality of the wars themselves. That is, our feelings about


Book
The Great War in post-memory literature and film
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ISBN: 311039152X 311036302X 3110486008 9783110363029 9783110391527 9783110362909 3110362902 9783110486001 3110363038 Year: 2014 Publisher: Berlin Boston

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The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960's until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) 'national' memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its 'remembrance' in historical, socio-political, gender-oriented, and post-colonial contexts.


Book
De kracht van het beeld : de Groote Oorlog op het witte doek
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ISBN: 9789028978003 9028978003 Year: 2014 Publisher: Kalmthout Pelckmans

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Hoe kritisch zijn oorlogsfilms voor het verleden? Geven oorlogsfilms een correct beeld van de feiten in het verleden? Bestaat de anti-oorlogsfilm? Waarom onze fascinatie voor het spektakel van het oorlogsgeweld? Waarom worden we esthetisch verleid door de kracht en grootsheid van oorlogsscènes?

De Eerste Wereldoorlog is de eerste oorlog uit de geschiedenis die uitvoerig is gedocumenteerd door beeldmateriaal. Vermits film in grote mate onze beeldvorming bepaalt, herkennen wij de oorlogslandschappen met kraters en loopgraven van het westelijke front ongetwijfeld dankzij films als *All Quiet on the Western Front* (Lewis Milestone) of *Paths of Glory* (Stanley Kubrick). Film brengt het verleden in beeld. Film spreekt over het verleden in de tegenwoordige tijd.

**De kracht van het beeld** brengt de eerste synthese over de Groote Oorlog in de Franse en Amerikaanse film. Luc Rasson analyseert in dit boek de opeenvolgende golven van oorlogsfilms over de Eerste Wereldoorlog. Tijdens en na de oorlog gaven films zin aan het conflict, doordrongen door een breed gedragen vijandsbeeld. Er waren ook films over jonge, aantrekkelijke piloten die dagelijks met de dood flirtten en die de oorlog vooral als avontuur zagen. Vandaag kennen we vooral de antioorlogsfilms, geïnspireerd door humanisme en pacifisme.

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