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One of the twentieth century’s most important filmmakers—indeed one of its most important and influential artists—Ingmar Bergman and his films have been examined from almost every possible perspective, including their remarkable portrayals of women and their searing dramatizations of gender dynamics. Curiously however, especially considering the Swedish filmmaker’s numerous and intriguing comments on the subject, no study has focused on the undeniably queer characteristics present throughout this nominally straight auteur’s body of work; indeed, they have barely been noted. Queer Bergman makes a bold and convincing argument that Ingmar Bergman’s work can best be thought of as profoundly queer in nature. Using persuasive historical evidence, including Bergman’s own on-the-record (though stubbornly ignored) remarks alluding to his own homosexual identifications, as well as the discourse of queer theory, Daniel Humphrey brings into focus the director’s radical denunciation of heteronormative values, his savage and darkly humorous deconstructions of gender roles, and his work’s trenchant, if also deeply conflicted, attacks on homophobically constructed forms of patriarchic authority. Adding an important chapter to the current discourse on GLBT/queer historiography, Humphrey also explores the unaddressed historical connections between post–World War II American queer culture and a concurrently vibrant European art cinema, proving that particular interrelationship to be as profound as the better documented associations between gay men and Hollywood musicals, queer spectators and the horror film, lesbians and gothic fiction, and others.
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Social and emotional learning is a dominant orthodoxy in education systems around the world. This book provides the first in-depth, authoritative and balanced examination of the critical issues pervading the field. Each substantive aspect of SEL is examined through a critical lens, thanks to an extensive and thorough review of the international research literature
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Monastic and religious life (Buddhism) --- Buddhism --- Vie religieuse et monastique --- Bouddhisme --- History --- Histoire --- Lubsangdambijalsan, --- Mergen Sum-e (Urad Zhongqi, China) --- Urad Zhongqi (China) --- Bannière centrale d'Urad (Chine) --- Religious life and customs --- Vie religieuse --- History. --- Mergen Su̇m-e (Urad Zhongqi, China) --- Religious life and customs. --- Mergen Su̇m-e (Urad Zhongqi, China). --- Bannière centrale d'Urad (Chine)
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A Monastery in Time is the first book to describe the life of a Mongolian Buddhist monastery-the Mergen Monastery in Inner Mongolia-from inside its walls. From the Qing occupation of the eighteenth and nineteenth centuries through the Cultural Revolution, Caroline Humphrey and Hürelbaatar Ujeed tell a story of religious formation, suppression, and survival over a history that spans three centuries. Often overlooked in Buddhist studies, Mongolian Buddhism is an impressively self-sustaining tradition whose founding lama, the Third Mergen Gegen, transformed Tibetan Buddhism into an authentic counterpart using the Mongolian language. Drawing on fifteen years of fieldwork, Humphrey and Ujeed show how lamas have struggled to keep Mergen Gegen's vision alive through tremendous political upheaval, and how such upheaval has inextricably fastened politics to religion for many of today's practicing monks. Exploring the various ways Mongolian Buddhists have attempted to link the past, present, and future, Humphrey and Ujeed offer a compelling study of the interplay between the individual and the state, tradition and history.
Monastic and religious life (Buddhism) --- Buddhism --- History. --- Lubsangdambijalsan, --- Mergen Su̇m-e (Urad Zhongqi, China) --- Urad Zhongqi (China) --- Religious life and customs. --- mongolia, buddhism, mergen monastery, qing, cultural revolution, religion, spirituality, suppression, politics, history, survival, social change, lama, gegen, tibet, monks, tradition, urad zhongqi, duke galdan, landscape, language, self, multiplicity, invincibility, sengge, afterlife, laity, sulde, dispersion, archives, nonfiction, monasticism. --- Mergen Sum-e (Urad Zhongqi, China)
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Leg over Leg recounts the life, from birth to middle age, of ‘the Fariyaq,’ alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language.Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author’s supervision in 1855.
Arabic language --- Lexicography. --- Shidyāq, Aḥmad Fāris, --- Travel --- Middle East --- Description and travel.
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American newspapers --- Journalism --- History --- United States --- Press coverage
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