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In this landmark dictionary, Roy Armes details the scope and diversity of filmmaking across the Arab Middle East. Listing more than 550 feature films by more than 250 filmmakers, and short and documentary films by another 900 filmmakers, this volume covers the film production in Iraq, Jordan, Lebanon, Palestine, Syria, and the Gulf States. An introduction by Armes locates film and filmmaking traditions in the region from early efforts in the silent era to state-funded productions by isolated filmmakers and politically engaged documentarians. Part 1 lists biographical information about the filmmakers and their feature films. Part 2 details key feature films from the countries represented. Part 3 indexes feature-film titles in English and French with details about the director, date, and country of origin.

Motion picture industry --- Motion picture producers and directors --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Credits. --- Producteurs et réalisateurs de cinéma --- Cinéma --- Biography --- Dictionaries. --- Biographies --- Dictionnaires anglais --- Filmographie --- Industrie

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Motion picture producers and directors --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Dagur Kári, --- Kári, Dagur, --- Dagur Kári Pétursson, --- Pétursson, Dagur Kári, --- Nói albínói (Motion picture) --- Noi the albino (Motion picture) --- Nói (Motion picture)

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Into the Past provides a complete and systematic critical commentary on each of Maddin's feature films and shorts, from his 1986 debut film The Dead Father through to his highly successful 2008 full-length 'docu-fantasia' My Winnipeg.

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Goodbye cinema, hello cinephilia -- In defense of spoilers -- Potential perils of the director's cut -- Southern movies, actual and fanciful: a personal survey -- À la recherche de Luc Moullet: 25 propositions -- Bushwhacked cinema -- What dope does to movies -- Fever dreams in Bologna -- From playtime to the world: the expansion and depletion of space within global economies -- Kim Novak as midwestern independent -- Marilyn Monroe's brains -- A free man: white hunter, black heart -- Bit actors -- Rediscovering Charlie Chaplin -- Second thoughts on Stroheim -- Sweet and sour: Lubitsch and Wilder in old Hollywood -- Ritwik Ghatak: reinventing the cinema -- Introducing Pere Portabella -- Portabella and continuity -- Neglected filmmakers: Eduardo de Gregorio and Sara Driver -- Vietnam in fragments: William Klein in 1967-68: a radical reevaluation -- Movie heaven: defending your life -- The world as a circus: Tati's parade -- The sun also sets: the films of Nagisa Oshima -- Inside the vault [on Spione] -- Family plot -- "The doddering relics of a lost cause": John Ford's The sun shines bright -- Prisoners of war: Bitter victory -- Art of darkness: Wichita -- Cinema of the future: still lives: the films of Pedro Costa -- A few eruptions in The House of Lava -- Unsatisfied men: Beau travail -- Viridiana on DVD -- Doing the California split -- Mise en scène as miracle in Dreyer's Ordet -- David Holzman's Diary/My girlfriend's wedding: historical artifacts of the past and present -- Early long-take climaxes -- Wrinkles in time: Alone. Life wastes Andy Hardy -- Martha: Fassbinder's uneasy testament -- India Matri Buhmi -- Radical humanism and the coexistence of film and poetry in The house is black -- WR, sex, and the art of radical juxtaposition -- Revisiting The godfather -- Film writing on the web: some personal reflections -- Goodbye, Susan, goodbye: Sontag and movies -- Daney in English: a letter to Trafic -- Trailer for Godard's Histoire(s) du cinéma -- Moullet retrouvé (2006/2009) -- The Farber mystery -- The American cinema revisited -- Raymond Durgnat -- Surviving the Sixties -- L.A. existential.

Motion pictures. --- Motion pictures --- Motion picture producers and directors. --- Motion picture actors and actresses. --- Cinéma --- Films --- Producteurs et réalisateurs de cinéma --- Acteurs et actrices de cinéma --- Reviews --- Comptes rendus --- film --- filmtheorie --- filmgeschiedenis --- filmanalyse --- eenenwtintigste eeuw --- cinefilie --- 791.41 --- Cinéma --- Producteurs et réalisateurs de cinéma --- Acteurs et actrices de cinéma --- Motion picture actors and actresses --- Motion picture producers and directors --- Film reviews --- Motion picture plays --- Motion picture reviews --- Movie reviews --- Reviews of motion pictures --- Cinema --- Feature films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Film actors --- Film stars --- Motion picture stars --- Movie stars --- Moving-picture actors and actresses --- Stars, Movie --- Actors --- Actresses --- History and criticism --- Persons

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Août 2006 : une polémique éclate dans les médias francophones du pays. Henri Storck, le " père du cinéma belge ", est accusé d'avoir été proche des autorités allemandes sous l'Occupation. Ce cas supposé de collaboration sème d'autant plus le trouble que le cinéaste est, depuis le bouleversant Misère au Borinage (1933), systématiquement classé à gauche sur l'échiquier politique. La controverse qui s'en suit mêle anathèmes et anachronismes, laissant peu de place aux nuances, paradoxes et complexités du social. Dès lors, une enquête historique, s'appuyant sur d'abondantes archives jusqu'alors inexplorées, s'imposait. C'est à une plongée dans l'histoire troublée et méconnue du cinéma belge que l'ouvrage nous convie. Les activités d'Henri Storck durant la Seconde Guerre mondiale ne peuvent, nous montre cette étude, être comprises qu'en procédant à un double désenclavement. Ce destin individuel est, d'abord, replacé dans le contexte de l'industrie cinématographique en guerre, placée sous tutelle allemande, ne survivant qu'au prix de compromis et de compromissions. Le second élargissement est d'ordre chronologique : ce " moment " qu'est l'Occupation est ici réinscrit dans des trajectoires biographiques complètes, mettant en évidence les continuités qui lient guerre et paix, dans le travail d'Henri Storck comme dans celui de nombre de ses confrères. Les rapports, complexes et ambigus, qui unissent art, finances et idéologie sont au centre de l'attention. Invitant à une histoire sociale des productions culturelles, l'ouvrage souligne combien la fréquente réduction historiographique de l'Occupation au seul fait politique occulte la complexité des sociétés en guerre. Le " cas Henri Storck" permet au final d'interroger les zones grises du corps social. A travers cette figure du cinéma documentaire mondial naît ainsi une réflexion sur le conformisme, l'indifférence voire l'opportunisme qui - en temps de paix comme de guerre - font la marche ordinaire de nos sociétés.

History of Belgium and Luxembourg --- Sociology of culture --- anno 2000-2099 --- anno 1800-1999 --- Luxembourg --- Nationalism --- Citizenship --- Aliens --- Nationalisme --- Citoyenneté --- Etrangers --- History --- Civil rights --- Histoire --- Droits --- Emigration and immigration --- Emigration et immigration --- 342 --- Social sciences Constitutional and administrative law --- Citoyenneté --- Storck, Henri --- Motion pictures and the war --- Cinéma et guerre --- Storck, Henri, --- Cinéma belge --- --Guerre mondiale, 2e, --- Occupation --- --Motion picture producers and directors --- Producteurs et realisateurs de cinema --- Critique et interpretation --- Occupation militaire --- documentaire --- Storck Henri --- wereldoorlog II --- 791.471 STORCK --- 791.4309493 --- Militaire bezetting --- Arts Motion pictures Belgium --- Motion picture producers and directors --- Cinéma et guerre --- Motion pictures --- BPB1101 --- Cinéma --- België --- Belgique --- film --- twintigste eeuw --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Film --- History and criticism --- Criticism and interpretation. --- Belgium --- anno 1940-1949 --- Birthright citizenship --- Citizenship (International law) --- National citizenship --- Nationality (Citizenship) --- Political science --- Public law --- Allegiance --- Civics --- Domicile --- Political rights --- Law and legislation --- Criticism and interpretation --- History. --- World War, 1939-1945 --- Cinéma --- 2ème guerre mondiale --- Luxembourg (Grand Duchy) --- 19th century --- 20th century --- 21st century --- Government policy --- Occupation allemande --- Persons --- militāra okupācija --- militärische Besetzung --- sõjaline okupatsioon --- vojenská okupácia --- военна окупация --- sotilaallinen miehitys --- occupazione militare --- ocupação militar --- воена окупација --- military occupation --- ocupație militară --- војна окупација --- militaire bezetting --- στρατιωτική κατοχή --- okkupazzjoni militari --- okupacja wojskowa --- karinė okupacija --- ocupación militar --- vojaška zasedba --- pushtim ushtarak --- vojna okupacija --- katonai megszállás --- militär ockupation --- militær besættelse --- vojenská okupace --- připojení území --- miehitysjoukot --- okupatsiooniväed --- okupacijske snage --- besættelsestropper --- bezettingstroepen --- területi megszállás --- territoriaalne okupatsioon --- megszálló erők --- okupačná armáda --- teritorijas okupācija --- vojenské obsazení --- invasão --- анексија --- occupazione territoriale --- territorial occupation --- окупациски сили --- teritorijos okupavimas --- územná okupácia --- ocupație teritorială --- ocupação territorial --- okkupation --- pushtim territorial --- anexe --- forces d'occupation --- okupační armáda --- окупација на територија --- okupācijas karaspēks --- ockupation av landområde --- forças de ocupação --- okupace území --- ocupación territorial --- εδαφική κατοχή --- occupation forces --- Besatzungsmacht --- alueellinen miehitys --- besættelsesstyrker --- okupační mocnost --- occupation territoriale --- forze di occupazione --- forca pushtuese --- Besatzungsstreitkräfte --- fuerzas de ocupación --- okupacinė kariuomenė --- territoriale bezetting --- forțe de ocupație --- ockupationsmakt --- Gebietsbesetzung --- δυνάμεις κατοχής --- kinas --- κινηματογράφος --- filmska umetnost --- kinematogrāfija --- ċinema --- filmművészet --- elokuva --- кино --- kino --- cinema --- Filmkunst --- cinematografía --- kinema --- филмска уметност --- филм --- bioscoop --- кинематографија --- σινεμά --- cine --- filmska umjetnost --- biograf --- έβδομη τέχνη --- filmikunst --- Kino --- Filmtheater --- cinematograf --- mozi --- filmkonst --- filmkunst --- bio --- ċinematografija --- filmi --- filmai --- filma --- kinematografi --- película --- κινηματογραφία --- кинематография --- kinematografija --- filmfotografi --- kinematografia --- cinematografie --- kinematografie --- cinematografia --- cinematography --- mozgófényképészet --- elokuvaus --- cinématographie --- ταινία --- Kinematografie --- pictiúrlann --- Noncitizens --- forghabháil mhíleata --- Storck, Henri, 1907-1999 --- Guerre mondiale, 2e, 1939-1945 --- Motion picture producers and directors - Belgium - Biography --- Motion pictures - Belgium - History --- Producteurs et realisateurs de cinema - Belgique - Biographies --- Cinema - Belgique - Histoire --- Storck, Henri - Criticism and interpretation --- Storck, Henri - Critique et interpretation --- Belgium - History - German occupation, 1940-1945 --- Belgique - Histoire - 1940-1945 (Occupation allemande) --- Citizenship - Luxembourg --- Storck, henri (1907-1999) --- Guerre mondiale (1939-1945) --- Cinéma et guerre cinéma --- Histoire et critique --- Étrangers (droit) --- Cinéma et guerre cinéma