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Sports --- Beer --- Sports spectators --- Gender identity. --- Masculinity. --- Bière --- Supporters --- Identité sexuelle --- Masculinité --- Marketing. --- Alcohol use. --- Marketing --- Commercialisation --- Consommation d'alcool
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The notion of spectatorship has become of increasing interest as artists develop experimental works and manufacturers seek to produce the means for viewing such works. Modes of Spectating explores the visual landscapes which spectators encounter, and how they perceive what they view.The volume questions the effect of different mediums on the spectator and asks not only how we view, but also how what we view determines what artists create. Chapters discuss how gaming and televisual media and entertainment are used by young people, and the resulting psychological challenges of human beings in th
Mass communications --- Sociology of culture --- Mass media --- Spectators. --- Art --- Médias --- Spectateurs --- Audiences. --- Influence --- Psychology --- Publics --- Psychologie --- Theater audiences. --- Audiences, Theater --- Theater --- Theatergoers --- Performing arts --- Theater attendance --- Audiences, Mass media --- Audiences --- Social aspects
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Narration in the Bible --- 226.3 --- Evangelie volgens Marcus --- Bible. --- Marco (Book of the New Testament) --- Mark (Book of the New Testament) --- Markus (Book of the New Testament) --- Markusevangelium --- Vangelo di Marco --- Criticism, Narrative --- Criticism, interpretation, etc. --- Bible --- N.T --- Mark --- Criticism, interpretation, etc --- Audiences --- Audiences, Communication --- Communication audiences --- Communication --- Spectators --- Religious aspects --- Christianity --- Social aspects --- Book of Mark --- Narration in the Bible - Congresses --- Audiences - Religious aspects - Christianity - Congresses
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Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.
Motion picture audiences --- Motion pictures --- Psychology. --- Film --- United States --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- Cinéma --- Publics --- Psychologie --- Psychology --- american film. --- audience theory. --- cinema and film. --- cognitive science. --- cultural studies. --- desires. --- emotional experience. --- film criticism. --- film studies. --- film. --- hollywood films. --- mainstream narratives. --- media studies. --- movie criticism. --- movie studies. --- movie watching. --- movies and emotions. --- movies. --- moving viewers. --- negative emotions. --- philosophical aesthetics. --- pleasures. --- psychology of spectatorship. --- ritualistic fantasy. --- sensual films. --- spectators. --- sympathetic narratives. --- synesthesia. --- the paradox of negative emotion. --- watching a movie. --- United States of America
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A discussion of how ancient Greek bards ensured that their poetry would reach audiences of various backgrounds
Epic poetry, Greek --- Narration (Rhetoric) --- Oral interpretation of poetry. --- Oral tradition --- Oral-formulaic analysis. --- Transmission of texts. --- Audiences --- Rhetoric, Ancient. --- History and criticism --- Theory, etc. --- Criticism, Textual. --- History --- Homer --- Technique. --- Oral-formulaic analysis --- Oral interpretation of poetry --- Rhetoric, Ancient --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Poetry --- Poetry reading --- Reading poetry aloud --- Formulaic analysis, Oral --- Folk literature --- Folklore --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- Audiences, Communication --- Communication audiences --- Communication --- Spectators --- History and criticism&delete& --- Theory, etc --- Rhetoric --- Oral interpretation --- Methodology --- Social aspects --- Homerus --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Narrative (Rhetoric) --- Narrative writing --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Epic poetry, Greek Criticism, Textual
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