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Advertising : concept and copy.
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ISBN: 0131896555 Year: 1994 Publisher: Englewood Cliffs (N.J.) : Prentice-Hall,

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Advertising.


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Wirkung und Funktion der Werbung im lokalen Hörfunk und Fernsehen.
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ISBN: 3889271499 Year: 1994 Publisher: München : Bayerische Landeszentrale für neue Medien,

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Where the Suckers Moon : The Life and Death of an Advertising Campaign
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ISBN: 0307833542 1299128076 Year: 1994 Publisher: New York, NY : Vintage Books,

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Die Geburt der schönen Bilder : Fernsehwerbung aus der Sicht der Kreativen.
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ISBN: 3531125672 Year: 1994 Publisher: Opladen : Westdeutscher Verlag,

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In defense of advertising : arguments from reason, ethical egoism, and laissez-faire capitalism
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ISBN: 0899308554 Year: 1994 Publisher: New York (N.Y.) : Quorum books,

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Advertising --- Philosophy.


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6000 Anzeigen-Copytests im Stern
Year: 1994 Publisher: Hamburg Stern

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How to produce successful advertising
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ISBN: 0749410108 Year: 1994 Publisher: London : Kogan Page,

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Advertising --- Publicité


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Ice cube sex : the truth about subliminal advertising
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ISBN: 0940121174 Year: 1994 Publisher: Notre Dame Cross cultural publications

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Ontoelaatbare reclame
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ISBN: 9027138699 Year: 1994 Publisher: Zwolle Tjeenk Willink

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The new icons?: the art of television advertising
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ISBN: 0802029280 0802074286 9786612045554 1282045555 1442681861 9781442681866 Year: 1994 Publisher: Toronto University of Toronto Press

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Commercials enjoy a privileged place in one of the most important institutions of everyday life - television. Such is their prominence that a comparison can be made to the icons gracing the walls of a much older institution, the medieval cathedral. Paul Rutherford admits that the analogy can be carried too far, but he sees commercials as 'the art of our times' and approaches them as an art historian would. Like icons, commercials can be 'read' for particular styles or for the myths of a national culture; like icons, they are instruments of cultural power.Rutherford is an aficionado of fine commercials, more interested in what commercials are than what they do, and his love of the subject infuses this illustrated cultural history. Tracing commercials from the late 1940s, when they made their first appearance, to the early 1990s, Rutherford focuses on the shape and character of actual commercials as well as on what we do with them. He has studied roughly six thousand commercials, from Sweden to Hong Kong, Canada to Ecuador, France to South Africa. This book concentrates on 'commercials of distinction,' or ads that have been singled out for special merit: the Classic Clios of the 1950s, the 'Marlboro Country' campaign of the 1960s, Coca-Cola and Pepsi ads, Canada's best (the Bessies), and the world's best (the Cannes Lions). Rutherford looks at the most celebrated pieces of work to understand the creativity and significance of this truly modern art form.The breadth of Rutherford's treatment is unique. He explores such diverse topics as the aesthetic response to commercials; how ads mirror viewers' anxieties, aspirations, and ideology; the importance of gender and age in the adworld; the prevailing ethos of consumption; the emergence of a global repertoire of images; and the persistence of national styles. This is a story of one kind of cultural power.; how it has been generated and stored, articulated and exercised, resisted as well as maintained.

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