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The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This volume explores these profound literary shifts through the work of twelve talented, and in some cases, emerging scholars who study text and image relations in diverse forms and contexts. The inter-medial conjunctures investigated in this book pl...
Visual literature --- Art in literature. --- Lettrism --- Literature --- History and criticism.
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Art and literature --- German literature --- Imagery (Psychology) in literature --- Style, Literary --- Visual literature --- History and criticism
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The first typewriter artist to find fame was Flora F. F. Stacey, with her butterfly drawing of 1898; but since the very beginning of the typewriter's existence, artists, designers, poets, and writers have used this rigorous medium to produce an astounding range of creative work.This beautiful book brings together some of the best examples by typewriter artists around the world. As well as key historical work from the Bauhaus, H. N. Werkman, and the concrete poets, there is art by contemporary practitioners, both typewriter artists who use the keyboard as a ""palette"" to create artworks, and a
Typewriter art. --- Art, Typewriter --- Art, Modern --- Typewriting --- Visual literature --- Graphic arts
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This volume focuses on the relationship between time, narrative and the fixed image. As such, it highlights renewed interest in the temporality of the fixed image, probably one of the most important trends in the formal and semiotic analysis of visual media in the past decade. The various essays discuss paintings, the illustrated covers of books, comics or graphic novels, photo-stories, postcards, television and video art, as well as aesthetic practices that defy categorization such as Chris Marker's masterpiece La Jetée . The range of works and practices examined is reflected in the different theoretical approaches and methods used, with an emphasis on semiology and narratology, and, to a lesser extent, aesthetics and psychoanalysis. The interest of this book, however, does not stem exclusively from the range and scope of the artefacts examined, or the methodological issues that are addressed; its fundamental importance rests in the contributors' readiness to question the differentiation between fixed and moving images which all too often provides a convenient, if not altogether convincing, starting point for image analysis. . The originality and value of the contribution that Time, Narrative and the Fixed Image/Temps, Narration et image fixe makes to the body of theoretical writing on visual media lies in this challenging and comprehensive approach.
departement Beeldende Kunst 09 --- kunst en taal --- Art --- Time in art --- Visual literature --- Philosophy --- Lettrism --- Literature --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation
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This Element describes creative sign language in deaf literature. To showcase the exciting developments in Latin American deaf literature, the authors focus upon creative Libras as it is used by the Brazilian deaf community, while emphasising aspects of Libras literature that can be seen in similar productions and performances in sign language literatures around the world. Throughout the Element, the authors refer to examples of Libras poems and stories to give readers a practical experience of appreciating works of creative sign language. They describe Libras literature within its historical and social contexts and consider questions of performance, filming and editing and the potential for written Libras literature. Drawing on anthologies of Libras poems, jokes and stories, they use close-reading techniques to show how the literary effects are created, while reminding the reader that sign language literature cannot be separated from the deaf community.
Brazilian Sign Language. --- Brazilian Sign Language literature. --- Performance art --- Visual literature. --- Deaf, Theater for the. --- Deaf authors --- Theater for deaf people.
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655.26 --- 82:7 --- Visual literature --- -Lettrism --- Literature --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Literatuur en kunst --- History and criticism --- -Soorten zetwerk. Lay-out. Typografische vormgeving --- 82:7 Literatuur en kunst --- -82:7 Literatuur en kunst --- Lettrism
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Periodicals --- Arts --- Communication in art --- Visual literature --- Illustration of books --- Words in art --- Communication dans l'art --- Littérature concrète --- Illustration des livres --- Mots dans l'art --- Periodicals. --- Périodiques --- Art --- Literature
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Visual poetry --- Poetry, Modern --- Poésie visuelle --- Poésie --- History and criticism --- Histoire et critique --- 82.01 --- 82-1 --- 82:7 --- -Visual poetry --- -Poetry --- Visual literature --- Concrete poetry --- Modern poetry --- Esthetica --- Poëzie --- Literatuur en kunst --- -Esthetica --- 82:7 Literatuur en kunst --- 82-1 Poëzie --- 82.01 Esthetica --- -82:7 Literatuur en kunst --- Poésie visuelle --- Poésie --- -Modern poetry --- POESIE VISUELLE --- HISTOIRE ET CRITIQUE
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This interdisciplinary volume explores, analyzes, and celebrates intermedial processes. It investigates the dynamic relations between media in contemporary artistic productions such as digitalized poetry and installations or musical scores by Walter Steffens and Hugh Davies; in texts like Dieter Roth’s diaries, Ror Wolf’s guidebooks, Charles Baudelaire’s art criticism, or Lewis Carroll’s Alice books; and in inherently intermedial pieces like Stéphane Mallarmé’s Un Coup de Dés and Augusto de Campos’s poetry. Through distinct and diverse methodological approaches to intermedial inquiry, the contributors probe multiple forms of interaction between media: adaptation, appropriation, transposition, transfer, recycling, grafting, recontextualization, intertextualization, transmedialization, and transcreation. In so doing, they offer perspectives which refine our understanding of the term ‘medium’ and demonstrate ways in which intermedial creations engage their audiences and stimulate creative responses. Written in honor of Claus Clüver, a groundbreaking leader in intermediality studies, the essays participate in and broaden the scope of current discourses in the international forum. The range of their subjects and methodologies will interest literary scholars, art historians, musicologists, scholars of new media as well as those working in intermediality studies, word and image or word and music studies, and anyone whose interests cross traditional disciplinary boundaries.
Intermediality --- Intertextuality --- Literature --- Visual poetry --- History and criticism --- Intermediality. --- Intertextuality. --- Literature. --- Visual poetry. --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Semiotics --- Influence (Literary, artistic, etc.) --- Poetry --- Visual literature --- Concrete poetry --- Belles-lettres --- Western literature (Western countries) --- World literature --- Authors --- Authorship --- History and criticism. --- Appraisal --- Evaluation --- Philology --- Literature - History and criticism --- Visual poetry - History and criticism
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Poetry --- Spanish literature --- anno 1920-1929 --- anno 1930-1939 --- Poésie espagnole --- Spanish poetry --- Anthologies --- Collections --- 860-1 "19" --- Experimental poetry --- -Visual poetry --- Visual literature --- Concrete poetry --- Avant-garde poetry --- Literature, Experimental --- Spaanse literatuur: poëzie--20e eeuw. Periode 1900-1999 --- Experimental poetry. --- Visual poetry. --- 860-1 "19" Spaanse literatuur: poëzie--20e eeuw. Periode 1900-1999 --- Poésie espagnole --- Visual poetry --- Generación del 27 (Group of poets) --- Collections.
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