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Aphra Behn (1640-1689), a prolific and popular playwright, poet, novelist, and translator, has an extensive corpus of literature that plays a key role in literary history as the work of a female author. Based upon word counts, Quantitative Literary Analysis of the Works of Aphra Behn chronicles Behn's obsession with the mystery and power of love and early modern passions through her entire oeuvre. Love, for Behn, is an external power, sometimes figured as the boy god Cupid or an abstraction, that enters the body with pain and pleasure and leaves the victim searching for understanding. The book follows two threads of argument: one using quantitative measures to indicate passages for significant close reading of preferred language and the other focused upon her use of small words like thou, sir, or said. Situating her writings in the conflicts of Early Modern discourses on the passions, the book demonstrates that Behn's language reveals generic patterns for representing love that include a warning about its potential to destroy the body and condemn the soul. Taken as a whole, Behn's literary production is an extraordinary examination of the early modern concept of love at a moment of change in the language and meaning of the passions.
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Of Love and War: The Political Voice in the Early Plays of Aphra Behn is a study which situates Behn’s early plays within their historical and political context. Behn (c.1640-1689), the first professional female playwright in England, is a fascinating study, having traveled to Surinam as a young woman, served as a spy for Charles II, and evidently supported her family through her writing, including plays, poetry, fiction, and translation. Her early plays have often been dismissed as romances, largely because they treat such social and/or gender issues as forced marriage and female desire. This study argues that these same social issues frequently serve as tropes for political commentary and propaganda in support of foreign and domestic policies. Behn’s plays clearly demonstrate staunch loyalist support of the Stuart government, yet within the dramatic construction, she—like her contemporary male colleagues, offers fascinating covert political criticism.
820 "16" BEHN, APHRA --- Engelse literatuur--17e eeuw. Periode 1600-1699--BEHN, APHRA --- Authors, English --- Political and social views. --- Early modern. --- Behn, Aphra, --- Behn, Aphra Amis, --- Behn, A. --- A.B. --- Behn, --- Behn, Anne, --- Bhen, A. --- Behn, Ann, --- Behn, Afra, --- Behn, Aphara, --- Behn, Ayfara, --- Johnson, Aphra, --- Person of quality, --- Criticism and interpretation. --- 1500-1700 --- Classical Period --- Early Modern Period --- Women and literature --- History
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Mujeres y literatura --- Women and literature --- Historia --- History --- Newcastle, Margaret Cavendish, --- Behn, Aphra, --- Cavendish, Margaret, --- Lucas, Margaret, --- Margaret, --- Margareta, --- Newcastle, --- Newcastle, Margaret, --- Newcastle, Margaret Lucas Cavendish, --- Behn, Aphra Amis, --- Behn, A. --- A.B. --- Behn, --- Behn, Anne, --- Bhen, A. --- Behn, Ann, --- Behn, Afra, --- Behn, Aphara, --- Behn, Ayfara, --- Johnson, Aphra, --- Person of quality, --- Criticism and interpretation.
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Research on the Ayurvedic materia medica, in particular its drugs of plant origin, is a venture bristling with pitfalls despite the apparent confidence displayed in the lists of botanical identifications of medicinal plants in numerous publications on the subject. This self-assurance is unwarranted in quite a few cases, as this study will demonstrate.The majority of these lists of botanical equivalents of Sanskrit plant names are not based on own research; instead, they usually reflect a consensus reached somehow among Indian ayurvedic scholars. The course of events that resulted in this agreement remains uninvestigated. Setting aside the role of leading authorities and trend-setting publications, one of the factors involved may be the significance of a seemingly trustworthy and scientifically-looking pharmacopoeia for the Indian ayurvedici in their competition with western medicine. In this respect the developments referred to are understandable.From a strictly scientific point of view caution is required. When trying to take stock of the situation, one's attention is arrested by the prevalence of North-Indian influences and opinions in the secondary literature on the Indian materia medica. The concurrence mentioned is a North-Indian product that may be looked upon as an artefact since regional differences in the identifications tend to be disregarded. Though exceptions do occur, most often books by authors hailing from northern India fail to pay attention to the plants employed under the same Sanskrit names in southern India and areas such as, for instance, Gujarat and Orissa.
Moringa oleifera. --- Behen tree --- Behn tree --- Ben tree --- Guilandina moringa --- Horse radish tree --- Horseradish tree --- Moringa moringa --- Moringa pterygosperma --- Moringa
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Women --- Femmes --- Biography --- Biographie --- Newcastle, Margaret Cavendish --- Warwick, Mary Rich --- Behn, Aphra, --- England --- Angleterre --- Social life and customs --- Moeurs et coutumes --- Newcastle, Margaret Cavendish,
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In the early eighteenth century, the household accountant was traditionally female. However, just as women were seen as financial accountants, they were also deeply associated with the literary and narrative accounting inherent in letters and diaries. These are examined alongside property, originality and the development of the early novel.
Bookkeeping --- Women accountants --- Women --- History --- Behn, Aphra, --- Defoe, Daniel, --- Women as accountants --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Double entry bookkeeping --- Accountants --- Females --- Human beings --- Femininity --- Business --- Business education --- Accounting
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Drama --- Feminism and theater. --- Mimesis in literature. --- Feminist theater. --- Féminisme et théâtre --- Mimésis dans la littérature --- Théâtre féministe --- Feminist drama --- Women and literature. --- Women authors --- History and criticism. --- Féminisme et théâtre --- Mimésis dans la littérature --- Théâtre féministe --- Churchill, Caryl --- Behn, Aphra --- United States --- Great Britain --- Kennedy, Adrienne --- United States of America --- Literary criticism --- Writers --- Theatre --- Book
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Fiction --- Sociology of literature --- Thematology --- Behn, Aphra --- anno 1500-1799 --- anno 1700-1799 --- anno 1600-1699 --- Great Britain --- Cavendish, Margaret [Duchess of Newcastle] --- Finch, Anne --- Wroth, Mary [Lady] --- Philips, Katherine --- English literature --- Early modern, 1500-1700 --- History and criticism --- Women and literature --- History --- 17th century --- 18th century --- Women authors --- Literature --- Literary criticism --- Writers --- Book
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Drawing on feminist cultural materialist theories and historiographies, 'Treading the bawds' analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player's co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by
Theater --- English drama --- Women in the theater --- English literature --- History --- Women authors --- History and criticism. --- Restoration, 1660-1700 --- Women dramatists, English --- Anne Bracegirdle. --- Aphra Behn. --- Ariadne. --- Elizabeth Barry. --- Mary Pix. --- William Congreve. --- business of theatre. --- female playwright. --- history of women. --- playhouse.
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