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"Projet de restauration de Notre-Dame de Paris" de Jean-Baptiste-Antoine Lassus. Un architecte francais, specialiste de l'architecture du Moyen-Age (1807-1857)."
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Bring on-premise and cloud collaboration features to life with Microsoft's enterprise content management platform - SharePoint ServerKey FeaturesGet up to speed with the latest version of SharePoint and make the most of its featuresSet up and effectively manage your SharePoint Farm in the cloud or on premiseLearn how to align your development tools and cloud infrastructure to support collaborationBook DescriptionMicrosoft's latest addition to their product range, SharePoint Server 2019, is a new enterprise content management platform that brings on-premise collaboration features to life. It can be used as an isolated platform or in a hybrid connected configuration providing management and connectivity to Office 365. You can use the SharePoint framework to host sites, information, data, and applications in a robust CMS that centralizes collaborative content for enterprises.SharePoint 2019 enables new integrations and features that will allow you to work seamlessly with new and old Office products such as Microsoft Power Apps and other Microsoft Office applications.Implementing Microsoft SharePoint 2019 will help you understand the challenges, planning, migration steps, installation concepts, and configuration involved in providing this platform for your enterprise. The book will also show you what the platform brings to the table from an on-premise server perspective. If you're new to SharePoint 2019, you'll also be guided through how to get servers up and running so that you and your user community can become productive with this powerful new platform.By the end of this book, you'll be well-versed in Microsoft SharePoint 2019 and have the knowledge you need to apply your skills in the real world.What You Will LearnUnderstand changes to the platform and how to migrate from other versions of SharePointExplore infrastructure planning and governance relating to collaborative environmentsInstall and configure network components, servers, and desktopsUse SharePoint services and other Microsoft product servers and appsMonitor and troubleshoot SharePoint after it is implementedDiscover the tools that can be used with SharePoint 2019 for BI and reportingDelve into social features and collaborationMaintain, monitor, and support the rollout of the platform in your enterpriseWho this book is forThe book is for SharePoint administrators, project managers, and architects who have some experience in designing, planning, implementing, and managing SharePoint Farms.
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Stan Allen Architect; Dean of the School of Architecture, Princeton University The title of this year’s Young Architects competition derives from the language of the computer program. “If. . . then” is the contingent phrase built into the architecture of programming. With its origins in mathematical reasoning, it is the logical gate that indicates distinct pathways through the intricate structure of the computer algorithm. As such, it signals that architecture is entering a new phase in its complex relationship to digital technology. The definitive history of architecture’s relationship to the computer has yet to be written, but it would necessarily start with technology transferred from the military and engineering disciplines in the immediate postwar period. In recent decades, as the computer’s impact has shifted from the purely te- nical, it is possible to discern three distinct phases in architecture’s ongoing efforts to come to terms with what is still an evolving technology. In the first stage, under the influence of cyberpunk and deconstruction, the engagement with digital technology was primarily metaphorical. As access to the Internet expanded in the 1980s, many architects were fascinated by the potential of networked interconnectivity and fluid personal identity promised by this em- gent technology. The problem was that in reality available computer techno- gies were slow and expensive.
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African-American architects have been designing and building houses and public buildings since 1865. Although many of these structures survive today, the architects themselves are virtually unknown. This unique reference work brings their lives and work to light for the first time. Written by 100 experts ranging from architectural historians to archivists, this book contains 160 biographical, A-Z entries on African-American architects from the era of Emancipation to the end of World War II. Articles provide biographical facts about each architect, and commentary on his or her work. Practical a
African American architects --- Afro-American architects --- Architects, African American --- Architects
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"The trailblazing story of the life and career of Louise Blanchard Bethune, America's first professional woman architect"
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"This book is a biography of Maya Lin"-- "This book provides an informal biography of the wunderkind who became one of America's greatest living artists and most well-known architects"--
Architects --- Chinese American architects --- Lin, Maya Ying.
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In the first comprehensive study of Frederic William Cumberland (1820-1881), Geoffrey Simmins traces Cumberland's career as architect, railway manager, and politician, providing a richly detailed history and analysis of his contribution to Toronto's urban landscape.The architect of such prominent buildings as the University of Toronto's University College, Osgoode Hall, and St James's Cathedral, Cumberland was devoted to building the Victorian dream - optimistic and materialistic in its outlook, yet also spiritual in its basis. His diverse interests and accomplishments make him an important figure in Canadian architecture and in Victorian studies more generally.Of modest origins, but fuelled by ambition and talent, Cumberland emigrated from England seeking new opportunities. Favourable family connections provided him with an introduction to leading members of Toronto society, and he and his wife, Wilmot, formed long-lasting associations with such prominent families as the Ridouts and the Gzowskis. Drawing on letters and other archival materials, Simmins shows Cumberland to have been a witty, intelligent man, an acerbic social critic, a loving father and husband, and a respected businessman and politician who became a confidant of Sir John A. Macdonald. Through the mists of the Victorian past, a powerful and energetic figure emerges, a man of vision, tenacity, and commitment.The book is divided into three parts. Part One establishes the context of Cumberland's life and times. Part Two is devoted to examining his architectural career. Part Three consists of a catalogue raisonnT of all of Cumberland's architectural designs.
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"Why is it really that architects wear black?" was a question put to Cordula Rau by an automotive industry manager during an architectural competition. Even though she herself is an architect, and wears black, she did not have an answer on the spot. So she decided to ask other architects, as well as artists and designers. She has been collecting their handwritten replies in a notebook since 2001. In 2008, this collection of autographs appeared as a small publication – obviously bound in black. For the purpose of the new edition, this legendary collection was expanded by new notable, amusing, pragmatic, and quirky reasons: "Please read – and don’t ask me why architects wear black!". (Cordula Rau) „Warum tragen Architekten eigentlich Schwarz?", wurde Cordula Rau während eines Architektenwettbewerbs von einem Manager der Autoindustrie gefragt. Obwohl sie selbst Architektin ist und auch schwarz trägt, wusste sie spontan keine Antwort. Sie beschloss andere Architekten, aber auch Künstler und Designer zu fragen. Seit 2001 sammelt sie deren handschriftliche Antworten in einem Notizbuch. 2008 erschien diese Sammlung von Autographen in einem kleinen – natürlich schwarz gebundenen – Werk. Anlässlich der Neuauflage wurde diese legendäre Sammlung um neue bemerkenswerte, amüsante, pragmatische und spitzfindige Begründungen erweitert: "Lesen Sie – und bitte fragen Sie mich nicht, warum Architekten schwarz tragen!" (Cordula Rau)
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