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Comparative Literature is changing fast with methodologies, topics, and research interests emerging and remerging. The fifth volume of ICLA 2016 proceedings, Dialogues between Media, focuses on the current interest in inter-arts studies, as well as papers on comics studies, further testimony to the fact that comics have truly arrived in mainstream academic discourse."Adaptation" is a key term for the studies presented in this volume; various articles discuss the adaptation of literary source texts in different target media - cinematic versions, comics adaptations, TV series, theatre, and opera. Essays on the interplay of media beyond adaptation further show many of the strands that are woven into dialogues between media, and thus the expanding range of comparative literature.
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La quatrième de couv. indique : "Enseigner la lecture et l'écriture avec succès à mille enfants présents dans une même salle, cela pourrait passer aujourd'hui pour un pari fou et pourtant deux hommes l'ont imaginé et l'ont mis en pratique. L'Écossais Andrew Bell et l'Anglais Joseph Lancaster se sont ainsi lancés à corps perdu dans l'expérience de l'enseignement mutuel au début du XIXe siècle. Ils proposent alors que des enfants enseignent à d'autres enfants. Très rapidement, leurs écoles acquièrent une grande renommée d'abord en Grande-Bretagne, puis en France ; leur mode d'enseignement s'étend ensuite comme une traînée de poudre à travers l'Europe et le monde. Ils apportent ainsi une réponse aux problèmes des autorités scolaires de l'époque qui, faute de moyens financiers, peinent à former des enseignants et à concevoir les systèmes d'instruction publique. La première partie de l'ouvrage retrace les origines, le développement et le déclin de ce mode d'enseignement et la seconde décrit l'organisation, les composantes et les variations de sa mise en oeuvre. Ainsi, grâce à l'étude de cette innovation pédagogique du XIXe siècle, c'est un pan de l'histoire de l'école qui est remis en lumière."
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While the very existence of global literary studies as an institutionalised field is not yet fully established, the global turn in various disciplines in the humanities and the social sciences has been gaining traction in recent years. This book aims to contribute to the field of global literary studies with a more inclusive and decentralising approach. Specifically, it responds to a double demand: the need for expanding openness to other ways of seeing the global literary space by including multiple literary and cultural traditions and other interdisciplinary perspectives in the discussion, and the need for conceptual models and different case studies that will help develop a global approach in four key avenues of research: global translation flows and translation policies, the post-1989 novel as a global form, global literary environments, and a global perspective on film and cinema history. Gathering contributions from international scholars with expertise in various areas of research, the volume is structured around five target concepts: space, scale, time, connectivity, and agency. We also take gender and LGBTQ+ perspectives, as well as a digital approach.
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The book takes its lead from academic Annamaria Pagliaro's experience straddling Australia and Italy over a thirty-year period. As both former colleagues and collaborators of Pagliaro, we editors intend to open a kaleidoscope of perspectives on the international research landscape in the fields of Italian and Anglophone studies, starting from Pagliaro's own contribution to the creation of relations between the two cultures in the period that saw her work transnationally as Director of the Monash University Prato Centre (2005-2008).
Comparative literature. --- Comparative literature --- American and English.
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Comparative literature --- Philosophy --- Art
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Comparative literature --- Philosophy --- Art
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Which recent methodological innovations have occurred in the field of comparative literature? What are the critical paradigms behind the practices of comparative research today? These questions are the starting point of the present issue which brings together different comparative studies from the vantage points of: methodological and epistemological reflection about (in)comparability and difference; transversal phenomena of acculturation, networks and intercultural dialogues; the hybridity of (natural and conceptual) languages, translation and transposition. In this way, the studies presented in this volume hope to foster discussions about the foundation, the history, the limits and the methods of comparatives studies today.
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