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Pen in the Park is a unique revolutionary children’s book written by Raşel Meseri and illustrated by Sanne Karssenberg. Meseri narrates the Gezi Park protests in Istanbul through the figure of a penguin named Pen, whogoes on a trip from Antarctica to Gezi Park to save his fellow penguins, and gets involved in various adventures with his friends Chapulletta, the cat Trafo, and the dog Loukanikos. The Gezi movement of 2013–14 started with the threat of the destruction of the Gezi Park, a public space, which became quickly occupied by protestors from all generations and political backgrounds to build a movement that addressed not only the destruction of green areas and gentrification of public space, but also the democratic deficit of the country as such. At the height of the protests, dozens of protesters were killed and thousands injured. As the result of the protests, the park remained a public space and the struggle continues in different forms up to this day. During the protests, penguins were reclaimed as one of the symbols, as the main television channels preferred to show documentaries about the lives of penguins, instead of the uprising in Turkey. In Meseri’s story, Pen the brave penguin, Pen, is both a symbol and an active agent in the course of events, guiding us through the process of political emancipation, democratic experiment, friendship, and solidarity that characterizes the Gezi movement.
Juvenile fiction --- Turkey --- Politics. --- Gezi park --- revolution --- fairytale
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Across the humanities and the social sciences, “cultural analysis” is a vibrant research practice. Since its introduction in the 1990s, its main principles have remained largely the same: interdisciplinarity, political urgency, a heuristic use of concepts, the detailed analysis of objects of culture, and an awareness of the scholar’s situatedness in the present. But is the practice still suited to the spiraling of social, political, and environmental crises that mark our time? Drawing on experiences in research, teaching, activism, and the creative arts, contributors explore what cultural analysis was back then, what it is now, and what it may be by 2034. In a shifting conjuncture, contributors strike notes of discomfort, defiance, and irony—as well as a renewed sense of urgency and care.
Cross-cultural studies. --- Popular culture --- Études transculturelles. --- Cultural studies --- Study and teaching.
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Authoritarianism operates on a visceral level rather than relying on arguments. How can we counter authoritarian affects? This publication brings together more than 50 first-hand accounts of anti-authoritarian movements, activists, artists, and scholars from around the world, focusing on the sensuous and emotional dimension of their strategies. From the collective art and aesthetics of feminist movements in India, Iran, Mexico, and Poland, to sewing collectives, subversive internet art in Hong Kong, and even anti-authoritarian board games, the contributions open new perspectives on moments of resistance, subversion, and creation. Indeed, the handbook itself is a work of anti-authoritarian art.The editors behind the »International Research Group on Authoritarianism and Counter-Strategies« and »kollektiv orangotango« are: Aurel Eschmann, Börries Nehe, Nico Baumgarten, Paul Schweizer, Severin Halder, Ailynn Torres Santana, Inés Duràn Matute, and Julieta Mira.
Authoritarianism. --- POLITICAL SCIENCE / History & Theory. --- Activism. --- Alternative Futures. --- Art. --- Civil Society. --- Counterstrategies. --- Democracy. --- Political Ideologies. --- Political Science. --- Political Theory. --- Politics. --- Right-Wing Populism. --- Social Conflict.
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