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In Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference construct the middle-class self, and how late-Victorian narratives of feeling pave the way for the sympathetic affinities of contemporary identity politics. Perceptive and elegantly written, Scenes of Sympathy is the first detailed examination of the place of sympathy in Victorian fiction and ideology. It will redirect the current critical conversation about sympathy and refocus discussions of late-Victorian fictions of identity.
English fiction --- Capitalism and literature --- Literature and society --- Group identity in literature. --- Sympathy in literature. --- Mimesis in literature. --- History and criticism. --- History --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Literature and capitalism --- Literature --- Capitalism and literature. --- Capitalisme et littérature --- English fiction. --- Identité collective dans la littérature. --- Literature and society. --- Littérature et société --- Mimêsis dans la littérature. --- Roman anglais --- Sympathie dans la littérature. --- Histoire --- History and criticism --- Histoire et critique --- 1800-1899. --- Great Britain. --- Social classes
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According to Laurie Langbauer, the notion of romance is vague precisely because it represents the chaotic negative space outside the novel that determines its form. Addressing questions of form, Langbauer reads novels that explore the interplay between the novel and romance: works by Charlotte Lennox, Mary Wollstonecraft, Charles Dickens, George Eliot, and George Meredith. She considers key issues in feminist debate, in particular the relations of feminist to the poststructuralist theories of Lacan, Derrida, and Foucault. In highlighting questions of gender in this way, Women and Romance contributes to a major debate between skeptical and materialist points of view among poststructuralist critics.
Fiction --- Thematology --- English literature --- anno 1800-1899 --- English fiction --- Romanticism --- Sex role in literature --- Women and literature --- Women in literature --- Roman anglais --- Romantisme --- Rôle selon le sexe dans la littérature --- Femmes et littérature --- Femmes dans la littérature --- Women authors --- History and criticism --- History --- Femmes écrivains --- Histoire et critique --- Histoire --- Dickens, Charles, --- Characters --- Women --- Personnages --- Femmes --- Sex role in literature. --- Women in literature. --- History and criticism. --- Great Britain. --- History. --- Rôle selon le sexe dans la littérature --- Femmes et littérature --- Femmes dans la littérature --- Femmes écrivains --- Women. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literature --- Dickens, Charles --- Boz --- Dickens, Charles John Huffam --- Dikensi, Čʻarlz, --- Dickens, Karol, --- Dikens, Charlz, --- Ti-keng-ssu, --- Digengsi, --- Dikkens, Charlz, --- Dikensas, Čarlzas, --- Ṭikkan̲s, Cārls, --- Ṭikkan̲cu, Cārlacu, --- Ṭikkan̲s, Cārlas, --- Диккенс, Чарлз, --- דיקינס, צ׳רלס, --- דיקנס, ַ צ׳רלז --- דיקנס, טשרלס --- דיקנס, צ׳רלז, --- דיקנס, צ׳רלס --- דיקנס, צ׳רלס, --- דיקענס, טש --- דיקענס, טשארלז --- דיקענס, טשארלז, --- דיקענס, טש., --- דיקקענס, טשארלז --- טשרלס, דיקנס --- チャールズ.ディケンズ, --- 狄更斯查尔斯, --- Boz, --- Sparks, Timothy,
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