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Creole crossings
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ISBN: 1501726838 9781501726835 0801443849 9780801443848 0801443849 9780801443848 Year: 2006 Publisher: Ithaca, N.Y. Cornell University Press

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Abstract

The character of the Creole woman-the descendant of settlers or slaves brought up on the colonial frontier-is a familiar one in nineteenth-century French, British, and American literature. In Creole Crossings, Carolyn Vellenga Berman examines the use of this recurring figure in such canonical novels as Jane Eyre, Uncle Tom's Cabin, and Indiana, as well as in the antislavery discourse of the period. "Creole" in its etymological sense means "brought up domestically," and Berman shows how the campaign to reform slavery in the colonies converged with literary depictions of family life. Illuminating a literary genealogy that crosses political, familial, and linguistic lines, Creole Crossings reveals how racial, sexual, and moral boundaries continually shifted as the century's writers reflected on the realities of slavery, empire, and the home front. Berman offers compelling readings of the "domestic fiction" of Honoré de Balzac, Charlotte Brontë, Maria Edgeworth, Harriet Jacobs, George Sand, Harriet Beecher Stowe, and others, alongside travel narratives, parliamentary reports, medical texts, journalism, and encyclopedias. Focusing on a neglected social classification in both fiction and nonfiction, Creole Crossings establishes the crucial importance of the Creole character as a marker of sexual norms and national belonging.

Modernism, daily time and everyday life
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ISBN: 9780521879842 9780511485282 9780521174411 0521174414 051148528X 9780511371141 0511371144 0511370679 9780511370670 9780511370144 0511370148 1281156132 9781281156136 0521879841 1107184037 9786611156138 051136962X 0511369123 Year: 2007 Publisher: Cambridge Cambridge University Press

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Abstract

Bryony Randall explores the twin concepts of daily time and of everyday life through the writing of several major modernist authors. The book begins with a contextualising chapter on the psychologists William James and Henri Bergson. It goes on to devote chapters to Dorothy Richardson, Gertrude Stein, H. D. and Virginia Woolf. These experimental writers, she argues, reveal everyday life and daily time as rich and strange, not simply a banal backdrop to more important events. Moreover, Randall argues that paying attention to the everyday and daily time can be politically empowering and subversive. The specific social and cultural context of the early twentieth century is one in which the concept of daily time is particularly strongly challenged. By examining Modernism's engagement with or manifestation of this notion of daily time, she reveals a highly original perspective on their concerns and complexities.

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