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The character of the Creole woman-the descendant of settlers or slaves brought up on the colonial frontier-is a familiar one in nineteenth-century French, British, and American literature. In Creole Crossings, Carolyn Vellenga Berman examines the use of this recurring figure in such canonical novels as Jane Eyre, Uncle Tom's Cabin, and Indiana, as well as in the antislavery discourse of the period. "Creole" in its etymological sense means "brought up domestically," and Berman shows how the campaign to reform slavery in the colonies converged with literary depictions of family life. Illuminating a literary genealogy that crosses political, familial, and linguistic lines, Creole Crossings reveals how racial, sexual, and moral boundaries continually shifted as the century's writers reflected on the realities of slavery, empire, and the home front. Berman offers compelling readings of the "domestic fiction" of Honoré de Balzac, Charlotte Brontë, Maria Edgeworth, Harriet Jacobs, George Sand, Harriet Beecher Stowe, and others, alongside travel narratives, parliamentary reports, medical texts, journalism, and encyclopedias. Focusing on a neglected social classification in both fiction and nonfiction, Creole Crossings establishes the crucial importance of the Creole character as a marker of sexual norms and national belonging.
Domestic fiction --- Antislavery movements in literature. --- Slavery in literature. --- Creoles in literature. --- Domestic novels --- Fiction --- Slavery and slaves in literature --- Slaves in literature --- History and criticism. --- Enslaved persons in literature --- Créoles --- Esclavage --- Mouvements antiesclavagistes --- Roman familial --- Dans la littérature --- Histoire et critique --- Créoles --- Dans la littérature
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Bryony Randall explores the twin concepts of daily time and of everyday life through the writing of several major modernist authors. The book begins with a contextualising chapter on the psychologists William James and Henri Bergson. It goes on to devote chapters to Dorothy Richardson, Gertrude Stein, H. D. and Virginia Woolf. These experimental writers, she argues, reveal everyday life and daily time as rich and strange, not simply a banal backdrop to more important events. Moreover, Randall argues that paying attention to the everyday and daily time can be politically empowering and subversive. The specific social and cultural context of the early twentieth century is one in which the concept of daily time is particularly strongly challenged. By examining Modernism's engagement with or manifestation of this notion of daily time, she reveals a highly original perspective on their concerns and complexities.
Alltag (Motiv). --- Day in literature. --- Life in literature. --- Moderne. --- Zeit (Motiv). --- American literature --- American literature. --- Englisch. --- English literature --- English literature. --- Literatur. --- Modernism (Literature). --- Time in literature. --- Time --- History and criticism --- Philosophy. --- 1900-1999. --- Literature, Modern --- Manners and customs in literature. --- Manners and customs --- Modernism (Literature) --- Crepuscolarismo --- Literary movements --- Ceremonies --- Customs, Social --- Folkways --- Social customs --- Social life and customs --- Traditions --- Usages --- Civilization --- Ethnology --- Etiquette --- Rites and ceremonies --- History and criticism. --- Domestic fiction --- Circadian rhythms. --- History --- Behavior, Circadian --- Biological clocks, Daily --- Circadian behavior --- Circadian clocks --- Circadian cycles --- Clocks, Circadian --- Cycles, Circadian --- Daily activity cycles --- Daily biological clocks --- Diel cycles --- Diurnal rhythms --- Rhythms, Circadian --- Biological rhythms --- Domestic novels --- Fiction --- Arts and Humanities --- Literature
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