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Okada, Kenzo --- Noguchi, Isamu --- Asian-American --- Abstract Expressionist --- #breakthecanon --- ASIAN AMERICAN ART --- ABSTRACT ART --- U.S.

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Marion Nicoll (1909-1985) is a widely acknowledged and important founder of Alberta art and certainly one of a dedicated few that brought abstraction into practice in the province. Her life and career is a story of determination, of dedication to her vision regardless of professional or personal challenges. Nicoll became the first woman instructor hired at the Provincial Institute of Art and Technology (now the Alberta College of Art and Design)--and although limited to teaching craft and design, she became a significant mentor for generations of artists.

Abstract art --- Artists --- Women art teachers --- History. --- Nicoll, Marion, 1909-1985 --- Nicoll, Marion, 1909-1985. --- Criticism and interpretation. --- Art teachers --- Women teachers --- Persons --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Art --- Art, Abstract

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Art --- Aesthetics. --- Art, Abstract. --- Philosophy. --- Aesthetics --- Art, Abstract --- Beautiful, The --- Beauty --- Art and philosophy --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- Radio broadcasting Aesthetics --- Art - Philosophy. --- Néant (philosophie) --- Esthétique.

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"Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle Jennings--a video artist herself--reveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, 'pictures of nothing, ' but rather amorphous, ungovernable spaces that encourage contemplation and innovation. Featuring renowned artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater and Jennifer West, alongside emerging artists, this volume offers fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art"--Provided by publisher.

hedendaagse kunst --- installations [visual works] --- motion pictures [visual works] --- interactive art --- multimediakunst --- video art --- sound [acoustics] --- Art --- abstraction --- computer art [visual works] --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Video art. --- Art, Abstract. --- 778.5.01 --- Videokunst ; video-installaties ; 21ste eeuw ; theorie --- Beeldende kunst en bewegend beeld --- Abstracte kunst en film --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Electronic art --- Experimental television --- Performance art --- Television --- Experimental films --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Video art --- Art, Abstract --- Time-based art --- 21st century. --- abstract art. --- abstract video. --- abstraction. --- art criticism. --- art critics. --- art historians. --- art history. --- art installations. --- art students. --- art studies. --- art theory. --- art writers. --- art. --- artists. --- contemporary art. --- curators. --- emerging artists. --- essay collection. --- experimental art. --- experimental film. --- historical perspective. --- media studies. --- modern art. --- moving images. --- net art. --- new media. --- nonfiction essays. --- photographers. --- video artists. --- visual art. --- visual music.

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This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.

Psychology. --- Fine arts. --- Neuropsychology. --- Cognitive psychology. --- Cognitive Psychology. --- Fine Arts. --- Art, Abstract. --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Consciousness. --- Arts. --- Philosophy (General). --- Aesthetics. --- Philosophy, general. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Apperception --- Mind and body --- Perception --- Psychology --- Spirit --- Self --- Philosophy. --- Mental philosophy --- Psychology, Cognitive --- Cognitive science --- Arts, Primitive --- Radio broadcasting Aesthetics --- Aesthetics