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"Jewish music has become the subject of a respectable literature in different academic disciplines and a touchstone of public and intellectual discourse in such diverse fields as the performing arts and religious studies, the visual arts and philology, cultural studies and librarianship, and spanning topics that extend to almost all continents. As a forward-looking and multidisciplinary endeavor, The Oxford Handbook of Jewish Music Studies maps this emerging field within the framework of spatiality, temporality, and collectivity as analytical and conceptual categories. It does so by embracing all hemispheres, and interrogating Jewish music's meaning of various places and spaces across the temporal frame of antiquity through the early twenty-first century. The introductory chapter provides a theoretical foundation that paves the way for the rich selection of case studies brought together in the subsequent sections. These case studies document the different facets of Jewish music and theorize its multivalent correlation with spaces and collectives around the world. The thirty diverse chapters, conceived by an international team of thirty-one outstanding scholars, are divided into eight thematically organized sections, the first of which addresses Jewish music in various lands and territories (some without defined borders in time and space), followed by sections that focuses on cities, as well selected spaces therein-ghetto, concert hall, archive, and sacred and ritual spaces. These sections, which largely look at actual and concrete spaces (roughly presented in the order of scale), are followed by the phenomenological spaces of destruction and remembrance, and shekhinah, i.e., divine presence. With this approach to capturing diverse subjects within the field, the volume releases Jewish music from claims of continuity, constructions around genre, or simplistic binaries such as secular and sacred, to embrace it as self-sufficient and open culture and expression"--
Jews --- Music --- History and criticism. --- Political aspects --- History. --- Social aspects --- Religious aspects --- Judaism. --- Musique juive --- Musique
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This title draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music - a highly debated topic - encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even 'German (Jewish) memory,' which is not necessarily physically bound to Germany.
Jews --- Music --- National socialism and music. --- Music and national socialism --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- History and criticism. --- Music by Jewish composers --- Nazisme et musique --- Musique --- Musique de compositeurs juifs --- History and criticism --- Histoire et critique
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