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Excavations (Archaeology) --- Ruins in art --- Ruins in literature --- Historic sites --- Voyages and travels --- Artists --- Authors --- Travelers' writings. --- Fouilles (Archéologie) --- Ruines dans l'art --- Ruines dans la littérature --- Lieux historiques --- Voyages --- Artistes --- Ecrivains --- Ecrits de voyageurs --- Anecdotes --- Anecdotes. --- Social aspects --- Travel --- Aspect social --- 72.025.21 --- Architectuur ; ruïnes --- Thema's in de kunst en literatuur ; ruïnes --- 728.99 --- Ruines. Resten van gebouwen. Archeologische overblijfselen --- Woningbouw ; tuinhuizen --- 72.025.21 Ruines. Resten van gebouwen. Archeologische overblijfselen --- Fouilles (Archéologie) --- Ruines dans la littérature --- Architecture --- ruins --- 7.049 --- Iconografie ; verschillende onderwerpen
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What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces-from architecture, art, and literature-have on us. Why are we, he asks, so suspicious of things that are too smooth, too continuous? What makes us feel, when we look upon a fragment, that its very incompletion has a kind of meaning in itself? Is it that our experience on earth is inherently discontinuous, or that we are simply unable to believe in anythi
Architecture --- Ruins in art. --- Ruins in literature. --- Philosophy. --- ruins --- Antiquities. --- Ruined buildings. --- Ruins in motion pictures. --- Classical antiquities in art. --- Classical antiquities in literature. --- Antiquités. --- Ruines. --- Ruines (esthétique) --- Antiquités gréco-romaines --- Dans l'art. --- Dans la littérature. --- Au cinéma.
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Italian literature --- History of civilization --- Thematology --- anno 1700-1799 --- anno 1800-1899 --- Italy --- Ruins in art. --- Ruins in literature. --- Ruines dans l'art --- Ruines dans la littérature --- Italie --- Antiquities. --- Civilization --- Antiquités --- Civilisation --- Ruines dans la littérature --- Antiquités --- Conservation. Restoration --- ruins
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This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In the introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past.
Philosophy and psychology of culture --- Architecture --- Film --- Thematology --- Comparative literature --- Civilization, Modern --- Ruins in literature --- Ruins in motion pictures --- Ruins, Modern --- 130.2 --- 7.03 --- 7.035/036 --- 7.036 --- 72.03 --- 72.035/036 --- architectuur --- cultuurfilosofie --- film --- kunst --- kunst en architectuur --- literatuur --- negentiende eeuw --- oorlog --- ruïnes --- stedenbouw --- twintigste eeuw --- utopie --- 72.025.21 --- 72.025.21 Ruines. Resten van gebouwen. Archeologische overblijfselen --- Ruines. Resten van gebouwen. Archeologische overblijfselen --- Modern ruins --- Motion pictures --- Twenty-first century --- Twentieth century
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Across Western cities, there is an increasing obsession with producing manicured landscapes. Standing in contrast to these aesthetically and socially regulated spaces are the neglected sites of industrial ruins, places on the margin which accommodate transgressive and playful activities.
Environmental planning --- Industrial archeology --- Industrial archaeology. --- Archéologie industrielle --- Technology - General --- Engineering & Applied Sciences --- 72.025.21 --- Ruines. Resten van gebouwen. Archeologische overblijfselen --- 72.025.21 Ruines. Resten van gebouwen. Archeologische overblijfselen --- Archéologie industrielle --- Industrial archaeology --- Antiquities, Industrial --- Archaeology --- Industrial buildings --- Industrial equipment --- History
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This book presents the first sustained study of the stunning drawings of Roman ruins by Haarlem artist Maarten van Heemskerck (1498-1574; in Rome, 1532-ca. 1537). In three parts, Arthur J. DiFuria describes Van Heemskerck's pre-Roman training, his time in Rome, and his use his ruinscapes for the art he made during his forty-year post-Roman phase. Building on the methods of his predecessors, Van Heemskerck mastered a dazzling array of methods to portray Rome in compelling fashion. Upon his return home, his Roman drawings sustained him for the duration of his prolific career. Maarten van Heemskerck's Rome concludes with the first ever catalog to bring together all of Van Heemskerck's ruin drawings in state-of-the-art digital photography.
Ruins in art --- Ruines (esthétique) --- Classical antiquities in art --- Antiquités gréco-romaines --- Dans l'art. --- Heemskerk, Martin van, --- Heemskerk, Marten Jacobsz van --- Criticism and interpretation. --- Critique et interprétation. --- Rome (Italy) --- Rome (Italie) --- In art --- Dans l'art --- tekeningen --- tekentechnieken --- ruïnes --- Nederlandse kunstenaars in Italië --- Heemskerck, van, Maarten --- Rome --- drawings [visual works] --- drawing [image-making] --- ruins --- topography [image-making] --- Iconography --- Aesthetics of art --- Drawing --- art criticism --- Criticism and interpretation --- Heemskerck, Maarten van, --- Heemskerck, Maerten van, --- Van Heemskerck, Maarten, --- Van Heemskerk, Martin, --- Van Veen, Maarten, --- Veen, Maarten van, --- Ruins in art. --- Classical antiquities in art. --- Heemskerk, Martin van, - 1498-1574 - Criticism and interpretation --- Rome (Italy) - In art --- Heemskerk, Martin van, - 1498-1574 --- antieke cultuur --- Ruines (esthétique) --- Antiquités gréco-romaines --- Critique et interprétation. --- Heemskerk, Martin van, 1498-1574
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Iconography --- Piranesi, Giovanni Battista --- architects --- Architecture --- Piranesi --- Architecture in art --- Ruins in art --- Neoclassicism (Architecture) --- Piranesi, Giovanni Battista, --- % 9611AR --- 76 PIRANESI, GIOVANNI BATTISTA --- 72.025.21 --- 72.03 --- Architecture, Classical --- Architecture, Modern --- Classicism in architecture --- Revival movements (Art) --- Grafische kunsten. Grafiek. Prentkunst--PIRANESI, GIOVANNI BATTISTA --- Ruines. Resten van gebouwen. Archeologische overblijfselen --- Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- Architecture in art. --- Ruins in art. --- Neoclassicism (Architecture). --- 72.03 Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- 72.025.21 Ruines. Resten van gebouwen. Archeologische overblijfselen --- 76 PIRANESI, GIOVANNI BATTISTA Grafische kunsten. Grafiek. Prentkunst--PIRANESI, GIOVANNI BATTISTA --- classicisme --- romantiek --- Piranesi, Giambattista --- Piranèse --- Piranesi, Giovanni Battista, - 1720-1778
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This book captures the awe-inspiring drama of abandoned, forgotten, and ruined spaces, as well as the extraordinary designs that can bring them back to life-- demonstrating that reimagined, repurposed, and abandoned architecture has the beauty and power to change lives, communities, and cities the world over. The scale and diversity of abandoned buildings is shown through examples from all around the world, demonstrating the extraordinary ingenuity of their transformation by some of the greatest architectural designers of the 20th and 21st centuries.
Abandoned buildings --- 72.025 --- Vervallen gebouwen en sites --- Architectuur ; transformatie ; renovatie ; hergebruik --- Derelict buildings --- Buildings --- Remodeling for other use --- Conservation and restoration --- Architectuur ; renovatie, restauratie --- Conservation. Restoration --- Architecture --- ruins --- architectural conservation --- Ruines --- Constructions --- Reconversion --- Réfection --- Abandoned buildings. --- Remodeling for other use. --- Conservation and restoration. --- Ruine --- Rénovation architecturale --- Réhabilitation de bâtiment --- Reconversion de bâtiment --- adaptive reuse --- Constructions abandonnées --- Conservation et restauration --- Reconversion (architecture) --- Réfection
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