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Creation (Literary, artistic, etc.) --- Literary form --- Fiction --- Play in literature. --- History --- Technique. --- Oulipo (Association)
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The question of memory intrigues us more and more as industrialized societies move further and further away from the written word. In the past the role of memory was integral to literary history, precise mnemonics served as the support systems for erudition, and Mnemosyne was mother of the Muses. The group Oulipo, born in reaction to the Surrealists, proposes, invents, and applies novel literary constraints. Using memory, and best of all conscious memory, as a theoretical starting point, the implications of writing under constraint are analyzed. First, writing under constraint is viewed as a new mnemonics; second, the spiritual component of such a practice is shown to redefine a notion of inspiration; third, constraints and their relationship with games and society is highlighted; finally the manner in which they build a literary consciousness is studied through the lenspiece of contemporary neurobiological research. For the first time the work of the group Oulipo, and the member's emphasis on the function of literature, is placed in historical, cultural, and philosophical context.
Literature --- Memory in literature --- Surrealism (Literature) --- Oulipo (Association) --- History and criticism --- Surrealism (Literature) - France --- Conscience --- Consciousness --- Memory
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French literature --- Roubaud, Jacques --- Garréta, Anne --- Perec, Georges --- Bénabou, Marcel --- Autobiography --- French literature. --- Literature, Experimental --- Literature, Experimental. --- Schreibwerkstatt. --- French authors --- History and criticism. --- French authors. --- History and criticism --- Oulipo (Association). --- Oulipo. --- 1900-1999. --- France.
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What sort of society could bind together Jacques Roubaud, Italo Calvino, Marcel Duchamp, and Raymond Queneau-and Daniel Levin Becker, a young American obsessed with language play? Only the Oulipo, the Paris-based experimental collective founded in 1960 and fated to become one of literature's quirkiest movements. An international organization of writers, artists, and scientists who embrace formal and procedural constraints to achieve literature's possibilities, the Oulipo (the French acronym stands for "workshop for potential literature") is perhaps best known as the cradle of Georges Perec's novel A Void, which does not contain the letter e. Drawn to the Oulipo's mystique, Levin Becker secured a Fulbright grant to study the organization and traveled to Paris. He was eventually offered membership, becoming only the second American to be admitted to the group. From the perspective of a young initiate, the Oulipians and their projects are at once bizarre and utterly compelling. Levin Becker's love for games, puzzles, and language play is infectious, calling to mind Elif Batuman's delight in Russian literature in The Possessed. In recent years, the Oulipo has inspired the creation of numerous other collectives: the OuMuPo (a collective of DJs), the OuMaPo (marionette players), the OuBaPo (comic strip artists), the OuFlarfPo (poets who generate poetry with the aid of search engines), and a menagerie of other Ou-X-Pos (workshops for potential something). Levin Becker discusses these and other intriguing developments in this history and personal appreciation of an iconic-and iconoclastic-group.
Literary form. --- Authors, American --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Levin Becker, Daniel. --- Oulipo (Grupo) --- Literary form --- Oulipo (Association) --- Ouvroir de littérature potentielle
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The French Connections of Jacques Derrida offers stimulating and accessible essays that address, for the first time, the issue of Derrida's relation to French poetics, writing, thought, and culture. In addition to offering considerations of Derrida through studies of such significant French authors as Mallarm, Baudelaire, Valry, Laporte, Ponge, Perec, Blanchot, and Barthes, the book also reassesses the development of Derrida's work in the context of structuralism, biology, and linguistics in the 1960s, and looks at the possible relationships between Derrida's writing and that of the Surrealist and Oulipa groups. Derrida is introduced as one whose work is as much poetic as it is philosophical, and who is strikingly French and yet not unproblematically so.[Contributors include Boris Belay, John Brannigan, Christopher Johnson, John P. Leavey, Jr., Ian Maclachlan, Jessica Maynard, Laurent Milesi, Ruth Robbins, Michael Syrotinski, Michael Temple, Burhan Tufail, and Julian Wolfreys.]
Difference (Philosophy). --- French literature --- Literature --- Philosophy, French. --- History and criticism. --- Philosophy. --- Difference (Philosophy) --- Derrida, Jacques. --- Oulipo (Association) --- French philosophy --- Philosophy --- Literature and philosophy --- Philosophy and literature --- Theory --- Derrida, Jacques --- Derrida, J. --- Derida, Žak --- Derrida, Jackes --- Derrida, Zhak --- Deridah, Z'aḳ --- Deridā, Jāka --- Dirīdā, Jāk --- Деррида, Жак --- דרידה, ז'אק --- Ouvroir de littérature potentielle --- DERRIDA, JACQUES, 1930-2004 --- LITERATURE --- FRENCH LITERATURE --- DIFFERENCE (PHILOSOPHY) --- PHILOSOPHY, FRENCH --- PHILOSOPHY --- LITERARY CRITICISM --- Derrida, Jacques, 1930-2004 --- French Literature --- Philosophy, French --- Literary Criticism --- Derrida, jacques, 1930-2004 --- Difference (philosophy) --- Philosophy, french --- Literary criticism
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