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The »Sounding Museum« fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education. Based on the piece »Two Weeks in Alert Bay«, it supplies researchers, practitioners, and audiences with an instrument to gain an acoustic image of the contemporary cultural and everyday life of the Kwakwaka'wakw of Alert Bay, BC. The project mediates intercultural competence thorough the affective agency of sound. With the coeval »Session Musician's Approach«, introduced and analysed in text, audio, and interactive form, it also bridges the gap between art, science, and education. With a foreword by Barry Truax. The box includes a book, 2 DVD and 1 CD. »Eine spannende Fundgrube für die Soundscape-Forschung.« Britta Sweers, Die Musikforschung, 69/2 (2016)
Soundscape Composition; Indigeneity; Coevalness; Intangible Cultural Heritage; Ethnographic Museum; Museum; Education; Sound; Museum Education; Museology; Cultural Education --- Coevalness. --- Cultural Education. --- Education. --- Ethnographic Museum. --- Indigeneity. --- Intangible Cultural Heritage. --- Museology. --- Museum Education. --- Museum. --- Sound.
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In Bolivia's plurinational conjuncture, novel political articulations, legal reform, and processes of collective identification converge in unprecedented efforts to 're-found' the country and transform its society. This ethnography explores the experiences of Afrodescendants in plurinational Bolivia and offers a fresh perspective on the social and political transformations shaping the country as a whole. Moritz Heck analyzes Afrobolivian social and cultural practices at the intersections of local communities, politics, and the law, shedding light on novel articulations of Afrobolivianity and evolving processes of collective identification. This study also contributes to broader anthropological debates on blackness and indigeneity in Latin America by pointing out their conceptual entanglements and continuous interactions in political and social practice.
Afrodescendants. --- Ethnicity. --- Indigeneity. --- African diaspora. --- Racism. --- Social movements. --- African Diaspora. --- America. --- Cultural Anthropology. --- Cultural History. --- Ethnology. --- Plurinationality. --- Social Movements.
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"Between 1944 and 1949 the United States Navy held a war crimes tribunal that tried Japanese nationals and members of Guam's indigenous Chamorro population who had worked for Japan's military government. In Sacred Men Keith L. Camacho traces the tribunal's legacy and its role in shaping contemporary domestic and international laws regarding combatants, jurisdiction, and property. Drawing on Giorgio Agamben's notions of bare life and Chamorro concepts of retribution, Camacho demonstrates how the U.S. tribunal used and justified imprisonment, torture, murder, and exiling of accused Japanese and Chamorro war criminals in order to institute a new American political order. This U.S. disciplinary logic in Guam, Camacho contends, continues to directly inform the ideology used to justify the Guantanamo Bay detention center, the torture and enhanced interrogation of enemy combatants, and the American carceral state."--Provided by publisher.
War crime trials --- World War, 1939-1945 --- History --- Atrocities --- Guam --- Trials (War crimes) --- Trials (Crimes against humanity) --- Trials (Genocide) --- Trials --- Giorgio Agamben --- empire --- indigeneity --- militarism --- sovereignty
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Oaxaca Resurgent examines how Indigenous people in one of Mexico's most rebellious states shaped local and national politics during the twentieth century. Drawing on declassified surveillance documents and original ethnographic research, A. S. Dillingham traces the contested history of indigenous development and the trajectory of the Mexican government's Instituto Nacional Indigenista, the most ambitious agency of its kind in the Americas. This book shows how generations of Indigenous actors, operating from within the Mexican government while also challenging its authority, proved instrumental in democratizing the local teachers' trade union and implementing bilingual education. Focusing on the experiences of anthropologists, government bureaucrats, trade unionists, and activists, Dillingham explores the relationship between indigeneity, rural education and development, and the political radicalism of the Global Sixties. By centering Indigenous expressions of anticolonialism, Oaxaca Resurgent offers key insights into the entangled histories of Indigenous resurgence movements and the rise of state-sponsored multiculturalism in the Americas. This revelatory book provides crucial context for understanding post-1968 Mexican history and the rise of the 2006 Oaxacan social movement.
Indians of Mexico --- Education and state --- Rural development --- Multiculturalism --- Government relations --- History --- Education --- Mexico. --- Oaxaca. --- bilingual education. --- development. --- education. --- global sixties. --- indigeneity. --- indigenismo. --- indigenous resurgence. --- language. --- multiculturalism.
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Erneuerbare Energien werden weltweit ausgebaut. Dies betrifft vermehrt auch indigene Gruppen, deren Lebensweisen und Weltanschauungen dadurch herausgefordert werden. So betrachten die in Mexiko lebenden Ikojts Windenergie als kontaminierend und deshalb als Bedrohung für die Ökologie ihrer Lagune. Oliver D. Liebig untersucht ihre Sichtweise und denkt das Verhältnis von Natur, erneuerbarer Energie und sozialem Leben neu - nicht zuletzt aus Sicht des Windes. Auf diese Weise entsteht ein Entwurf von erneuerbarer Energie, der diese - jenseits von einer Fixierung als Ressource - mit den lokalen Gegebenheiten in Zusammenhang stehend betrachtet. Besprochen in: www.spektrum.de, 23.11.2020, Ulrike Prinz https://www.matze-msh.eu, 27.11.2020
Energy policy --- Social aspects. --- Contamination. --- Cultural Anthropology. --- Cultural Studies. --- Culture. --- Environment. --- Environmental Sociology. --- Ethnology. --- Huave. --- Indigeneity. --- Latin America. --- Mexico. --- Nature. --- Wind Energy. --- Wind Power.
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Indigenous arts, simultaneously attuned to local voices and global cultural flows, have often been the vanguard in communicating what is at stake in the interactions, contradictions, disjunctions, opportunities, exclusions, injustices and aspirations that globalization entails. Focusing specifically on embodied arts and activism, this interdisciplinary volume offers vital new perspectives on the power and precariousness of indigeneity as a politicized cultural force in our unevenly connected world. Twenty-three distinct voices speak to the growing visibility of indigenous peoples’ performance on a global scale over recent decades, drawing specific examples from the Americas, Australia, the Pacific, Scandinavia and South Africa. An ethical touchstone in some arenas and a thorny complication in others, indigeneity is now belatedly recognised as mattering in global debates about natural resources, heritage, governance, belonging and social justice, to name just some of the contentious issues that continue to stall the unfinished business of decolonization. To explore this critical terrain, the essays and images gathered here range in subject from independent film, musical production, endurance art and the performative turn in exhibition and repatriation practices to the appropriation of hip-hop, karaoke and reality TV. Collectively, they urge a fresh look at mechanisms of postcolonial entanglement in the early 21st century as well as the particular rights and insights afforded by indigeneity in that process.
Indigenous peoples --- Performance art --- Social life and customs. --- Politics and government. --- Political aspects. --- Political activity --- Arts, Modern --- Happenings (Art) --- Performing arts --- Ethnology --- globalization --- postcolonial arts --- contemporary --- activism --- modern --- postcolonial --- global --- trans-indigenous --- indigeneity --- indigenous arts --- performance
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Indigenous people in Colombia constitute a mere three percent of the national population. Colombian indigenous communities' success in gaining collective control of almost thirty percent of the national territory is nothing short of extraordinary. In Managing Multiculturalism, Jean E. Jackson examines the evolution of the Colombian indigenous movement over the course of her forty-plus years of research and fieldwork, offering unusually developed and nuanced insight into how indigenous communities and activists changed over time, as well as how she the ethnographer and scholar evolved in turn. The story of how indigenous organizing began, found its voice, established alliances, and won battles against the government and the Catholic Church has important implications for the indigenous cause internationally and for understanding all manner of rights organizing. Integrating case studies with commentaries on the movement's development, Jackson explores the politicization and deployment of multiculturalism, indigenous identity, and neoliberalism, as well as changing conceptions of cultural value and authenticity—including issues such as patrimony, heritage, and ethnic tourism. Both ethnography and recent history of the Latin American indigenous movement, this works traces the ideas motivating indigenous movements in regional and global relief, and with unprecedented breadth and depth.
Indians of South America --- American aborigines --- American Indians --- Indigenous peoples --- Politics and government. --- Ethnology --- Indigeneity. --- authenticity. --- cultural representation. --- ethnographic methodology. --- ethnoracial identity. --- identity politics. --- indigenous movements. --- legal pluralism. --- recognition politics. --- reflexivity.
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This innovative study engages critically with existing conceptualisations of diaspora, arguing that if diaspora is to have analytical purchase, it should illuminate a specific angle of migration or migrancy. To reveal the much-needed transformative potential of the concept, the book looks specifically at how diasporas undertake translation and decolonisation. It offers various conceptual tools for investigating diaspora, with a specific focus on diasporas in the Global North and a detailed empirical study of the Kurdish diaspora in Europe. The book also considers the backlash diasporas of colour have faced in the Global North.
Translating and interpreting --- Kurdish diaspora. --- Human geography. --- Human beings --- Emigration and immigration. --- Decolonization. --- Decolonisation. --- Kurdes --- Homme --- Émigration et immigration --- Emigration and immigration --- Global South. --- Kurd. --- decolonisation. --- diaspora. --- hybridity. --- indigeneity. --- migration. --- multiculturalism. --- translation. --- transnational. --- Social aspects. --- Migrations. --- Aspect social.
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"The Peruvian painter Francisco Laso (1823-69) was born to an aristocratic Creole family. After studying painting in Europe, he returned to Peru and began to focus on portraiture and religious paintings. Over time, he increasingly grew interested in portraying the lives of everyday people rather than the ruling elite class. In addition, he began to depict people of indigenous and African descent, often in traditional dress, as in the cases of the Quechua and Aymara people he painted. His solemn and still studies serve to underscore a shift in depicting indigenous peoples as servants or slaves to representing a noble and lost figure in the Peruvian imagination. Laso's work was part of a broader transformation among nineteenth-century Peruvian painters that influenced writers and intellectuals, who were actively crafting a new national identity in the aftermath of independence from Spain. These images and the ideas they represented continued to shape Peruvian national identity even as the country began to implement modernization programs in the early twentieth century. Natalia Majluf contextualizes Laso's corpus of work within the longer visual culture rooted in the Enlightenment of the late eighteenth century and through portraits of indigenous peoples in the early twentieth century"--
Aymara Indians --- Indigenous peoples --- National characteristics, Peruvian --- Painting, Peruvian --- Quechua Indians --- Portraits --- History --- National characteristics, Peruvian. --- Laso, Francisco, --- indigeneity, Indigenous peoples, Indigenous cultures, indigenous, visual culture, Latin American visual culture, art history. --- 1800-1999 --- Peru
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On July 1, 2017, Canada celebrated the 150th anniversary of Confederation. The nation-wide festivities prompted ambiguous reactions and contradictory responses since they officially proclaimed to celebrate "what it means to be Canadian." Drawing on the analytical perspectives of Diversity Studies, this fifth volume of the "Diversity / Diversité / Diversität" series explores the repercussions of "Canada 150's" focus on identity. The contributions touch upon issues of Canada's French and English dualism; of its settler colonial past and present and the role of Indigenous Peoples in Canada's identity narrative; of Canada's religious, cultural, ethnic and racial diversity; and of the challenge of forging a "Canadian" identity. The authors analyze these and other problems arising from the tensions between identity and diversity by empirically addressing topics such as multicultural memories, Canadian literary and political discourses, Métis history, Canada's Indigenous peoples, Canada's official federal discourse on language and culture, and Canada's evolving citizenship regimes. Contributors: Marie-Eve Beaulieu, Charles Blattberg, Paul Carls, Sarah Henzi, Jane Jenson, Wolfgang Klooss, Gillian Lane-Mercier, Pierre Lavoie, Ursula Lehmkuhl, Laurence McFalls, Nikolas Schall, Lisa Schaub, Elisabeth Tutschek
state-building --- national identities --- Canadianization --- First of July --- Indigenous People --- Turtle Island --- Canadian Narrative --- Métis --- Norbert Welsh --- Canada 150 --- Cultural Democracy --- Settler Colonialism --- Québec --- Indigeneity --- Diversity --- Charles Taylor --- Ambiguity --- Migration und Interkulturelle Kommunikation
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