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In Body Language in Literature, Barbara Korte has produced an important interdisciplinary study, by establishing a general theory that accounts for the varieties of body language encountered in literary narrative, based on a general history of the phenomenon in the English language. By focusing on major works of literature, including stories by D.H. Lawrence, Margaret Atwood, and J.D. Salinger, Korte shows body language to be a vital yet unexplored method of communication in literature.
Body language in literature. --- English fiction --- Human body in literature. --- Nonverbal communication in literature. --- History and criticism. --- -Nonverbal communication in literature --- Body language in literature --- Body, Human, in literature --- 82.04 --- #SBIB:012.AANKOOP --- #SBIB:309H53 --- 82.04 Literaire thema's --- Literaire thema's --- Nonverbal communication (Psychology) in literature --- Human figure in literature --- English literature --- History and criticism --- Niet-verbale communicatie --- Human body in literature --- Nonverbal communication in literature
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This book is about the manifestations and explorations of the heroic in narrative literature since around 1800. It traces the most important stages of this representation but also includes strands that have been marginalised or silenced in a dominant masculine and higher-class framework - the studies include explorations of female versions of the heroic, and they consider working-class and ethnic perspectives. The chapters in this volume each focus on a prominent conjuncture of texts, histories and approaches to the heroic. Taken together, they present an overview of the ‘literary heroic’ in fiction since the late eighteenth century. .
Heroes in literature. --- English fiction --- History. --- English literature --- Literature, Modern-20th century. --- Literature, Modern-19th century. --- Twentieth-Century Literature. --- Contemporary Literature. --- Nineteenth-Century Literature. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Literature, Modern—19th century.
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Poverty and precarity have gained a new societal and political presence in the twenty-first century's advanced economies. This is reflected in cultural production, which this book discusses for a wide range of media and genres from the novel to reality television. With a focus on Britain, its chapters divide their attention between current representations of poverty and important earlier narratives that have retained significant relevance today.The book's contributions discuss the representation of social suffering with attention to agencies of enunciation, ethical implications of 'voice' and 'listening', limits of narratability, the pitfalls of sensationalism, voyeurism and sentimentalism, potentials and restrictions inherent in specific representational techniques, modes and genres; cultural markets for poverty and precarity. Overall, the book suggests that analysis of poverty narratives requires an intersection of theoretical reflection and a close reading of texts.
Poverty in literature --- Social problems in literature --- English fiction --- English literature --- History and criticism --- Poverty. --- literature, precarity, social suffering.
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This book is about the manifestations and explorations of the heroic in narrative literature since around 1800. It traces the most important stages of this representation but also includes strands that have been marginalised or silenced in a dominant masculine and higher-class framework - the studies include explorations of female versions of the heroic, and they consider working-class and ethnic perspectives. The chapters in this volume each focus on a prominent conjuncture of texts, histories and approaches to the heroic. Taken together, they present an overview of the 'literary heroic' in fiction since the late eighteenth century. .
Literature --- helden --- arbeidersklasse --- literatuur --- anno 1800-1899 --- anno 1900-1999 --- Literature, Modern --- Twentieth-Century Literature. --- Contemporary Literature. --- Nineteenth-Century Literature.
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Der vorliegende Band ist der funfte der Schriftenreihe "Helden - Heroisierungen - Heroismen" des DFG-geforderten Sonderforschungsbereichs 948 "Helden - Heroisierungen - Heroismen. Transformationen und Konjunkturen von der Antike bis zur Moderne" (SFB 948) an der Albert-Ludwigsburg-University . Der Band versammelt die uberarbeiteten Vortrage einer Tagung, die vom 12. bis 14. Marz 2015 in Freiburg stattgefunden hat.
Heroes in literature --- Noncitizens in literature. --- Theater --- History
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The nexus between travel, writing and media in the contemporary world is dense: travel practice is increasingly interwoven with media; representations in old and new media are co-present and converge. Digitization has had profound impact on the practice and mediation of travel, but this volume aims to show that travel and its representation have always been enlaced with media. With contributions by experts in literary and cultural studies, journalism studies and informatics, the book takes a multi- and interdisciplinary approach and covers a wide range of media, from the hand-crafted album to social media. It illustrates how current transformations invite us to revisit earlier periods of travel writing and their media environments, and to explore the ways in which contemporary forms of mediation are prefigured by earlier practices and forms. The book addresses readers interested in travel writing, travel studies and cultural studies.
Travelers' writings --- Tourism --- History and crticism. --- Social aspects. --- Technological innovations.
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Britain's recent historical culture is marked by a shift. As a consequence of new political directives, black history began to be mainstreamed into the realm of national history from the late 1990s onwards. »Black History - White History« assesses a number of manifestations of this new cultural historiography on screen and on stage, in museums and other accessible sites, emerging in the context of two commemorative events: the Windrush anniversary and the 1807 abolition bicentenary. It inquires into the terms on which the new historical programme could take hold, its sustainability and its representational politics.
Media; Black History; Britain; Film; Theatre; Museum; Historiography; Windrush; Wilberforce; Memory Culture; Postcolonialism; British History; Cultural History; Cultural Studies --- Black History. --- Britain. --- British History. --- Cultural History. --- Cultural Studies. --- Film. --- Historiography. --- Memory Culture. --- Museum. --- Postcolonialism. --- Theatre. --- Wilberforce. --- Windrush.
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Over the last decade, migration flows from Central and Eastern Europe have become an issue in political debates about human rights, social integration, multiculturalism and citizenship in Great Britain. The increasing number of Eastern Europeans living in Britain has provoked ambivalent and diverse responses, including representations in film and literature that range from travel writing, humorous fiction, mockumentaries, musicals, drama and children’s literature to the thriller. The present volume discusses a wide range of representations of Eastern and Central Europe and its people as reflected in British literature, film and culture. The book offers new readings of authors who have influenced the cultural imagination since the nineteenth century, such as Bram Stoker, George Bernard Shaw, Joseph Conrad and Arthur Koestler. It also discusses the work of more contemporary writers and film directors including Sacha Baron Cohen, David Cronenberg, Vesna Goldsworthy, Kapka Kassabova, Marina Lewycka, Ken Loach, Mike Phillips, Joanne K. Rowling and Rose Tremain. With its focus on post-Wall Europe, Facing the East in the West goes beyond discussions of migration to Britain from an established postcolonial perspective and contributes to the current exploration of 'new' European identities.
English literature --- Emigration and immigration in literature. --- Motion pictures --- Emigration and immigration in motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism. --- History and criticism --- Europe, Eastern --- East Europe --- Eastern Europe --- In literature. --- In motion pictures. --- English literature. --- Literature. --- Motion pictures. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Europe, Eastern. --- Great Britain. --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- Europe --- United States --- Foreign relations --- Emigration and immigration in literature --- Emigration and immigration in motion pictures
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This book represents a contribution to both border studies and short story studies. In today’s world, there is ample evidence of the return of borders worldwide: as material reality, as a concept, and as a way of thinking. This collection of critical essays focuses on the ways in which the contemporary British short story mirrors, questions and engages with border issues in national and individual life. At the same time, the concept of the border, as well as neighbouring notions of liminality and intersectionality, is used to illuminate the short story’s unique aesthetic potential. The first section, “Geopolitics and Grievable Lives”, includes chapters that address the various ways in which contemporary stories engage with our newly bordered world and borders within contemporary Britain. The second section examines how British short stories engage with “Ethnicity and Liminal Identities”, while the third, “Animal Encounters and Metamorphic Bodies”, focuses on stories concerned with epistemological borders and borderlands of existence and identity. Taken together, the chapters in this volume demonstrate the varied and complex ways in which British short stories in the twenty-first century engage with the concept of the border. Barbara Korte is a Professor of English Literature at the University of Freiburg, Germany. Laura Mª Lojo-Rodríguez is a Senior Lecturer in English at the University of Santiago de Compostela, Spain.
Boundaries in literature. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- British literature. --- Literature . --- Emigration and immigration. --- Contemporary Literature. --- British and Irish Literature. --- Postcolonial/World Literature. --- Migration. --- Immigration --- International migration --- Migration, International --- Population geography --- Assimilation (Sociology) --- Colonization --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship
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Heroes and heroic discourse have gained new visibility in the twenty-first century. This is noted in recent research on the heroic, but it has been largely ignored that heroism is increasingly a global phenomenon both in terms of production and consumption. This edited collection aims to bridge this research void and brings together case studies by scholars from different parts of the world and diverse fields. They explore how transnational and transcultural processes of translation and adaptation shape notions of the heroic in non-Western and Western cultures alike. The book provides fresh perspectives on heroism studies and offers a new angle for global and postcolonial studies.
Heroes in mass media. --- Heroes in popular culture. --- Heroes in motion pictures. --- Courage in mass media. --- Courage in popular culture. --- Courage in motion pictures. --- Popular culture --- Mass media --- Motion pictures
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