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Art --- art [fine art] --- anno 1900-1999 --- Art and science --- Art and technology --- Art, Modern --- Art, Modern - 20th century --- art [discipline] --- kunst en technologie --- kunst en wetenschap

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Art --- art [fine art] --- Science and the arts --- Technology and the arts --- Arts and technology --- Arts --- Arts and science --- Science and the arts. --- Technology and the arts. --- art [discipline] --- kunst en technologie --- kunst en wetenschap

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The second volume of Leonardo Studies explores a dual theme of nature and architecture, offering a wide-ranging overview of current Leonardo scholarship on these two abundant subjects. While Leonardo worked on his Treatise on Painting , he noted that understanding the physical properties of nature must precede individual projects of painting or designing buildings. The volume begins with the Trattato , and follows with physics, geology, painting that imitates architectural structure and vice-versa, and proceeds to architectural projects, questions of attribution, urban planning, and and the dissemination of Leonardo’s writings in the Trattato and its historiography. This impressive group of articles constitutes not only new research, but also a departure point for future studies on these topics. Contributors are: Janis Bell, Andrea Bernardoni, Marco Carpiceci, Paolo Cavagnero, Fabio Colonnese, Kay Etheridge, Diane Ghirardo, Claudio Giorgione, Domenico Laurenza, Catherine Lucheck, Silvio Mara, Jill Pederson, Richard Schofield, Sara Taglialagamba, Cristiano Tessari, Marco Versiero, and Raffaella Zama.

Philosophy of nature --- Architecture --- knowledge --- Nature --- Leonardo da Vinci --- Nature. --- Architecture. --- Leonardo, --- Knowledge --- Painters --- Painting, Renaissance --- Architecture, Renaissance --- Nature in art. --- Architecture in art --- Attitudes --- Attitudes. --- Leonardo, - da Vinci, - 1452-1519 --- kunst en wetenschap

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The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.

Art --- Science --- Art and science --- Art et mathématiques --- Art et science --- Art et sciences --- Kunst en wetenschap --- Mathématiques et art --- Science and art --- Science et art --- Sciences et art --- Wetenschap en kunst --- Art and science. --- 769.04:5 --- kunst --- 7.03 --- 7.01 --- astronomie --- gender studies --- Bosch Hieronymus --- mirakels --- perceptie --- waarneming --- Picabia Francis --- plantkunde --- botanica --- flos pavonis --- stigmata --- lichamelijkheid --- stilistiek --- stijlanalyse --- kunsttheorie --- wetenschap --- kunst en wetenschap --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Wiskunde. Natuurwetenschappen --- 769.04:5 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Wiskunde. Natuurwetenschappen --- Art et sciences. --- Kunst. --- Naturwissenschaften. --- Wissenschaft. --- Technik. --- Erkenntnis. --- Ästhetische Wahrnehmung. --- Wetenschap. --- èAsthetische Wahrnehmung.

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Les deux essais précédents de Edward Lucie-Smith, Art Today et Movements in Art since 1945, sont considérés comme une magistrale initiation aux arcanes de l'art contemporain. S'inscrivant dans leur prolongement, Art Tomorrow approfondit la réflexion entreprise en cherchant à discerner à travers les oeuvres présentées, le ou les visages futurs de l'art du XXIe siècle. Les tendances les plus fécondes nous y sont présentées, en relation avec le contexte social et culturel dans lequel elles s'inscrivent. L'auteur met en valeur la nature profonde de ces tendances au travers d'une thématique éclairante : l'héritage du Pop Art, les nouveuax modes de représentation de la réalité, la politique délibérée de scandale, la relecture post-moderne du classicisme ou encore l'influence de la science et particulièrement de la génétique. Cet ouvrage rend compte de la diversité d'un art "post-médiatique" qui a recourt à de multiples techniques. L'étude évoque aussi l'importance du phénomène de la mondialisation (extrait du dos de la couverture)

art [fine art] --- museums [institutions] --- Art --- anno 2000-2009 --- anno 1990-1999 --- Art, Modern --- Forecasting --- Prévision --- Art contemporain --- Histoire de la peinture --- Musée --- Pop art --- Forecasting. --- 20e siècle --- 21e siècle --- Prévision --- Art, Modern - 20th century. --- Art - Forecasting. --- art [discipline] --- kunstsociologie --- kunstpsychologie --- kunst en wetenschap