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Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focused analytical essays from leading scholars on the symphonic music of both mainstream composers, including Haydn, Mozart and Beethoven and lesser-known figures, including Carter, Berio and Maxwell Davies. With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire
Symphony --- Sinfonietta --- Symphonies --- Symphonietta --- Musical form --- History and criticism --- Symphony. --- Symphonie --- Analysis, appreciation. --- Analyse et appréciation --- Music --- Music, Dance, Drama & Film --- Music History & Criticism, Instrumental
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Performance practice (Music) --- Symphony --- Pratique de l'exécution (Musique) --- Symphonie --- History --- Histoire --- Mozart, Wolfgang Amadeus, --- Pratique de l'exécution (Musique) --- Symphony. --- -Performance practice (Music) --- Sinfonietta --- Symphonietta --- Musical form --- -Sinfonietta --- Symphonies --- History and criticism --- Mozart, Wolfgang Amadeus --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- 78.21.1 Mozart --- Performance practice (Music) - 18th century.
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This volume deals, from multiple perspectives, with the complex world of European symphonism during the nineteenth century, a period in which it encompassed not only the creation of musical products and performances, but also significantly affected many compositional approaches, as well as aesthetic factors, such as the opposition between programme and absolute music. The emergence of the great symphony orchestras led to unprecedented types of professional interaction, and new forms of patronage. It also fostered the creation of a specific repertoire, and the construction of the first purpose-built concert halls. These developments originated in Europe at the beginning of the 19th century, in conjunction with the growth of music destined for increasing orchestral formations and the concert as a social phenomenon, available to the common public. About twenty authors discuss in this volume issues about analysis and musical creation, repertoire, musical aesthetics and criticism, orchestras and symphonic ensembles, musical performing venues, production system, consumption, entertainment system and the dissemination and reception of symphonic models in Europe. Through the work of Beethoven, Berlioz, Mendelssohn, Brahms, Mahler, Strauss, among others, the volume addresses these and other aspects across the European geography and in different contexts: Spain, Italy, French, Portugal, United Kingdom, Northern Europe and Eastern Europe.
Symphony --- Sinfonietta --- Symphonies --- Symphonietta --- Musical form --- History --- History and criticism --- Music --- symfonische muziek --- muziekgeschiedenis --- anno 1800-1899 --- Europe --- Histoire --- Compositeurs --- Europe. --- Symphonic poems --- Concerts --- Musical analysis --- Analysis appreciation. --- Analysis, appreciation --- Symphony - Europe - History - 19th century
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