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Presenting new and diverse scholarship, this wide-ranging collection of 43 original chapters asks what European cinema tells us about Europe.The book engages with European cinema that attends to questions of European colonial, racialized and gendered power; seeks to decentre Europe itself (not merely its putative centres); and interrogate Europe’s various conceptualizations from a variety of viewpoints. It explores the broad, complex and heterogeneous community/ies produced in and by European films, taking in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Chapters cover numerous topics, including individual films, film movements, filmmakers, stars, scholarship, representations and identities, audiences, production practices, genres and more, all analysed in their context(s) so as to construct an image of Europe as it emerges from Europe’s film corpus.The Companion opens the study of European cinema to a broad readership and is ideal for students and scholars in film, European studies, queer studies and cultural studies, as well as historians with an interest in audio-visual culture, nationalism and transnationalism, and those working in language-based area studies.

Motion pictures --- Motion picture industry --- History. --- SOCIAL SCIENCE / Media Studies --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Cinéma -- Europe --- Industrie du cinéma -- Europe --- Film --- Europe --- Cinéma --- Industrie du cinéma

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Laurent Creton nous livre ici une étude du rôle du marketing dans l'industrie cinématographique mondiale : les techniques et les méthodes, en analysant tout particulièrement la situation dans le cinéma français et européen.

Motion pictures --- Motion picture industry --- Marketing. --- Economic aspects. --- -Motion pictures --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Economic aspects --- Marketing --- History and criticism --- -Economic aspects --- Motion pictures - Marketing --- Motion picture industry - Economic aspects

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Motion picture industry --- Motion picture programs --- Mass media --- Law and legislation --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Motion picture industry - Law and legislation - European Union countries --- Motion picture programs - European Union countries --- Mass media - Law and legislation - European Union countries

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La théorie économique dominante, considérant chaque individu comme un être rationnel, présuppose que son comportement est avant tout dicté par la recherche de son intérêt. Elle a imposé la conception d’une autonomie du désir du sujet, supposé s’orienter librement vers tous les objets, en vue d’une maximisation de sa satisfaction. En s’intéressant particulièrement au cinéma, l’auteur tente de montrer le caractère essentiellement mimétique de nos actes, achats et consommations, explicitant par exemple les fortes concentrations des entrées autour de quelques films en quelques salles. En essayant de nourrir l’approche économique d’autres sciences, et notamment la sociologie, l’anthropologie, la neurobiologie et les travaux de René Girard, il a tenté de montrer que, loin d’être un sujet autonome décochant la flèche de son désir en direction d’un bien optimalement choisi, l’humain adopte au contraire un comportement totalement hétéronome, son regard se portant d’abord sur un autre humain, médiateur souvent involontaire qui l’oriente à son insu vers un objet dont il est déjà lui-même propriétaire. Si les produits offerts et les incantations autour de la « diversité » n’ont jamais été aussi nombreux, l’accroissement du nombre et de la rapidité des supports médiatiques a surtout provoqué l’accélération du processus mimétique, induisant une concentration accrue de la demande sur quelques biens, y compris culturels tels les livres, disques, ou films.

Motion picture industry --- Motion picture audiences. --- Economic aspects. --- Social aspects. --- Motion picture audiences --- Cinéma --- Social aspects --- Economic aspects --- Publics --- Aspect social --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Audiences --- programmation --- cinéma --- salle de cinéma --- film --- Cinéma --- Sociologie de la culture --- Conformisme --- Aspect économique --- Sociologie --- Appréciation --- Aspect économique --- Appréciation

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"This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere"--Provided by publisher

Motion pictures --- Motion picture industry --- History --- K9741.90 --- K9790.90 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Korea: Performing and media arts -- history -- North Korea (1945- ) --- Korea: Performing and media arts -- cinema -- North Korea --- History and criticism --- Motion pictures - Korea (North) - History --- Motion picture industry - Korea (North) - History