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Making Copies in European Art 1400-1600, edited by Maddalena Bellavitis, consists of 16 essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.

Painting, Renaissance --- Pictures - Copying --- Art and society - Europe - History - To 1500 --- Art and society - Europe - History - 16th century --- Painting, Renaissance. --- Peinture de la Renaissance. --- Pictures --- Illustrations, images, etc. --- Art and society --- Art --- Copying. --- Reproduction --- Reproduction. --- History --- Aspect social --- Copying --- Influence --- Art and sociology --- Society and art --- Sociology and art --- Paintings, Renaissance --- Renaissance painting --- Social aspects --- History of civilization --- art [discipline] --- cultuurgeschiedenis --- copies [derivative objects] --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Europe

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David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda.

Book history --- anno 1400-1499 --- Europe --- Prints, European --- Art and society --- Estampe européenne --- Art et société --- History --- Histoire --- Prints, European. --- 76 "14" --- 248.159 --- 7.046 --- 76 "15" --- Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Devoties:--algemeen --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- 76 "15" Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- 248.159 Devoties:--algemeen --- 76 "14" Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Estampe européenne --- Art et société --- European prints --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Art and society - Europe - History - To 1500

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History of civilization --- Art --- anno 1700-1799 --- Art and society --- Arts, European --- Art et société --- Arts européens --- Europe --- Civilization --- Civilisation --- Civilization, Modern --- Art, European --- 7.034.8 x --- 930.85.48 --- -Civilization, Modern --- -Art, European --- -Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Modern civilization --- Modernity --- Renaissance --- Art and sociology --- Society and art --- Sociology and art --- Rococokunst --- Cultuurgeschiedenis: Verlichting; Aufklärung --- History --- Social aspects --- -Rococokunst --- 930.85.48 Cultuurgeschiedenis: Verlichting; Aufklärung --- 7.034.8 x Rococokunst --- Art baroque --- Art classique --- -930.85.48 Cultuurgeschiedenis: Verlichting; Aufklärung --- Art, Modern --- Art et société --- Arts européens --- 700.7 --- Art and society - Europe --- Civilization, Modern - 18th century - Europe --- Art, European - 18th century --- Societe --- Art moderne --- 17e-18e siecles

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Entre dévotions privées et mémoire dynastique, la question du mécénat et du patronage religieux des femmes de pouvoir permet d'aborder l'histoire de leur spiritualité, mais s'inscrit aussi dans une histoire plus politique du pouvoir, et de son partage entre les sexes. Majoritairement écartées de la Couronne et du pouvoir réel au bas Moyen Âge, les reines se sont-elles distinguées par un investissement plus grand dans le domaine du sacré ? Dans l'association délibérée d'un couple, le monarque incarnait-il davantage l'auctoritas et son épouse la caritas ? Loin de l'histoire engagée du genre, il faut concevoir le pouvoir en termes de complémentarité. Il est néanmoins nécessaire de s'interroger sur la (ou les) spécificités du patronage féminin ; en d'autres termes, existe-t-il des domaines spécifiquement féminins d'appropriation ou d'incarnation du sacré ? C'est sous cet angle d'analyse, à la confluence du politique et du religieux, qu'est abordé l'ensemble des reines-consorts des royaumes européens (France, Italie, Espagne, Pays-Bas) dont les parcours sont examinés sur un temps long, du xive au xviie siècle, dans une perspective comparatiste. Toutes les formes d'interventions religieuses sont ici évoquées par les meilleurs spécialistes internationaux de l'histoire politique et artistique du Moyen Âge et de l'époque moderne : fondations d'églises, de couvents et d'hôpitaux, legs pieux et charitables, patronages et collections d'ouvrages religieux, mais aussi commandes architecturales ou artistiques.

History of civilization --- History of Europe --- Biography: 1400-1499 --- anno 1300-1399 --- anno 1600-1699 --- anno 1500-1599 --- Women art patrons --- Women --- Art and religion --- Art and society --- Femmes --- Art et religion --- Art et société --- History --- Congresses. --- Religious life --- Congresses --- Vie religieuse --- Histoire --- Congrès --- Europe --- Kings and rulers --- Religious aspects --- Art patronage --- Rois et souverains --- Aspect religieux --- Mécénat --- 396.7 --- 396.7 Vrouw en religie --- Vrouw en religie --- Conferences - Meetings --- Reines --- Mécénat religieux --- Activité politique --- Femmes mécènes --- Religion --- Art et société --- Congrès --- Mécénat --- 7.078 --- 396 --- 940.2 --- 940.2 Geschiedenis van Europa: Nieuwe en Nieuwste Tijd--(1492-heden) --- Geschiedenis van Europa: Nieuwe en Nieuwste Tijd--(1492-heden) --- 396 Feminisme. Vrouwenbeweging. Vrouw en maatschappij --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- 396 Feminism. Women's movement. Woman and society --- Feminism. Women's movement. Woman and society --- Activité politique --- Histoire. --- Femmes - Vie religieuse - Europe - Histoire - Congrès --- Femmes mécènes - Europe - Histoire - Congrès --- Art et religion - Europe - Histoire - Congrès --- Art et société - Europe - Histoire - Congrès --- Women - Religious life - Europe - History - Congresses. --- Women art patrons - Europe - History - Congresses. --- Art and religion - Europe - History - Congresses. --- Art and society - Europe - History - Congresses. --- Europe - Rois et souverains - Religion - Congrès. --- Europe - Rois et souverains - Mécénat - Congrès. --- Europe - Kings and rulers - Religion - Congresses. --- Europe - Kings and rulers - Art patronage - Congresses. --- Women's Studies --- mécénat --- histoire des femmes --- charité